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Hugo Cabret is an orphan, living secretly in the walls of a Paris train station, tending to the many clocks, stealing what he needs to survive and hiding from the ruthless station inspector. But his clandestine life and precious secrets are threatened when he is caught thieving by the bitter old man who runs a toy booth at the station, and Hugo's world becomes enmeshed with that of the shop owner and his bookish granddaughter. A cryptic drawing, a treasured notebook, a mechanical man, and a hidden message from Hugo's dead father are all connected to a place where dreams are made. A heartfelt love letter to the magic of moving pictures, Hugo is a triumph of imaginative movie making and a gift for film-lovers everywhere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonus Materials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e4K ULTRA HD BLU-RAY SPECIAL EDITION CONTENTS\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDISC ONE - FEATURE \u0026amp; EXTRAS (4K ULTRA HD)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDTS-HD MA 7.1 and 2.0 audio options\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eOptional English subtitles for the deaf and hard of hearing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAudio commentary by filmmaker and writer Jon Spira, publisher of The Lost Autobiography of Georges Méliès\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDISC TWO - EXTRAS (BLU-RAY)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInventing Hugo Cabret, an interview with Brian Selznick, award-winning author and illustrator of the original novel on which the film is based\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCapturing Dreams, an interview with director of photography Robert Richardson\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Music of Dreams, an interview with composer Howard Shore\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eIan Christie on Hugo, an interview with the acclaimed film historian and editor of Scorsese on Scorsese\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eSecret Machines: Hugo and Film Preservation, a visual essay by filmmaker and critic Scout Tafoya\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCreating New Worlds, a featurette in which film historian and author Julien Dupuy examines the life and the legacy of Georges Méliès and his impact on cinema and special effects\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePapa Georges Made Movies, a featurette in which film critic and historian Pamela Hutchinson explores the days of early cinema\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eMéliès at the time of Hugo, a visual essay by filmmaker and writer Jon Spira\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFive archival featurettes on the making of the film: Shoot the Moon: The Making of Hugo, The Cinemagician: Georges Méliès, The Mechanical Man at the Heart of Hugo, Big Effects, Small Scale and Sacha Baron Cohen: Role of a Lifetime\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eReversible sleeve featuring original and newly commissioned artwork by Tommy Pocket\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ARROW VIDEO","offers":[{"title":"4K UHD","offer_id":44394431021275,"sku":"","price":44.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":44394431054043,"sku":"","price":36.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/387071_front.jpg?v=1767832560"},{"product_id":"cult-chucky","title":"CULT OF CHUCKY (2017)","description":"\u003cp\u003eConfined to an asylum for the criminally insane for the past four years, Nica (Fiona Dourif) is wrongly convinced that she, not Chucky, murdered her entire family. 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Adam Sandler delivers an almost maniacally embodied performance as Howard Ratner, a fast-talking New York jeweler and gambler in relentless pursuit of the next big score. When he comes into possession of a rare opal, it seems Howard’s ship has finally come in—as long as he can stay one step ahead of a wife (Idina Menzel) who hates him, a mistress (Julia Fox) who can’t quit him, and a frenzy of loan sharks and hit men closing in on him. 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with Guillermo del Toro\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eThe Gothic Corridor\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Scullery\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Red Clay Mines\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Limbo Fog Set\u003c\/span\u003e\u003cspan\u003e; four featurettes exploring different aspects of Allerdale Hall\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eA Primer on Gothic Romance\u003c\/span\u003e\u003cspan\u003e, the director and stars talk about the key traits of Gothic romance\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eThe Light and Dark of Crimson Peak\u003c\/span\u003e\u003cspan\u003e, the cast and crew talk about the film’s use of color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eHand Tailored Gothic\u003c\/span\u003e\u003cspan\u003e, a featurette on the film’s striking costumes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eA Living Thing\u003c\/span\u003e\u003cspan\u003e, a look at the design, modelling and construction of the Allerdale Hall sets\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eBeware of Crimson Peak\u003c\/span\u003e\u003cspan\u003e, a walking tour around Allerdale Hall with Tom Hiddleston\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eCrimson Phantoms\u003c\/span\u003e\u003cspan\u003e, a featurette on the film’s amazing ghosts\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eKim Newman on Crimson Peak and the Tradition of Gothic Romance\u003c\/span\u003e\u003cspan\u003e, an interview with the author and critic\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eViolence and Beauty in Guillermo del Toro’s Gothic Fairy Tale Films\u003c\/span\u003e\u003cspan\u003e, a video essay by the writer Kat Ellinger\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDeleted scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eImage gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eOriginal trailers and TV spots\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDouble-sided foldout 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She is welcomed into the home by two pigs, the only inhabitants of the place. Like in a dream, the universe of the house reacts to Maria’s feelings. The animals transform slowly into humans and the house becomes a nightmarish world. Inspired on the actual case of Colonia Dignidad, “The Wolf House” masquerades as an animated fairy tale produced by the leader of the sect in order to indoctrinate its followers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"KIMSTIM","offers":[{"title":"BLU-RAY","offer_id":45563997487323,"sku":"","price":29.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/352906_front.jpg?v=1715899396"},{"product_id":"american-hustle-2013","title":"AMERICAN HUSTLE (2013)","description":"\u003cdiv class=\"wDYxhc\" data-md=\"50\" data-hveid=\"CCsQAA\" data-ved=\"2ahUKEwjg54CRrJWGAxWQrYkEHWCqBSYQkCl6BAgrEAA\"\u003e\n\u003cdiv class=\"PZPZlf hb8SAc\" data-attrid=\"description\" data-hveid=\"CCsQAQ\" data-ved=\"2ahUKEwjg54CRrJWGAxWQrYkEHWCqBSYQziAoAHoECCsQAQ\"\u003e\n\u003cdiv jscontroller=\"GCSbhd\" jsaction=\"SKAaMe:c0XUbe;rcuQ6b:npT2md\"\u003e\n\u003cdiv jscontroller=\"QhoyLd\" jsaction=\"rcuQ6b:npT2md\"\u003e\n\u003cdiv class=\"kno-rdesc kno-desc-sh\" jsname=\"g7W7Ed\" jscontroller=\"GCSbhd\" jsaction=\"seM7Qe:c0XUbe;Iigoee:c0XUbe;rcuQ6b:npT2md\"\u003e\u003cspan\u003eIrving Rosenfeld (Christian Bale) dabbles in forgery and loan-sharking, but when he falls for fellow grifter Sydney Prosser (Amy Adams), things change in a big way. 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An event film of the utmost modesty, it was shot over the course of twelve years in the director’s native Texas and charts the physical and emotional changes experienced by a child named Mason (Ellar Coltrane), his divorced parents (Patricia Arquette, who won an Oscar for her performance, and Ethan Hawke), and his older sister (Lorelei Linklater). Alighting not on milestones but on the small, in-between moments that make up lives, Linklater fashions a flawlessly acted, often funny portrait that flows effortlessly from one year to the next. 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the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/b\u003e\u003cspan\u003e8.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLEPTIRICA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr\u003eSerbian mono with optional English subtitles\u003cbr\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with \u003c\/span\u003e\u003cspan\u003eŠtićenik\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr\u003eCzech mono with optional English subtitles\u003cbr\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWomb\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eOf\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWoman\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIs The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(22.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Projection Booth Podcast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(62 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr\u003eRussian mono with optional English subtitles \/ English mono\u003cbr\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003cspan\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eSatan Exultant\u003c\/b\u003e\u003cspan\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Queen of Spades\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Portrait\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1915, 8 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr\u003eNorwegian mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTILBURY\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr\u003eIcelandic mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Karl Ágúst Úlfsson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Kristján Franklin Magnúss\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Viðar Víkingsson,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE DREAMING\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from best surviving 35mm positive print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKADAICHA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb\u003e\u003ci\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(17.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan\u003e (7 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCELIA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (40 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (17 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with veteran editor Ken Sallows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (24 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCELIA\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExtended Interviews\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSatanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWILCZYCA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCLEARCUT\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eWith Kevin Howes And Lawrence Dunn, Co-Producers Of\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIL DEMONIO\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr\u003eItalian mono with optional English subtitles\u003cbr\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eDaliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(27.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDARK WATERS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr\u003eItalian stereo with optional English subtitles\u003cbr\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Writer\/Director Mariano Baino\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (50 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan\u003e (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e (6 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan\u003e (23 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCamera Tests\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eANCHORESS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr\u003eClosed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (13.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (2.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1:33:1 | Color | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(16 mins) A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pledge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Digby Rumsey, 1982) (22 mins) Based on the short story by early 20th Century Fantasy Writer Lord Dunsany,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Pledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econcerns a group of Highwaymen who make a pact to save the should of their hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sermon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComposed by Jim Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCurated by \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY + CD (BOX SET)","offer_id":45754825605339,"sku":"","price":249.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/371434_slip.jpg?v=1742757864"},{"product_id":"godzilla-2014","title":"GODZILLA (2014)","description":"\u003cp\u003e\u003cstrong\u003eTHE KING WILL RISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this gritty, realistic sci-fi action epic, Godzilla returns to its roots as one of the world's most recognized monsters. Directed by Gareth Edwards and featuring an all-star international cast, this spectacular adventure pits Godzilla against malevolent creatures that, bolstered by humanity's scientific arrogance, threaten our very existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eHDR PRESENTATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDOLBY ATMOS AUDIO TRACK\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eMONARCH: Declassified – Discover explosive new evidence not contained in the film that unravels the massive cover-up to keep Godzilla's existence a secret.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eOperation: Lucky Dragon\u003c\/li\u003e\n\u003cli\u003eMONARCH: The M.U.T.O. File\u003c\/li\u003e\n\u003cli\u003eThe Godzilla Revelation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eThe Legendary Godzilla – Go behind the scenes with filmmakers and cast for an even deeper look at the larger than life monsters in the film.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eGodzilla: Force of Nature\u003c\/li\u003e\n\u003cli\u003eA Whole New Level Of Destruction\u003c\/li\u003e\n\u003cli\u003eInto The Void: The H.A.L.O. Jump\u003c\/li\u003e\n\u003cli\u003eAncient Enemy: The M.U.T.O.s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eOptional English SDH, and Spanish subtitles for the main feature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"WARNER BROTHERS","offers":[{"title":"4K UHD + BLU-RAY","offer_id":45766658195675,"sku":"","price":31.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/164388_front.jpg?v=1719177365"},{"product_id":"queen-of-earth-2015","title":"QUEEN OF EARTH (2015)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\"An acidly funny portrait of a psychological breakdown.\"\u003c\/strong\u003e- SCOTT FOUNDAS, \u003cem\u003eVARIETY\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCatherine (Elisabeth Moss) has entered a particularly dark period in her life: her father, a famous artist, has recently died, and on the heels of his death she's dumped by her boyfriend James. Looking to recuperate, Catherine heads out to her best friend Virginia's (Katherine Waterston) lake house for some much needed relaxation. Tranquility eludes her, however, as she's instantly overcome with memories of time spent at the same house with James the year before. Moreover, she finds no solace from Virginia, who is spending increasing amounts of time with a local love interest, Rich (Patrick Fugit). Before long fissures in the relationship between the two women begin to form, sending Catherine into a downward spiral of delusion and madness. A bracing, eerie look at the sometimes dangerously deep bonds of friendship, QUEEN OF EARTH is a thrilling examination of a troublingly complex relationship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBrand new audio commentary with writer\/director Alex Ross Perry, cinematographer Sean Price Williams and actress Hari Nef\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBrand new interview with composer Keegan DeWitt\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eAudio commentary with writer\/director Alex Ross Perry, from 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eVideo conversation with writer\/director Alex Ross Perry and actress Katherine Waterston, from 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBehind the scenes footage from the production\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew video essay by Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBooklet with essay by writer Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"IFC FILMS","offers":[{"title":"BLU-RAY (WITH SLIPCOVER)","offer_id":45771775967451,"sku":"","price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/queenofearthslipfront_2400x_f99c2f72-ba39-4004-b189-24ea37064589.jpg?v=1719253992"},{"product_id":"climax-2018","title":"CLIMAX (2018)","description":"\u003ch4 class=\"tagline\"\u003eBirth and death are extraordinary experiences. 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