{"title":"1950s","description":"","products":[{"product_id":"summertime","title":"SUMMERTIME (1955)","description":"\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eKatharine Hepburn stars in David Lean’s tender tale of romantic longing, which captures the glory of Venice in radiant Technicolor.\u003cbr\u003eWith this sublimely bittersweet tale of romantic longing, director David Lean left behind the British soundstage to capture in radiant Technicolor the sun-splashed glory of Venice at the height of summer.\u003cbr\u003eIn a tour de force of fearless vulnerability, Katharine Hepburn embodies the conflicting emotions that stir the heart of a lonely, middle-aged American tourist who is forced to confront her deep-seated insecurities when she is drawn into a seemingly impossible affair with a charming Italian shopkeeper (Rossano Brazzi) amid the ancient city’s canals and piazzas.\u003cbr\u003eLean’s personal favorite among his own films, \u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eSummertime \u003c\/span\u003eis an exquisitely tender evocation of the magic and melancholy of a fleeting, not-quite-fairy-tale romance.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eNew interview with film historian Melanie Williams\u003c\/li\u003e\n\u003cli\u003eInterview with director David Lean from 1963\u003c\/li\u003e\n\u003cli\u003eAudio excerpts of a 1988 interview with cinematographer Jack Hildyard\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film critic Stephanie Zacharek\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"DVD","offer_id":43328840073435,"sku":null,"price":32.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":43328840106203,"sku":null,"price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/products\/71CngOZv2hL._AC_SL1500_1afaab6e-819f-4a8f-b1c1-9fb238a60282.jpg?v=1670560453"},{"product_id":"holly-ivy","title":"HOLLY AND THE IVY, THE (1952)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eA Christmas Eve they won't forget... \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Holly and the Ivy\u003c\/em\u003e is the heart-warming Christmas tale set in post-war Britain based on the classic play by Wynyard Browne (\u003cem\u003eHobson’s Choice\u003c\/em\u003e). Ralph Richardson (\u003cem\u003eThe Sound Barrier\u003c\/em\u003e) plays Reverend Martin Gregory, a recently widowed minister torn between his roles of clergyman and father. His zeal for attending to his parishioners leads him to neglect the needs of his own family, until emotions boil over one Christmas. The Holly and the Ivy is a charming and moving seasonal favorite, peaking with the family’s poignant reconciliation as they rediscover the true spirit of Christmas. This yuletide classic, also starring Celia Johnson (\u003cem\u003eThe Captain's Paradise\u003c\/em\u003e), Margaret Leighton (\u003cem\u003eUnder Capricorn\u003c\/em\u003e) and Denholm Elliott (\u003cem\u003eTrading Places\u003c\/em\u003e), was wonderfully directed by George More O’Ferrall (\u003cem\u003eThe Heart of the Matter\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNEW Audio Commentary by Film Historian Jeremy Arnold\u003c\/li\u003e\n\u003cli\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KINO LORBER","offers":[{"title":"DVD","offer_id":43773562847451,"sku":"","price":16.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":43773214982363,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/products\/8159ugnuboL._AC_SL1500.jpg?v=1670561017"},{"product_id":"white-xmas","title":"WHITE CHRISTMAS (1954)","description":"\u003cp\u003e\u003cstrong\u003eTHE MOST FABULOUS MUSIC-AND-MIRTH SHOW IN MOTION PICTURE HISTORY!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhite Christmas is a treasure trove of Irving Berlin’s most memorable songs, among them ‘Count Your Blessings Instead of Sheep,’ ‘Sisters,’ ‘Mandy’ and the beloved holiday song, ‘White Christmas.’ This 2-disc Diamond Anniversary Edition contains the timeless musical, plus new special features! Two talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a white Christmas. The result is stuff dreams are made of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eRESTORED FROM THE ORIGINAL VISTAVISION NEGATIVE\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eCommentary by Rosemary Clooney\u003c\/li\u003e\n\u003cli\u003eWHITE CHRISTMAS Sing-Along\u003c\/li\u003e\n\u003cli\u003eClassic Holiday Moments\u003c\/li\u003e\n\u003cli\u003eAssignment Children\u003c\/li\u003e\n\u003cli\u003eBackstage Stories from WHITE CHRISTMAS\u003c\/li\u003e\n\u003cli\u003eBing Crosby: Christmas Crooner\u003c\/li\u003e\n\u003cli\u003eDanny Kaye: Joy to the World\u003c\/li\u003e\n\u003cli\u003eIrving Berlin's WHITE CHRISTMAS\u003c\/li\u003e\n\u003cli\u003eRosemary's Old Kentucky Home\u003c\/li\u003e\n\u003cli\u003eWHITE CHRISTMAS: From Page to Stage\u003c\/li\u003e\n\u003cli\u003eWHITE CHRISTMAS: A Look Back with Rosemary Clooney\u003c\/li\u003e\n\u003cli\u003ePhoto Galleries\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PARAMOUNT PICTURES","offers":[{"title":"DVD","offer_id":43773568024795,"sku":"","price":16.95,"currency_code":"CAD","in_stock":true},{"title":"BLU-RAY","offer_id":43773568057563,"sku":"white-xmas-br","price":18.95,"currency_code":"CAD","in_stock":false},{"title":"4K UHD + BLU-RAY","offer_id":46228742045915,"sku":"","price":26.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/370225_overview.jpg?v=1730755853"},{"product_id":"twelve-angry-men","title":"12 ANGRY MEN (1957)","description":"\u003cp\u003eFollowing the closing arguments in a murder trial, the twelve members of the jury must deliberate, with a guilty verdict meaning death for the accused, an inner-city teen. As the dozen men try to reach a unanimous decision while sequestered in a solitary, sweltering room, one juror (Henry Fonda, The Ox-Bow Incident) casts considerable doubt on elements of the case. Personal issues soon rise to the surface, and conflict threatens to derail the delicate process that will decide one boy’s fate. In addition to Fonda (who also co-produced with writer Reginald Rose), the cast includes Lee J. Cobb as his main opposition; Ed Begley as a hateful bigot; E.G. Marshall as a cold, logical stockbroker; Jack Warden as a baseball fanatic and Jack Klugman as the disturbed blood-brother to the defendant. The feature directing debut of Sidney Lumet (Serpico, The Verdict), 12 Angry Men remains “one of the best pictures ever made” (The Hollywood Reporter), a searing examination of race, justice, family and morality.\u003c\/p\u003e","brand":"KINO LORBER","offers":[{"title":"4K UHD (WITHOUT SLIPCOVER)","offer_id":44394392355035,"sku":"","price":31.95,"currency_code":"CAD","in_stock":false},{"title":"DVD","offer_id":48801554366683,"sku":null,"price":19.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/311138_front.jpg?v=1719178684"},{"product_id":"film-noir-dark-side","title":"FILM NOIR: THE DARK SIDE OF CINEMA XII (1949-1955)","description":"\u003cp\u003eThis collection features three film noir classics. UNDERTOW (1949) – Best known for fright fare such as House on Haunted Hill, The Tingler and Let’s Kill Uncle, cult director William Castle turns his lens on guns and gangsters for the film noir gem Undertow. Scott Brady (I Was a Shoplifter) stars as Tony Reagan, a gambler just out of wartime military service. No longer interested in wagers and speculations, Reagan wants only to open up a mountain vacation lodge. Before this can take place, however, he is framed for murder and forced to go on the run from both the police and the unknown killers. Dorothy Hart (Larceny) and Peggy Dow (Shakedown) play the love interests in this serpentine tale of mob-and-moll double-crosses, with John Russell (Yellow Sky), Bruce Bennett (Mildred Pierce) and future star Rock Hudson (The Tarnished Angels) in his second film appearance. OUTSIDE THE WALL (1950) – Richard Basehart (He Walked by Night) stars as Larry Nelson, paroled from prison after serving nearly half of his thirty-year sentence. Larry is determined to not fall into the clutches of the law again and takes a quiet job at a country sanitarium. There he meets and falls for a gold-digging nurse, Charlotte Maynard (Marilyn Maxwell, Race Street), and he knows the only way to enter her web is to make a lot of fast money. So when Larry learns that the sanitarium is a front for a robbery syndicate, he soon finds himself a clay pigeon for the gang. Meanwhile, sweet-and-wholesome nurse Ann Taylor (Dorothy Hart, Undertow) does her best to help Larry out of the unpleasant situation. Also starring Swedish sensation Signe Hasso (The House on 92nd Street), Outside the Wall is a classic noir story of an ex-con’s struggle to go straight. HOLD BACK TOMORROW (1955) – What Strange Law Answered His Last Request...to Bring THIS Beautiful Woman to His Cell? Hollywood great John Agar (Sands of Iwo Jima, Shield for Murder) stars as Joe, a death row inmate with one final request before his impending hanging: to spend the night with a woman. The police bring him a down-on-her-luck former “waitress” named Dora, played by femme fatale extraordinaire Cleo Moore (On Dangerous Ground, The Other Woman). At first these two tormented souls meet with disdain, but soon gain each other’s respect. After a night of raw and unexpected passion, Joe informs Dora that, with her love, he will not be afraid to die. The nihilistic noir two-hander Hold Back Tomorrow comes written, produced and directed by Czech star and cult auteur, Hugo Haas (The Girl on the Bridge, Bait).\u003c\/p\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY","offer_id":44394392879323,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/products\/738329260774.jpg?v=1699037440"},{"product_id":"ranown-westerns","title":"RANOWN WESTERNS, THE: FIVE FILMS DIRECTED BY BUDD BOETTICHER","description":"\u003cp\u003e\u003cstrong\u003eSTARRING RANDOLPH SCOTT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe five briskly entertaining, vividly performed westerns made by director Budd Boetticher and strapping star Randolph Scott in the second half of the 1950s transcend their B-movie origins to become rich, unexpectedly profound explorations of loyalty, greed, honor, and revenge. Often grouped under the name Ranown (after producer Harry Joe Brown and Scott’s production company) and colorfully scripted by Burt Kennedy and Charles Lang, these films seem to unfold in a world unto themselves, staking a claim between traditional westerns and the subversive genre revisionism of the 1960s—and representing the crowning achievement of the underappreciated auteur Boetticher.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch3 class=\"header__primarytitle\"\u003eThe Tall T (1957)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\"\u003e\n\u003cp\u003eBased on a story by Elmore Leonard, this collaboration between director Budd Boetticher, actor Randolph Scott, and screenwriter Burt Kennedy is a model of elegantly economical storytelling charged with psychological tension. Here, Scott is the easygoing rancher who, along with the newlywed daughter (Maureen O’Sullivan) of a wealthy mining baron, must use his wits to stay alive when he is taken hostage by a band of ruthless stagecoach robbers. He is memorably matched by Richard Boone’s dangerously charming, nearly sympathetic villain in a performance that exemplifies the fine moral shading that distinguishes the Ranown westerns.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch3 class=\"header__primarytitle\"\u003eDecision at Sundown (1957)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\"\u003e\n\u003cp\u003eRandolph Scott boldly subverts his upstanding image in this stark, often startlingly bleak tale of revenge and a man’s misguided quest for redemption. He plays the mysterious stranger who, consumed by hatred for the man he blames for his wife’s suicide, rides into the corrupt town of Sundown hell-bent on vengeance. There, both he and the townspeople face a reckoning that forces them to confront disturbing truths about themselves. All but annihilating the myth of the righteous western hero,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDecision at Sundown\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eedges the Ranown films into increasingly dark, despairing territory.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch3 class=\"header__primarytitle\"\u003eBuchanan Rides Alone (1958)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\"\u003e\n\u003cp\u003eWelcome to Agry Town, a corrupt border outpost presided over by a pair of rival brothers whose bottomless greed corrupts everything in their orbit. Into this moral cesspool rides drifter Tom Buchanan (Randolph Scott), who soon finds himself railroaded for murder and, alongside a vengeful young Mexican vaquero, forced to take a stand for justice. The noir-tinged narrative—replete with twists, double crosses, and the kind of richly drawn villains who are hallmarks of the Ranown westerns—moves with entertaining economy toward a memorably ironic climax.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch3 class=\"header__primarytitle\"\u003eRide Lonesome (1959)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\"\u003e\n\u003cp\u003eMysterious motivations drive taciturn bounty hunter Ben Brigade (Randolph Scott) to capture a wanted murderer—but his quest is complicated when he is accosted by a pair of outlaws who have their own inscrutable reasons for riding along. Masterfully scripted by Burt Kennedy, who weaves a complex web of ambiguous loyalties and motives, and featuring supporting turns by genre icons James Coburn (in his film debut) and Lee Van Cleef, the first of the Ranown westerns to be shot in CinemaScope makes striking use of the enlarged frame—with a final shot that stands as perhaps the single most unforgettable image in the series.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch3 class=\"header__primarytitle\"\u003eComanche Station (1960)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\"\u003e\n\u003cp\u003eThe last collaboration between Budd Boetticher and Randolph Scott brings the Ranown westerns full circle, reexamining many of the films’ key themes and tropes: greed, loyalty, hidden motivations, and the fine moral line that separates heroes from villains. Scott stars as the enigmatic Jefferson Cody, who rescues a woman kidnapped by Comanches for reasons that may have nothing to do with the bounty offered for her return. 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To Reverend Harry Powell, the work of the Lord has more to do with condemning souls than saving them, especially when his own interests are involved. Now his sights are set on $10,000—and two little children are the only ones who know where it is. “Chill…dren!” the preacher croons to the terrified boy and girl hiding in the cold, dark cellar…innocent young lambs who refuse to be led astray. The legendary, lone directorial effort of actor Charles Laughton (Witness for the Prosecution), The Night of the Hunter stars Robert Mitchum (Out of the Past) in the most daring and critically acclaimed performance of his career, opposite the equally spellbinding Shelley Winters (He Ran All the Way) and Lillian Gish (Duel in the Sun). 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Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eNEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eNEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":31295,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":5855577},\"15\":\"Calibri\",\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\" DISC 1 (4KUHD): Brand New HDR\/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eAudio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":31295,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":5855577},\"15\":\"Calibri\",\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\" DISC 1 (4KUHD): Brand New HDR\/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eStalag 17 – From Reality to Screen: Featurette (22:01)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":31295,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":5855577},\"15\":\"Calibri\",\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\" DISC 1 (4KUHD): Brand New HDR\/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eThe Real Heroes of Stalag XVII B: Featurette (24:49)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":31295,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":5855577},\"15\":\"Calibri\",\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\" DISC 1 (4KUHD): Brand New HDR\/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eDual-Layered BD50 Disc\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":31295,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":5855577},\"15\":\"Calibri\",\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\" DISC 1 (4KUHD): Brand New HDR\/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Triple-Layered UHD100 Disc | Optional English Subtitles \/ DISC 2 (BLU-RAY): Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Filmmaker\/Historian Steve Mitchell and Combat Films: American Realism Author Steven Jay Rubin | NEW Audio Commentary by Film Historian Joseph McBride, Author of Billy Wilder: Dancing on the Edge | Audio Commentary by Actors Richard Erdman and Gil Stratton with Co-Playwright Donald Bevan | Stalag 17 – From Reality to Screen: Featurette (22:01) | The Real Heroes of Stalag XVII B: Featurette (24:49) | Dual-Layered BD50 Disc | Optional English Subtitles\"}'\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KINO LORBER STUDIO CLASSICS","offers":[{"title":"4K UHD + BLU-RAY (WITH SLIPCOVER)","offer_id":44460712526043,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY (WITH SLIPCOVER)","offer_id":44460712558811,"sku":"","price":19.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/333701_slip.jpg?v=1720380889"},{"product_id":"looney-tunes-colectors-choice-vol-2","title":"LOONEY TUNES COLECTOR'S CHOICE VOL. 2 (1930-1969)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eIncludes the animated shorts below:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBEHIND THE MEAT-BALL (1945) Directed by Frank Tashlin\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBROTHER BRAT (1944) Directed by Frank Tashlin-with Porky Pig\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCATTY CORNERED (1953) Directed by Friz Freleng-with Tweety and Sylvester\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCROSS COUNTRY DETOURS (1940) Directed by Tex Avery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDAFFY’S SOUTHERN EXPOSURE (1942) Directed by Norm McCabe-with Daffy Duck\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDING DOG DADDY (1942) Directed by Friz Freleng\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE EAGER BEAVER (1946) Directed by Chuck Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFAIR AND WORM-ER (1946) Directed by Chuck Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFIN 'N CATTY (1943) Directed by Chuck Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFROM HAND TO MOUSE (1944) Directed by Chuck Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGHOST WANTED (1940) Directed by Chuck Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGREETINGS BAIT (1943) Directed by Friz Freleng-with Wacky Worm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHAMATEUR NIGHT (1939) Directed by Tex Avery-with Egghead\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHARE-BREADTH HURRY (1963) Directed by Chuck Jones with Bugs Bunny and Wile E. Coyote\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA HICK A SLICK AND A CHICK (1948) Directed by Arthur Davis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHISS AND MAKE UP (1948) Directed by Arthur Davis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA HOUND FOR TROUBLE (1951) Directed by Chuck Jones-with Charlie Dog\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI WANNA BE A SAILOR (1937) Directed by Tex Avery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE LEGHORN BLOWS AT MIDNIGHT (1950) Directed by Robert McKimson-with Foghorn Leghorn and Henery Hawk\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLICKETY-SPLAT (1961) Directed by Chuck Jones and Abe Levitow-with Road Runner and Wile E. Coyote\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eONE MEAT BRAWL (1947) Directed by Robert McKimson-with Porky Pig\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE PENGUIN PARADE (1938) Directed by Tex Avery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRABBIT RAMPAGE (1955) Directed by Chuck Jones-with Bugs Bunny and Elmer Fudd\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE REBEL WITHOUT CLAWS (1961) Directed by Friz Freleng-with Tweety and Sylvester\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE WACKY WORM (1941) Directed by Friz Freleng-with Wacky Worm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WARNER ARCHIVE","offers":[{"title":"BLU-RAY","offer_id":44482133000411,"sku":"","price":28.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/346061_front.jpg?v=1720984863"},{"product_id":"anatomy-of-a-murder-1959","title":"ANATOMY OF A MURDER (1959)","description":"\u003cdiv data-ved=\"2ahUKEwjbzd7GmbWDAxXdGVkFHTCkD2gQkCl6BAgXEAA\" data-hveid=\"CBcQAA\" data-md=\"50\" class=\"wDYxhc\"\u003e\n\u003cdiv data-ved=\"2ahUKEwjbzd7GmbWDAxXdGVkFHTCkD2gQziAoAHoECBcQAQ\" data-hveid=\"CBcQAQ\" data-attrid=\"description\" class=\"PZPZlf hb8SAc\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"kno-rdesc kno-desc-sh\"\u003e\u003cstrong\u003eNo search of human emotions has ever probed so deeply, so truthfully as ... 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Welch as the judge—and an influential score by Duke Ellington, \u003c\/span\u003e\u003cem\u003eAnatomy of a Murder\u003c\/em\u003e\u003cspan\u003e is an American movie landmark, nominated for seven Oscars, including best picture.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"kno-rdesc kno-desc-sh\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"kno-rdesc kno-desc-sh\"\u003e\n\u003ch4 data-feature-title-field=\"\" class=\"header_lvl2 hideSmall\"\u003eBLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv data-special-features-field=\"\" class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eNew alternate 5.1 soundtrack, presented in DTS-HD Master Audio\u003c\/li\u003e\n\u003cli\u003eNew interview with Otto Preminger biographer Foster Hirsch\u003c\/li\u003e\n\u003cli\u003eCritic Gary Giddins explores Duke Ellington’s score in a new interview\u003c\/li\u003e\n\u003cli\u003eA look at the relationship between graphic designer Saul Bass and Preminger with Bass biographer Pat Kirkham\u003c\/li\u003e\n\u003cli\u003eNewsreel footage from the set\u003c\/li\u003e\n\u003cli\u003eExcerpts from a 1967 episode of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFiring Line,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeaturing Preminger in discussion with William F. 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McGivern (The Big Heat). Acting greats Harry Belafonte, Robert Ryan, Shelley Winters, Ed Begley and Gloria Grahame deliver superb performances in this taut and absorbing crime melodrama, often cited as the first film noir to feature a black protagonist. One hundred and fifty thousand dollars, ready for the taking. It’s too much to resist for bigoted ex-con Earl Slater (Ryan). He agrees to take part in a bank robbery with former cop Burke (Begley)—but hesitates when he finds out that one of his partners (Belafonte) is black. As tensions mount and the men get closer to their biggest score ever, Earl’s hatred erupts, resulting in violent consequences for the heist…and their lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary by Author\/Film Historian Alan K. Rode | Theatrical Trailer | Optional English Subtitles\"}'\u003eNEW Audio Commentary by Author\/Film Historian Alan K. Rode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary by Author\/Film Historian Alan K. 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CORALL (1957)","description":"\u003cp\u003e\u003cstrong\u003eThe Wildest Gunfight in the History of the West !\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA gang of ruthless outlaws…a pair of larger-than-life heroes…a timeless tale of good versus evil. Blended together, the result is a sprawling, epic adventure bigger than the wild frontier—Gunfight at the O.K. Corral. Screen legends Burt Lancaster (Vera Cruz) and Kirk Douglas (Lonely Are the Brave) team up to rid Tombstone, Arizona of the murderous Clanton gang in this all-star, action-packed classic. When lawman Wyatt Earp (Lancaster) and gunfighter John “Doc” Holliday (Douglas) ride into town, they find themselves pitted against one of the biggest foes ever encountered, in the form of Ike Clanton (Lyle Bettger) and his posse of cutthroats. It isn’t long before the confrontation explodes into a survival-at-all-costs battle, with Rhonda Fleming, Jo Van Fleet, John Ireland, Dennis Hopper, DeForest Kelley, Martin Milner and Lee Van Cleef among the screen luminaries swept into the drama and excitement of the Wild West’s most legendary six-gun showdown. Shot by Charles Lang (How the West Was Won), scored by Dimitri Tiomkin (High Noon), scripted by Leon Uris (Exodus) and staged magnificently by John Sturges, director of Bad Day at Black Rock, The Magnificent Seven and The Great Escape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 1 (4KUHD):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrand New HDR\/Dolby Vision Master by Paramount – From a 4K Scan of the 35mm Original Camera Negative\u003c\/li\u003e\n\u003cli\u003eNEW Audio Commentary by Author\/Screenwriter C. 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Robinson (The Stranger) is at his snarling, savage best in the hardbitten gangster drama, Black Tuesday. On the eve of his execution, violent killer Vincent Canelli (Robinson) busts out of prison with the help of his girlfriend (Jean Parker, The Gunfighter) and a crook posing as a reporter (Warren Stevens, The Price of Fear). Escaping with Canelli is a bank robber (Peter Graves, Stalag 17) who is wounded while evading the law and leaves a trail of blood to Canelli’s hideout. Now locked in a deadly confrontation with the cops, the psychotic Canelli threatens to kill hostages if not granted safe passage. Directed by Hugo Fregonese (One Way Street), shot by Stanley Cortez (The Night of the Hunter) and featuring Milburn Stone (TV’s Gunsmoke) and Jack Kelly (TV’s Maverick). Nightmare (1956) – Beware! These Are the Eyes of a Hypnotist! Screen great Edward G. Robinson (Night Has a Thousand Eyes) shocks the screen awake in the haunting film noir, Nightmare. New Orleans clarinetist Stan Grayson (Kevin McCarthy, Invasion of the Body Snatchers) has a nightmare in which he sees himself killing a man in a mirrored room. He awakens to find blood on himself, bruises on his neck and a key from the dream in his hand. With the help of his detective brother-in-law (Robinson), Grayson uncovers clues that point to a malevolent hypnotist living in his building. Directed by Maxwell Shane (Fear in the Night) and based on a story by pulp-fiction king Cornell Woolrich (Rear Window).\u003c\/span\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY (BOXED SET)","offer_id":45001685172443,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329264246.jpg?v=1709852657"},{"product_id":"film-noir-the-dark-side-of-cinema-xviii","title":"FILM NOIR: THE DARK SIDE OF CINEMA XVIII (1955)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eThis collection features three film noir classics:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCity of Shadows (1955)\u003c\/strong\u003e – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCrashout (1955)\u003c\/strong\u003e – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFinger Man (1955)\u003c\/strong\u003e – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-root=\"1\"\u003eNEW HD Masters by Paramount Pictures\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. 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Ney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. 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King Priam (Sir Cedric Hardwicke) of Troy, sends his son, Paris (Jack Sernas), to Sparta to negotiate a treaty to ensure peace between the two Greek city-states. But Paris falls in love with Spartan King Menelaus' (Niall MacGinnis) wife, Helen (Rossana Podesta). Paris kidnaps the willing Helen and her servant (Brigitte Bardot), starting a war that will kill thousands of brave warriors and spell the end of the city of Troy. Homer's Iliad provides the basis for this epic from the '50s heyday of big-screen blockbusters. Robert Wise (West Side Story, The Sound Of Music) directs this lavish epic capturing more than 30,000 people on screen at a then-huge production cost of $6 million.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"WARNER ARCHIVE","offers":[{"title":"BLU-RAY","offer_id":45040281125083,"sku":"","price":29.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/132790_front.jpg?v=1710437738"},{"product_id":"high-noon-1952","title":"HIGH NOON (1952)","description":"\u003cp\u003e\u003cstrong\u003eThe story of a man who was too proud to run.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreen legend Gary Cooper (Vera Cruz) won the 1952 Oscar for Best Actor in this classic tale of an aging lawman who stands alone to defend a town of righteous cowards in one of the greatest showdowns in the history of cinema. The movie also marks the first starring role for a beautiful young actress who went on to become one of Hollywood’s most beloved icons—Grace Kelly (The Country Girl). Produced by Stanley Kramer (Inherit the Wind), directed by Fred Zinnemann (From Here to Eternity) and written for the screen by Carl Foreman (The Bridge on the River Kwai), High Noon garnered a total of 4 Academy Awards, including Best Score for Dimitri Tiomkin (Rio Bravo), and now stands high as one of the most cherished and influential films of all time. Western favorites Thomas Mitchell (Stagecoach), Lloyd Bridges (Canyon Passage), Katy Jurado (Arrowhead), Otto Kruger (Duel in the Sun), Lon Chaney Jr. (The Indian Fighter), Henry Morgan (The Ox-Bow Incident), Jack Elam (Support Your Local Sheriff) and Lee Van Cleef (For a Few Dollars More) round out the rousing cast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. 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Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eNEW Audio Commentary by Film Historian\/Writer Julie Kirgo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. 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Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eImitation of Life - The Blacklist History of High Noon: Featurette (9:27)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eUlcers and Oscars - The Production History of High Noon: Featurette (12:02)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eUncitizened Kane: Featurette (11:01)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eThe Making of High Noon: Featurette (22:11)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eDual-Layered BD50 Disc\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Brand NEW HD Master – From a 4K Scan of the 35mm Original Camera Negative | NEW Audio Commentary by Author\/Film Historian Alan K. Rode | NEW Audio Commentary by Film Historian\/Writer Julie Kirgo | A Ticking Clock: Featurette(5:53) | A Stanley Kramer Production: Featurette (14:00) | Imitation of Life - The Blacklist History of High Noon: Featurette (9:27) | Ulcers and Oscars - The Production History of High Noon: Featurette (12:02) | Uncitizened Kane: Featurette (11:01) | The Making of High Noon: Featurette (22:11) | Theatrical Trailer | Dual-Layered BD50 Disc | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":31299,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":5592405},\"15\":\"Calibri\",\"16\":12,\"17\":1}'\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KINO LORBER STUDIO CLASSICS","offers":[{"title":"4K UHD + BLU-RAY (WITH SLIPCOVER)","offer_id":45277006823643,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":45277006856411,"sku":"","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/338537_front.jpg?v=1712869704"},{"product_id":"thunder-in-the-east-1953","title":"THUNDER IN THE EAST (1953)","description":"\u003cp\u003e\u003cspan\u003eScreen legends Alan Ladd (Lucky Jordan, Shane) and Deborah Kerr (From Here to Eternity, The King and I) give sterling performances in the romantic war drama, Thunder in the East. In the mountainous Indian province of Ghandahar, 1947, shortly after the country has gained its independence, American gunrunner Steve Gibbs (Ladd) finds himself caught in a raging rebel conflict when he is unable to sell his arms to a peace-minded government official (Charles Boyer, A Woman’s Vengeance). Amidst it all, Steve falls in love with the beautiful and blind Englishwoman, Joan Willoughby (Kerr). Action and romance crescendo in a gun-blazing climax as an army of rebels lays siege to Ghandahar, ensnaring the two lovers. Rousingly directed by Charles Vidor (Gilda, A Farewell to Arms) and co-starring Corinne Calvet (Peking Express) and Cecil Kellaway (Unconquered).\u003c\/span\u003e\u003c\/p\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY","offer_id":45518931951835,"sku":"","price":19.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329266509.jpg?v=1715289742"},{"product_id":"all-about-eve-1950","title":"ALL ABOUT EVE (1950)","description":"\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003ch4 class=\"tagline\"\u003e\u003cem\u003eIt’s all about women… and their men!\u003c\/em\u003e\u003c\/h4\u003e\n\u003cp\u003eIn Joseph L. Mankiewicz’s devastatingly witty Hollywood classic, backstage is where the real drama plays out. One night, Margo Channing (Bette Davis) entertains a surprise dressing-room visitor: her most adoring fan, the shy, wide-eyed Eve Harrington (Anne Baxter). But as Eve becomes a fixture in Margo’s life, the Broadway legend soon realizes that her supposed admirer intends to use her and everyone in her circle, including George Sanders’s acid-tongued critic, as stepping-stones to stardom. Featuring stiletto-sharp dialogue and direction by Mankiewicz, and an unforgettable Davis in the role that revived her career and came to define it, the multiple-Oscar-winning\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll About Eve\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the most deliciously entertaining film ever made about the ruthlessness of show business.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eTWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eTwo audio commentaries from 2010, one featuring actor Celeste Holm, director Joseph L. Mankiewicz’s son Christopher Mankiewicz, and author Kenneth L. Geist; the other featuring author Sam Staggs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eAll About Mankiewicz\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1983), a feature-length documentary about the director\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEpisodes of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Dick Cavett Show\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom 1969 and 1980 featuring actors Bette Davis and Gary Merrill\u003c\/li\u003e\n\u003cli\u003eInterview with costume historian Larry McQueen\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eHollywood Backstories: “All About Eve”\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2001), a documentary featuring interviews with Davis and others about the making of the film\u003c\/li\u003e\n\u003cli\u003eDocumentaries from 2010 about Mankiewicz’s life and career; “The Wisdom of Eve,” the 1946 short story on which the film is based, and its real-world inspiration; and a real-life Sarah Siddons Society based on the film’s fictional organization\u003c\/li\u003e\n\u003cli\u003eRadio adaptation of the film from 1951\u003c\/li\u003e\n\u003cli\u003ePromotion for the film featuring Davis\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Terrence Rafferty and “The Wisdom of Eve”\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Greg Ruth\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"BLU-RAY","offer_id":45521633575131,"sku":"","price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/256151_front.jpg?v=1715357003"},{"product_id":"back-from-the-dead-1957","title":"BACK FROM THE DEAD (1957)","description":"\u003cp\u003e\u003cstrong\u003eShe lived to DESTROY!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMandy (Peggie Castle, 99 River Street) has not been feeling well since arriving at her husband Dick’s house on the craggy California coastline. Things get worse—and weirder—when she is suddenly possessed by the spirit of Dick’s dead ex-wife, Felicia! Mandy’s sister (Marsha Hunt, Take One False Step) and Dick (Arthur Franz, Invaders from Mars) desperately want Mandy back, but there are many people who have been waiting a long time for Felicia’s return. Sinister people who practice the Black Arts…who will stop at nothing to make sure Felicia is Back from the Dead. Get hypnotized by this strange and eerie tale directed by Charles Marquis Warren (The Unknown Terror), adapted by Catherine Turney (No Man of Her Own) from her novel, The Other One, and shot by Ernest Haller (Gone with the Wind) in gorgeous, black-and-white “Regalscope.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary by Film Historians Tom Weaver, Gary D. Rhodes and Larry Blamire | NEW Audio Commentary by Film Historians David Del Valle and Dana M. Reemes | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003eNEW Audio Commentary by Film Historians Tom Weaver, Gary D. Rhodes and Larry Blamire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary by Film Historians Tom Weaver, Gary D. Rhodes and Larry Blamire | NEW Audio Commentary by Film Historians David Del Valle and Dana M. Reemes | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003eNEW Audio Commentary by Film Historians David Del Valle and Dana M. Reemes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary by Film Historians Tom Weaver, Gary D. Rhodes and Larry Blamire | NEW Audio Commentary by Film Historians David Del Valle and Dana M. 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Instead, they stumble upon a mad doctor who has created a horde of foam-spewing, fungus-covered monster-men! Directed by Charles Marquis Warren (Back from the Dead) and shot by Joseph F. Biroc (Bwana Devil) in spine-chilling “Regalscope.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTHE COLOSSUS OF NEW YORK (1958)\u003c\/strong\u003e – When a brilliant scientist (Ross Martin) is accidentally killed, his preserved brain is transferred to the body of a giant robot so that it can continue to serve mankind. But when it gains awareness of its own hideousness, this steel colossus embarks on a rampage of destruction! Directed by Eugène Lourié (Gorgo) and co-starring Mala Powers as the deceased man’s horrified wife and Otto Kruger as his obsessed, mad-scientist father. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDESTINATION INNER SPACE (1966)\u003c\/strong\u003e – When an object of unknown origin is detected in the area of an underwater laboratory, scientists investigate and come face to face with the object—an extraterrestrial saucer! They board the craft and discover a mysterious cylinder, which they take back to the lab for closer inspection. It is then that events take a monstrous turn! Directed by Francis D. Lyon (Castle of Evil) and starring Scott Brady, Sheree North and Gary Merrill. Destination Inner Space was shot in Eastmancolor by cinematographer Brick Marquard (Foxy Brown).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHD Masters by Paramount Pictures – From 4K Scans\u003c\/li\u003e\n\u003cli\u003eNEW Audio Commentary for THE UNKNOWN TERROR by Film Historian Stephen Bissette\u003c\/li\u003e\n\u003cli\u003eNEW Audio Commentary for THE COLOSSUS OF NEW YORK by Film Historians Tom Weaver, Larry Blamire and Ron Adams\u003c\/li\u003e\n\u003cli\u003eNEW Audio Commentary for DESTINATION INNER SPACE by Film Historians David Del Valle and Stan Shaffer\u003c\/li\u003e\n\u003cli\u003eSidebar on THE COLOSSUS OF NEW YORK: On-Camera with Tim Lucas and Steven Bissette\u003c\/li\u003e\n\u003cli\u003eSidebar on DESTINATION INNER SPACE: On-Camera with Tim Lucas and Steven Bissette\u003c\/li\u003e\n\u003cli\u003eTHE COLOSSUS OF NEW YORK - Theatrical Trailer\u003c\/li\u003e\n\u003cli\u003eOptional English Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"KINO LORBER STUDIO CLASSICS","offers":[{"title":"BLU-RAY","offer_id":45602001256667,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329266578.jpg?v=1716401122"},{"product_id":"seventh-seal-the","title":"SEVENTH SEAL, THE","description":"\u003cp\u003e\u003cstrong\u003eA film of visual scope, of imaginative concept, of powerful content, written and directed by Ingmar Bergman, twice honored by the International Jury at the Cannes Film Festival 1956, 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReturning exhausted from the Crusades to find medieval Sweden gripped by the Plague, a knight (Max von Sydow) suddenly comes face-to-face with the hooded figure of Death, and challenges him to a game of chess. As the fateful game progresses, and the knight and his squire encounter a gallery of outcasts from a society in despair, Ingmar Bergman mounts a profound inquiry into the nature of faith and the torment of mortality. One of the most influential films of its time, \u003c\/span\u003e\u003ci\u003eThe Seventh Seal\u003c\/i\u003e\u003cspan\u003e is a stunning allegory of man’s search for meaning and a work of stark visual poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003e4K UHD + Blu-ray Special Edition Features\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eIntroduction from 2003 by director Ingmar Bergman\u003c\/li\u003e\n\u003cli\u003eAudio commentary and video afterword by Bergman expert Peter Cowie\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBergman Island\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2006), a feature-length documentary on Bergman by Marie Nyreröd\u003c\/li\u003e\n\u003cli\u003eAudio interview from 1998 with actor Max von Sydow\u003c\/li\u003e\n\u003cli\u003eTribute to Bergman from 1989 by filmmaker Woody Allen\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBergman 101,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea selected video filmography tracing Bergman’s career, narrated by Cowie\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eOptional English-dubbed soundtrack\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Gary Giddins\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Neil Kellerhouse\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"4K UHD + BLU-RAY","offer_id":46750472011995,"sku":"","price":54.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":45692284141787,"sku":"SPINE #11","price":42.95,"currency_code":"CAD","in_stock":false},{"title":"DVD","offer_id":46750472044763,"sku":"","price":32.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/61Rmv75POSL._SL1500.jpg?v=1717619903"},{"product_id":"victims-of-sin-1951","title":"VICTIMS OF SIN (1951)","description":"\u003cp\u003e\u003cspan\u003eA treasure of Mexico’s cinematic golden age, this deliriously plotted blend of gritty crime film, heart-tugging maternal melodrama, and mambo musical is a dazzling showcase for iconic star Ninón Sevilla. She brings fierce charisma and fiery strength to her role as a \u003c\/span\u003e\u003ci\u003erumbera\u003c\/i\u003e\u003cspan\u003e—a female nightclub dancer—who gives up everything to raise an abandoned boy, whom she must protect from his ruthless gangster father. Directed at a dizzying pace by filmmaking titan Emilio Fernández, and shot in stylish chiaroscuro by renowned cinematographer Gabriel Figueroa amid smoky dance halls and atmospherically seedy underworld haunts, \u003c\/span\u003e\u003ci\u003eVictims of Sin\u003c\/i\u003e\u003cspan\u003e is a ferociously \u003c\/span\u003e\u003cspan class=\"s1\"\u003eentertaining female-powered noir pulsing with the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eintoxicating rhythms of some of Latin America’s most legendary musical stars.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"BLU-RAY","offer_id":45724650504411,"sku":"SPINE #1222","price":41.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/of8Rq0ASveNgFq05NaHrExBLqFAJm1_large_5746625f-5a35-49ca-9e03-dd6040cf9d5b.jpg?v=1718216485"},{"product_id":"film-noir-the-dark-side-of-cinema-xix-1950-1952","title":"FILM NOIR: THE DARK SIDE OF CINEMA XIX (1950-1952)","description":"\u003cp\u003e\u003cspan\u003eThis collection features three mood-drenched classics of noir. DARK CITY (1950) – A Tense, Tough Drama of Underworld Violence and Revenge! After losing his company’s $5,000 cashier’s check in a crooked card game, a stranger in Chicago commits suicide. The other gamblers—including Danny Haley, played by steely screen legend Charlton Heston (Touch of Evil) in his Hollywood debut—worry about the dangers of cashing the check, but this soon becomes the least of their concerns when the head of the group is found hanged. Police Captain Garvey (Dean Jagger, Pursued) concludes the hanging to be a case of homicide and discovers that the stranger had a mentally deranged brother (Mike Mazurki, Murder, My Sweet) who is out for vengeance. Fran (Lizabeth Scott, Pitfall), a torch singer who is desperately in love with Danny, begs him to run away with her before it’s too late. This stunningly cynical morality tale also features the stars of TV’s Dragnet 1967, Jack Webb and Harry Morgan, as Danny’s gambling partners. Directed by the dynamic Willam Dieterle (Portrait of Jennie, Rope of Sand) and bathed in black-and-white by cinematographer Victor Milner (The General Died at Dawn). NO MAN OF HER OWN (1950) – Every Door Closed Against Her…A Woman Faces the Age-Old Problem of Her Sex! The incandescent Barbara Stanwyck (Double Indemnity, The Strange Love of Martha Ivers) shines as a woman torn between a comfortable lie and the painful truth in this heart-wrenching noir classic. Helen Ferguson (Stanwyck), penniless, pregnant and dumped by her slimy boyfriend Steve (Lyle Bettger, Union Station), assumes the identity of a pregnant woman who was killed in a train crash. Eventually Helen’s sordid past catches up to her when Steve arrives demanding money to keep her true identity a secret from the man who loves her (John Lund, Night Has a Thousand Eyes). Gorgeously shot by cinematographer Daniel L. Fapp (The Big Clock, The Great Escape) and directed by Hollywood ace Mitchell Leisen (Death Takes a Holiday, Murder at the Vanities), this pitch-black masterpiece of harrowing melodrama was adapted from the book I Married a Dead Man by crime-writing king Cornell Woolrich (The Chase, Rear Window). BEWARE, MY LOVELY (1952) – Trapped by a Man Beyond Control! Screen heavyweights Ida Lupino (Woman in Hiding) and Robert Ryan (Odds Against Tomorrow) square off in this stylish and atmospheric thriller. Wealthy widow Helen Gordon (Lupino) hires drifter Howard Wilton (Ryan) as a handyman to do chores around her rambling mansion. What she doesn’t know: Howard Wilton is insane. Insecure and paranoid, Wilton thinks everyone, including Helen, is against him. He suffers from memory lapses and extreme mood swings. She’s soon a prisoner in her own home after Wilton locks the doors and tears out the telephone. 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Diskant (On Dangerous Ground), written by noir specialist Mel Dinelli (The Spiral Staircase, House by the River) and helmed by noted art director Harry Horner (The Heiress, The Hustler).\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY (BOXED SET)","offer_id":45724737863899,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329265854.jpg?v=1718219364"},{"product_id":"never-open-that-door-1952","title":"NEVER OPEN THAT DOOR (1952)","description":"\u003cp dir=\"ltr\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cem\u003e\"This extraordinary 1952 Argentinian noir … is probably the most bedarkened, beshadowed film I've seen, full of extreme closeups, unexpected sound effects and music. It deserves to be restored and reissued.\"\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e- Paul Schrader\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePreserved by the Film Noir Foundation in 2013 and now beautifully restored through the UCLA Film \u0026amp; Television Archive, \u003cstrong\u003e\u003cem\u003eNever Open That Door (No abras nunca esa puerta)\u003c\/em\u003e\u003c\/strong\u003e is a significant example of the cross-cultural cinematic legacy shared by the United States and Argentina during the post-WWII era. Based on two short stories by American master of suspense fiction Cornell Woolrich (\u003cem\u003eRear Window\u003c\/em\u003e, \u003cem\u003ePhantom Lady\u003c\/em\u003e, \u003cem\u003eThe Bride Wore Black\u003c\/em\u003e), the film is brilliantly directed by Argentine filmmaker Carlos Hugo Christensen with extraordinary cinematography by Pablo Tabernero. Says FNF founder Eddie Muller about this recent restoration, “It is a revelation to experience the work of an all-American author, in Spanish, and rendered as well – or perhaps better – than any Hollywood adaptation of his work.”\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNever Open That Door\u003c\/em\u003e is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.” Originally a three-part anthology of Woolrich tales, \u003cem\u003eNever Open That Door \u003c\/em\u003ewas released separately from the 73-minute film \u003cstrong\u003e\u003cem\u003eIf I Should Die Before I Wake (Si muero antes de despertar)\u003c\/em\u003e\u003c\/strong\u003e adapted by screenwriter Alejandro Casona and Christensen. An exceedingly rare archival conservation scan of \u003cem\u003eIf I Should Die Before I Wake \u003c\/em\u003eis featured in this publication. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntroduction to Never Open That Door (No abras nunca esa puerta) and If I Should Die Before I Wake (Si muero antes de despertar) – by author, film historian, and \"noirchaeologist\" Eddie Muller\u003c\/li\u003e\n\u003cli\u003eIf I Should Die Before I Wake (Si muero antes de despertar) – an exceedingly rare archival conservation scan of Carlos Hugo Christensen's third part of the film trilogy\u003c\/li\u003e\n\u003cli\u003eAudio Commentary for Never Open That Door (No abras nunca esa puerta) – by author and film historian Guido Segal\u003c\/li\u003e\n\u003cli\u003eNew Documentary on Cornell Woolrich – produced by Steven C. Smith and writer\/film historian Alan K. Rode, and featuring interviews with writer\/film historians Gary Phillips, Maria Elena de las Carreras, and Halley Sutton\u003c\/li\u003e\n\u003cli\u003eNewly Recorded Conversation – with Argentina's leading film archivist and cinema historian Fernando Martín Peña\u003c\/li\u003e\n\u003cli\u003eSouvenir Booklet – with rare original photographs, posters, and ephemera\u003c\/li\u003e\n\u003cli\u003eNew English Subtitled Translations\u003c\/li\u003e\n\u003cli\u003eSpanish SDH Subtitles\u003c\/li\u003e\n\u003cli\u003eReversible Cover Artwork\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"FLICKER ALLEY","offers":[{"title":"BLU-RAY + DVD (WITHOUT SLIPCOVER)","offer_id":45724878438619,"sku":"","price":64.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/357805_front.jpg?v=1718223546"},{"product_id":"alaskans-the-the-complete-series-1959-1960","title":"ALASKANS, THE: THE COMPLETE SERIES (1959-1960)","description":"\u003cp\u003e\u003cspan\u003eSet against the backdrop of the 1890s gold rush in the Yukon, Roger Moore, Jeff York and Dorothy Provine star in The Alaskans. This Warner Bros. Television series built on the growing popularity of the studio's westerns which became a mainstay on ABC in the late 1950s and early 1960s, with . Years before establishing himself as The Saint and later James Bond, Moore brought his unique stylish swagger to the series, adding distinctive class to the role of Silky Harris, an adventurer who teams up with his friend Reno McKeean (Jeff York). Joined in their ever-exciting activities by showgirl Rocky Shaw (Dorothy Provine), the trio stake their luck, love and lives on ice-coated gambles for riches and survival. The series also had the benefit of an impressive array of guest stars including James Coburn, Efrem Zimbalist Jr., Troy Donahue, Lee Van Cleef, Neil Hamilton, Alan Hale, Werner Klemperer, and Julie Adams to name but a few. Long unavailable for viewing in any media, the series has now been remastered in 1080p HD for this Warner Archive Blu-ray release, derived from new 4K scans of the original camera negatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"WARNER ARCHIVE","offers":[{"title":"BLU-RAY","offer_id":45751633576155,"sku":"","price":109.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/360134_front.jpg?v=1718837189"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-1958-2021","title":"ALL THE HAUNTS BE OURS: A COMPENDIUM OF FOLK HORROR (1958-2021)","description":"\u003cp\u003e\u003cspan\u003eThe most comprehensive collection of its kind begins with the definitive genre documentary of our time,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan\u003e’s award-winning\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eWOODLANDS DARK \u0026amp; DAYS BEWITCHED.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eFrom there, experience\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e19 of the best-known, least-known, rarely-seen and thought-lost classics of folk horror\u003c\/b\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003efrom around the world,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eall restored from the best available vault elements with Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ethat include short films, audio commentaries and exclusive featurettes. 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Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(2 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan\u003e (22 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Expressions of Folk Horror in Brazil\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(7 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e discuss the impact of Brazilian folk literature and songs on folk horror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFolk Poetry\u003c\/b\u003e\u003cspan\u003e (5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/b\u003e\u003cspan\u003e8.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLEPTIRICA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr\u003eSerbian mono with optional English subtitles\u003cbr\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with \u003c\/span\u003e\u003cspan\u003eŠtićenik\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr\u003eCzech mono with optional English subtitles\u003cbr\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWomb\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eOf\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWoman\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIs The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(22.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Projection Booth Podcast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(62 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr\u003eRussian mono with optional English subtitles \/ English mono\u003cbr\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003cspan\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eSatan Exultant\u003c\/b\u003e\u003cspan\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Queen of Spades\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Portrait\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1915, 8 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr\u003eNorwegian mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTILBURY\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr\u003eIcelandic mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Karl Ágúst Úlfsson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Kristján Franklin Magnúss\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Viðar Víkingsson,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE DREAMING\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from best surviving 35mm positive print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKADAICHA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb\u003e\u003ci\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(17.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan\u003e (7 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCELIA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (40 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (17 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with veteran editor Ken Sallows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (24 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCELIA\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExtended Interviews\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSatanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWILCZYCA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCLEARCUT\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eWith Kevin Howes And Lawrence Dunn, Co-Producers Of\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIL DEMONIO\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr\u003eItalian mono with optional English subtitles\u003cbr\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eDaliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(27.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDARK WATERS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr\u003eItalian stereo with optional English subtitles\u003cbr\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Writer\/Director Mariano Baino\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (50 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan\u003e (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e (6 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan\u003e (23 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCamera Tests\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eANCHORESS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr\u003eClosed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (13.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (2.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1:33:1 | Color | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(16 mins) A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pledge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Digby Rumsey, 1982) (22 mins) Based on the short story by early 20th Century Fantasy Writer Lord Dunsany,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Pledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econcerns a group of Highwaymen who make a pact to save the should of their hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sermon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComposed by Jim Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCurated by \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY + CD (BOX SET)","offer_id":45754825605339,"sku":"","price":249.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/371434_slip.jpg?v=1742757864"},{"product_id":"storm-warning-1951","title":"STORM WARNING (1951)","description":"\u003cp\u003e\u003cstrong\u003eA \"friendly\" little town is unmasked in a story as startling as the screen has dared to be!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA traveling dress model (Ginger Rogers) stops in a Southern town to visit her sister, who has married a Ku Klux Klan member. While there, she helps the district attorney (Ronald Reagan) prosecute Klan members after she witnesses them commit a murder. Directed by Stuart Heisler.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIAL FEATURES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-Classic Short Subject \u003cstrong\u003eONE WHO CAME BACK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-Classic Warner Bros. Cartoon \u003cstrong\u003eBUNNY HUGGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-Theatrical Trailer\u003c\/p\u003e\n\u003c!----\u003e","brand":"WARNER ARCHIVE","offers":[{"title":"BLU-RAY","offer_id":45759299944667,"sku":"","price":29.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/334870_front.jpg?v=1718985112"},{"product_id":"godzilla-the-show-era-films-1954-1975","title":"GODZILLA: THE SHOW-ERA FILMS (1954-1975)","description":"\u003cp\u003e\u003cspan\u003eIn 1954, an enormous beast clawed its way out of the sea, destroying everything in its path—and changing movies forever. The arresting original \u003c\/span\u003e\u003ci\u003eGodzilla\u003c\/i\u003e\u003cspan\u003e soon gave rise to an entire monster-movie genre (\u003c\/span\u003e\u003ci\u003ekaiju eiga\u003c\/i\u003e\u003cspan\u003e), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla (1954)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cem\u003eGodzilla\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(a.k.a.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGojira\u003c\/i\u003e) is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original, 1954 Japanese version is presented here, along with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGodzilla, King of the Monsters,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe 1956 \"Americanized\" version.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla Raids Again (1955)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eToho Studios followed the enormous success of the original\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGodzilla\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith this sequel, efficiently directed by Motoyoshi Oda as a straight-ahead monsters-on-the-loose drama. An underrated standout among the Showa Godzilla films,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGodzilla Raids Again\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eintroduces the monster-versus-monster format that would dominate the remainder of the series, pitting Godzilla against the ferocious, spiny Anguirus as the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ekaiju\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewreak havoc in the streets of Osaka in a series of elaborate set pieces that succeed in upping the ante for destruction.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eKing Kong vs. Godzilla (1963)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eAfter his first two cinematic rampages, Godzilla was revived as an adversary for the Hollywood import King Kong. When Kong is discovered on a remote island by a publicity-hungry pharmaceutical company, the giant ape is set on a collision course with Godzilla, and Japan braces for a double dose of devastation. Both the Japanese-release version and the U.S.-release cut were rousing hits, cementing Godzilla’s status as a series-worthy star.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eMothra vs. Godzilla (1964)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eGodzilla faces off against the benevolent insect monster-god Mothra in this clash of the titans, a crossover battle between two of Toho Studios’ most popular monsters—the last in which Godzilla would figure as a malevolent villain rather than a fearsome hero.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMothra vs. Godzilla\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emarks a creative high point in the Godzilla series, with pointed social commentary from director Ishiro Honda, a masterful score by Akira Ifukube, and astonishing special-effects work by Eiji Tsuburaya.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGhidorah, the Three-Headed Monster (1964)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eAfter laying waste to an alien civilization on Venus, the three-headed, lightning-emitting space monster Ghidorah brings its insatiable thirst for destruction to Earth, where fierce foes Godzilla, Rodan, and Mothra must join forces in order to deal with the unprecedented threat. An electrifying screen debut for Godzilla’s archenemy Ghidorah, this film also marks a turning point for the series, as the first time the King of the Monsters acts to protect the planet.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eInvasion of Astro-Monster (1965)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eAliens from Planet X make an irresistible offer to the people of Earth: let them borrow Godzilla and Rodan to help defeat King Ghidorah, and in return they will provide a cure for all known human disease. But the aliens’ duplicity is soon revealed, as they deploy all three monsters in their quest to conquer Earth. This retro romp, featuring American star Nick Adams, stands as a high point in the Showa Godzilla series.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eEbirah, Horror of the Deep (1966)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eThe first Godzilla film directed by Jun Fukuda, who would go on to direct four more, is fast-paced and light in tone, and builds to a riveting race-against-time finale. On a secluded island in the South Seas, a group of castaways stumble upon a paramilitary organization whose nefarious nuclear activities threaten the world at large—and set the stage for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ekaiju\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eclashes involving Godzilla, Mothra, and the giant crustacean Ebirah.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eSon of Godzilla (1967)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eIn director Jun Fukuda’s second Godzilla outing, secret weather-control experiments create a radioactive storm and Godzilla must rescue monster hatchling Minilla from the giant mutant insects that result. Featuring a buoyant score by Masaru Sato and impressive wirework by special-effects director Sadamasa Arikawa,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSon of Godzilla\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis lively, comic, and timely in its addressing of contemporary anxiety about worldwide food shortages.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eDestroy All Monsters (1968)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eThe original Godzilla team of director Ishiro Honda, special-effects supervisor Eiji Tsuburaya, and composer Akira Ifukube reunited for this\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ekaiju\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eextravaganza, which features no fewer than eleven monsters. Set in the remote future of 1999, when the people of Earth have achieved world peace by confining destructive creatures to Monsterland (until an alien race intervenes),\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDestroy All Monsters\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003emounts a thrilling display of innovative action sequences and memorable images that have made it a favorite for generations of viewers.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eAll Monsters Attack (1969)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eDirector Ishiro Honda returned again for the first Godzilla movie expressly for children. Economizing by reusing effects shots from other films in the series,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Monsters Attack\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003etells the story of Ichiro, a lonely latchkey kid who finds solace in his dreams of befriending Minilla, the titular progeny of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSon of Godzilla,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhose parent is also often absent.\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eIn this thoughtful, human-scale story, boy and monster learn together what it means to grow up.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla vs. Hedorah (1971)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eIntended to address the crisis levels of pollution in postwar Japan,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGodzilla vs. Hedorah\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efinds the King of the Monsters fighting an alien life form that arrives on Earth and steadily grows by feeding on industrial waste. Director Yoshimitsu Banno infuses the film with equal parts ecological horror, humorous monster antics, and sixties psychedelia straight out of San Francisco, making for a truly unique—and divisive—entry in the series.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla vs. Gigan (1972)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eAn alien invasion prompts a tag-team battle between Godzilla and Anguirus, the planet protectors, and King Ghidorah and the new monster Gigan, a cyborg with scythe-like claws, an abdominal buzz saw, winglike back fins, and pincerlike mandibles. In this action-packed film, which veers from the sublime to the ridiculous, the cockroachlike aliens—disguised as humans—use Gigan and King Ghidorah as weapons of conquest in their plot to take over a contaminated Earth.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla vs. Megalon (1973)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eNuclear testing unleashes mayhem on the undersea kingdom of Seatopia, causing a series of environmental disasters that nearly wipes out Rokuro, the schoolboy protagonist at the center of this film. To exact revenge, Seatopia unleashes Megalon, a gigantic beetle with the ability to fire ray beams and napalm bombs. Meanwhile, Rokuro’s brother creates Jet Jaguar, a flying robot with a built-in moral compass. The inevitable matchup of Godzilla and Jet Jaguar versus Megalon and Gigan decides the world’s fate.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eGodzilla vs. Mechagodzilla (1974)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eGodzilla’s evil twin Mechagodzilla first reared its head in this Jun Fukuda–directed film. A robot designed by aliens to conquer Earth, the enduringly popular villain has since been resurrected by Toho Studios several times.\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eWith the help of earnest direction, spectacular pyrotechnics, and guest appearances by veteran genre actors, this film recaptures the feel of the sixties Godzilla movies.\u003c\/p\u003e\n\u003cheader class=\"product-detail-header\"\u003e\n\u003cdiv class=\"product-detail-title\"\u003e\n\u003ch1 class=\"header__primarytitle\" itemprop=\"name\"\u003eTerror of Mechagodzilla (1975)\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eIn Godzilla’s last gasp of the Showa era, aliens retrieve Mechagodzilla’s remains and rebuild it with the aid of an unhinged biologist (a scenery-chewing Akihiko Hirata), in hopes of defeating Godzilla for possession of planet Earth. This film marked the return of director Ishiro Honda, who had retired years earlier, disheartened by the increasingly kid-friendly approach of the series. 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Stanford Jolley!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"FILM MASTERS","offers":[{"title":"BLU-RAY","offer_id":45786444136667,"sku":"","price":29.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/17695.jpg?v=1719435508"},{"product_id":"come-back-little-sheba-1952","title":"COME BACK, LITTLE SHEBA (1952)","description":"\u003cp\u003e\u003cstrong\u003eThat girl in their house spelled trouble!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on William Inge’s classic play, Come Back, Little Sheba is the stirring tale of a life-weary couple who rescue hope from the ruins of the past. Shirley Booth (TV’s Hazel) stars as Lola, slovenly housewife to Doc Delaney (Burt Lancaster, Elmer Gantry), a recovering alcoholic. The Delaneys’ life is dull and unchanging, but takes a dramatic turn when the couple take in a charming boarder, Marie (Terry Moore, Shack Out on 101, in an Oscar-nominated role). Marie becomes the daughter the Delaneys never had. But when Marie takes up with a boorish boyfriend (Richard Jaeckel, The Devil’s Brigade), Doc descends into a jealous tailspin and must once again face the temptations of the bottle. Lancaster, in an early and unconventional leading-man part, displays his towering talent; Booth, reprising her Tony Award-winning Broadway role, gives an Academy Award-winning performance (Best Actress, 1952) in her tour-de-force movie debut. Sharply directed by Daniel Mann (The Rose Tattoo) and photographed by James Wong Howe (Hud), Come Back, Little Sheba is an unforgettable film shimmering with life-truths and dramatic intensity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2021 HD Masters by Paramount Pictures – From 4K Scans | Audio Commentary by Film Historian Scott Harrison | Theatrical Trailer | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003e2021 HD Masters by Paramount Pictures – From 4K Scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2021 HD Masters by Paramount Pictures – From 4K Scans | Audio Commentary by Film Historian Scott Harrison | Theatrical Trailer | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003eAudio Commentary by Film Historian Scott Harrison\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2021 HD Masters by Paramount Pictures – From 4K Scans | Audio Commentary by Film Historian Scott Harrison | Theatrical Trailer | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2021 HD Masters by Paramount Pictures – From 4K Scans | Audio Commentary by Film Historian Scott Harrison | Theatrical Trailer | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}'\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"KINO LORBER STUDIO CLASSICS","offers":[{"title":"BLU-RAY","offer_id":45809311088859,"sku":"","price":19.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329267117.jpg?v=1720031352"},{"product_id":"country-girl-the-1954","title":"COUNTRY GIRL, THE (1954)","description":"\u003cp\u003e\u003cspan\u003eThree legendary performers at the peak of their screen careers joined forces in this riveting film adaptation of Clifford Odets’ acclaimed play. Bing Crosby (Going My Way, Road to Utopia) is Frank Elgin, an alcoholic, guilt-ridden former music star desperate to make a comeback. William Holden (Stalag 17, Sunset Boulevard) is the hotshot Broadway director in need of a “name” star for his new stage production. And Grace Kelly (High Noon, Rear Window) is The Country Girl—Frank’s long-suffering wife, who’s both weary of her husband’s weaknesses and wary of the director’s motives. Nominated for 7 Academy Awards including Best Actor (Crosby) and Best Picture of 1954, this sterling melodrama from writer-director George Seaton (Miracle on 34th Street, The Proud and Profane) earned Kelly an Oscar (Best Actress, 1954) for her strong and passionate performance as well as one for Seaton’s spellbinding screenplay.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY (70th ANNIVERSARY EDITION)","offer_id":45809322983643,"sku":"","price":19.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/738329267124.jpg?v=1720031590"},{"product_id":"rose-tattoo-the-1955","title":"ROSE TATTOO, THE (1955)","description":"\u003cp\u003e\u003cstrong\u003eHer blood boiled with desire...raged with jealous fury!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen Tennessee Williams (A Streetcar Named Desire, Cat on a Hot Tin Roof) wrote The Rose Tattoo, he had one actress in mind—Anna Magnani (The Fugitive Kind). Williams’ sense of casting proved as sharp as his ear for dialogue. Magnani won an Oscar (Best Actress, 1955) for her bravura portrayal in this torrid drama that also earned Academy Awards for Best Cinematography (James Wong Howe, Hud) and Art Direction. Magnani plays Sicilian seamstress Serafina Delle Rose, who retreats from the world when her beloved husband dies. But Serafina reawakens to life’s joys when she meets Alvaro (screen icon Burt Lancaster, The Rainmaker), a happy-go-lucky truck driver who has the same sunny openness her husband had, even the same occupation. And on his chest is the same symbol of love, The Rose Tattoo. Masterfully directed by Daniel Mann (Come Back, Little Sheba), this lusty, passion-filled classic garnered a total of 8 Academy Award nominations including Best Supporting Actress (Marisa Pavan, The Midnight Story), Costumes (Edith Head), Editing (Warren Low), Score (Alex North) and Motion Picture (Hal B. 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You’re next!”\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith these chilling words, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eInvasion of the Body Snatchers\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e sounded the clarion call to the dangers of conformity, paranoia and mass hysteria at the heart of 1950s American life. One of the greatest and most influential science fiction films ever made, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eInvasion\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e stars Kevin McCarthy (\u003c\/span\u003e\u003cem\u003eNightmare\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eMirage\u003c\/em\u003e\u003cspan\u003e) as Miles Bennell, a doctor in a small California town whose patients are becoming increasingly overwrought, accusing their loved ones of being emotionless imposters. They’re right! 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As a hardened warrior who rises savagely to power, Toshiro Mifune gives a remarkable, animalistic performance, as does Isuzu Yamada as his ruthless wife. \u003c\/span\u003e\u003ci\u003eThrone of Blood\u003c\/i\u003e\u003cspan\u003e fuses classical Western tragedy with formal elements taken from Noh theater to create an unforgettable cinematic experience\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"BLU-RAY","offer_id":45872782475483,"sku":"SPINE #190","price":39.95,"currency_code":"CAD","in_stock":false},{"title":"DVD","offer_id":45872782508251,"sku":"SPINE #190","price":32.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/Ik644p20t9hnsvAgVJGckMGPIXVmBG_large_34e5c20a-8d5e-4caf-ad95-f8c65ca2c958.jpg?v=1721596126"},{"product_id":"bwana-devil-1953","title":"BWANA DEVIL (1952)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBeautifully remastered for the very first time in 3-D by 3-D Film Archive!\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first feature-length 3-dimensional color motion picture in history, Arch Oboler’s eye-popping adventure tale Bwana Devil kickstarted the 3-D movie craze with a roar! When British railway workers in Kenya become the favorite snack of two man-eating lions, the head engineers (Robert Stack and Nigel Bruce) desperately try to cease the slaughter. Big-game hunters are summoned and a vicious battle between man and beast ensues—all in thrilling color and three astonishing dimensions! Filmed using Natural Vision Corporation’s groundbreaking stereoscopic system with the theory “that the 3-D cameras should see and record the scene exactly as the human eyes see it” (cinematographer Joseph F. 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Starring Charlton Heston (\u003ci\u003eThe Big Country\u003c\/i\u003e, \u003ci\u003eBen-Hur\u003c\/i\u003e), Janet Leigh (\u003ci\u003eThe Manchurian Candidate\u003c\/i\u003e, \u003ci\u003ePsycho\u003c\/i\u003e) and Welles himself, this dark portrait of corruption and morally compromised obsessions tells the story of a crooked police chief who frames a Mexican youth as part of an intricate criminal plot. With its iconic ticking-bomb opening shot, shadowy cinematography by Russell Metty (\u003ci\u003eSpartacus\u003c\/i\u003e), evocative score by Henry Mancini (\u003ci\u003eArabesque\u003c\/i\u003e) and memorable supporting turns by Akim Tamiroff (\u003ci\u003eThe General Died at Dawn\u003c\/i\u003e) and Marlene Dietrich (\u003ci\u003eDesire\u003c\/i\u003e), \u003cstrong\u003e\u003ci\u003eTouch of Evil\u003c\/i\u003e\u003c\/strong\u003e is a stylistic triumph that stands the test of time. This 3-disc special edition features 4K restorations of three versions of the film: the Theatrical version, the Preview version and the Reconstructed version based on Orson Welles’ original vision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"yZlgBd\"\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eDISC 1:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eBrand New Dolby Vision HDR Master of the Theatrical Cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eNEW Audio Commentary by Film Historian Tim Lucas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eAudio Commentary with Writer\/Filmmaker F.X. 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by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" 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the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eDISC 2:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eBrand New Dolby Vision HDR Master of the Reconstructed Cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eNEW Audio Commentary by Film Historian Imogen Sara Smith\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eAudio Commentary by Charlton Heston, Janet Leigh and Reconstruction Producer Rick Schmidlin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eEVIL LOST AND FOUND: Featurette (17:06)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" 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schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eDISC 3:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eBrand New Dolby Vision HDR Master of the Preview Cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eAudio Commentary with Orson Welles Historians Jonathan Rosenbaum and James Naremore\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eBRINGING EVIL TO LIFE: Featurette (20:59)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\" by=\"\" x=\"\" data-sheets-userformat=\"{\" :2=\"\" :=\"\" disc=\"\" brand=\"\" new=\"\" dolby=\"\" vision=\"\" hdr=\"\" master=\"\" of=\"\" the=\"\" theatrical=\"\" cut=\"\" audio=\"\" commentary=\"\" film=\"\" historian=\"\" tim=\"\" lucas=\"\" with=\"\" writer=\"\" filmmaker=\"\" f=\"\" feeney=\"\" trailer=\"\" optional=\"\" english=\"\" subtitles=\"\" triple-layer=\"\" uhd100=\"\" reconstructed=\"\" imogen=\"\" sara=\"\" smith=\"\" charlton=\"\" heston=\"\" janet=\"\" leigh=\"\" and=\"\" reconstruction=\"\" producer=\"\" rick=\"\" schmidlin=\"\" evil=\"\" lost=\"\" found:=\"\" featurette=\"\" preview=\"\" orson=\"\" welles=\"\" historians=\"\" jonathan=\"\" rosenbaum=\"\" james=\"\" naremore=\"\" bringing=\"\" to=\"\" life:=\"\" :26753=\"\" :0=\"\" :1=\"\" :6184542=\"\" :12=\"\"\u003eTriple-Layer UHD100 Disc\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"KINO LORBER STUDIO CLASSICS","offers":[{"title":"4K UHD + BLU-RAY","offer_id":45889790771419,"sku":"","price":54.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/285890_slip.jpg?v=1721926770"},{"product_id":"bob-le-flambeur-1956","title":"BOB LE FLAMBEUR (1956)","description":"\u003cp\u003e\u003cstrong\u003e(BOB THE GAMBLER)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Jean-Pierre Melville, the legendary director of \u003c\/span\u003e\u003cem\u003eLe Doulos\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eLe Samouraï\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eArmy of Shadows\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cem\u003eUn Flic\u003c\/em\u003e\u003cspan\u003e, comes this classic heist film noir, in the tradition of \u003c\/span\u003e\u003cem\u003eRifif\u003c\/em\u003e\u003cspan\u003ei. Suffused with wry humor, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eBob Le Flambeur\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e melds the toughness of American gangster films with Gallic sophistication to lay the roadmap for the French New Wave. As the neon is extinguished for another dawn, an aging gambler (Roger Duchesne) navigates the treacherous world of pimps, moneymen and naïve associates while plotting one last score—the heist of the Deauville casino. This underworld comedy of manners possesses all the formal beauty, finesse and treacherous allure of green baize. 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On the run and out of time, he needs to bring the real killer to justice before the cops and the thugs responsible for the set-up get their hands on him. 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Carey decides to stick around, hoping to flush out the traitor who had caused the wartime deaths of several of his OSS colleagues and resistance fighters. Enhanced by the musical number “Mona Lisa,” which won an Academy Award (Best Original Song, 1950) and later became an all-time classic. Directed by Hollywood great Mitchell Leisen (No Man of Her Own).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eAPPOINTMENT WITH DANGER\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e (1951) \u003c\/strong\u003e– Ladd is back as the U.S. Mail’s Ace Agent Smashes the Biggest Mail Robbery Plan in History! Screen legend Alan Ladd (Chicago Deadline) is Postal Inspector Al Goddard, assigned to investigate the murder of a fellow officer. The only witness to the crime is Sister Augustine (Phyllis Calvert, Time Out of Mind), who identifies the photograph of one of the assailants. This leads Goddard to a seedy hotel where he learns that the assailant is a member of a gang headed by Earl Boettiger (Paul Stewart, Kiss Me Deadly), and he soon discovers that the gang is planning a million-dollar mail robbery. This taut and thrilling film noir also features Jan Sterling (Female on the Beach) and future Dragnet stars, Jack Webb and Harry Morgan, as Stewart’s henchmen. Directed by noir master Lewis Allen (So Evil My Love).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eMAKE HASTE TO LIVE\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003cstrong\u003e(1954) \u003c\/strong\u003e– Only a Gangster Killer Knew the Secret of Her Past! In this taut noir melodrama, Crystal (Dorothy McGuire, The Spiral Staircase) has unknowingly married a murderer. She knew Steve (Stephen McNally, The Raging Tide) was handsome and charming. 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