{"title":"CANADIAN INTERNATIONAL PICTURES","description":"","products":[{"product_id":"hard-part-begins","title":"HARD PART BEGINS, THE (1973)","description":"\u003cp\u003e\u003cstrong\u003eJim King never learned how to quit...He never will!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVeteran country musician Jim King (Butch Cassidy and the Sundance Kid’s Donnelly Rhodes) has spent decades honing his craft, but he has yet to find success beyond the small-town touring circuit. With a prominent record label circling his current band, King and Country, Jim may be on the brink of a professional breakthrough, but the rest of his life is in disarray. From a suicidal son (Death Wish II’s David Daniels) and a terminally ill friend (Phobia's Neil Vipond) to a rocky romance with his bandmate Jenny (Pinocchio's Birthday Party's Nancy Belle Fuller), Jim’s life is hard – and it’s only getting harder.\u003c\/p\u003e\n\u003cp\u003eThe feature directorial debut of celebrated Canadian genre filmmaker Paul Lynch (Prom Night), The Hard Part Begins blends the vivid Canadiana of independent classic Goin’ Down the Road with the unsentimental moral complexity of New Hollywood staples like Five Easy Pieces. Featuring a career-defining performance by Rhodes and a collection of unforgettable original songs, The Hard Part Begins is a lost treasure that's finally getting the break it deserves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional info:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNewly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAudio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eA Filmmaker Begins (2023, 26 min.) – New interview with Lynch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAfter the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eEvolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAn Actor Begins (2023, 22 min.) – New interview with actor David Daniels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eThe Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eReyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm reversal by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• Audio commentary featuring director Paul Lynch and former TIFF senior programmer Steve Gravestock\\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• A Filmmaker Begins (2023, 26 min.) – New interview with Lynch\\n• After the Hard Part (2023, 13 min.) – Lynch reflects on his body of work\\n• Evolution of a Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eInterview with Donnelly Rhodes (1989, 4 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Cinephile (2023, 9 min.) – Lynch discusses his passion for cinema\\n• An Actor Begins (2023, 22 min.) – New interview with actor David Daniels\\n• The Easy Parts Await (2023, 12 min.) – Film historian\/filmmaker Daniel Kremer on the early career of Lynch\\n• Reyes on Rhodes (2023, 12 min.) – Film historian\/author Amanda Reyes on the career of actor Donnelly Rhodes\\n• Interview with Donnelly Rhodes (1989, 4 min.)\\n• New audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\\n• Alternate ending (1973, 1 min.)\\n• Afterword featuring Lynch and Gravestock (2023, 9 min.)\\n• Booklet featuring a new interview with actress Nancy Belle Fuller\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNew audio interviews with actor\/associate producer Hugh Curry (17 min.) and editor William Gray (14 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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SLIPCOVER)","offer_id":44394645946587,"sku":"","price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/The_Hard_Part_Begins_CIP_Blu-ray.jpg?v=1721345665"},{"product_id":"kid-brother-the-1987","title":"KID BROTHER, THE (1987 KENNY)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eTake a good look. 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Determined to better understand his place in the world, he hits the road for a daring journey of self-discovery.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn unprecedented cinematic achievement that has earned acclaim, awards, and disbelief all over the world – while remaining largely unknown in North America – The Kid Brother (aka Kenny) is a one-of-a-kind coming-of-age triumph. In his one and only film role, Kenny Easterday lights up the screen with an infectiously appealing performance full of charm and playful abandon. With humanity and ’80s eccentricity to spare, The Kid Brother is a cult phenomenon waiting to happen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional info:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; 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CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eScanned and restored in 2K from the 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eNew audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eArchival audio commentary featuring Egoyan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eScoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eA Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eArchival interview with Egoyan (1989, 6 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eDeleted scenes with commentary (2002, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eAfterword featuring Egoyan and Khanjian (2022, 18 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eSarabande (1997, 56 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eSarabande introduction by Egoyan (1998, 2 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eNew Sarabande audio commentary featuring Egoyan and Khanjian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eEgoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eBooklet featuring an essay by professor\/author Ron Burnett\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eEnglish SDH subtitles for all five films\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":45766527713499,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/61fMGcIKFWL._SL1500.jpg?v=1719166858"},{"product_id":"dog-who-stopped-the-war-the-1984","title":"DOG WHO STOPPED THE WAR, THE (1984)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003e40th anniversary special edition!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss and embossed slipcover (designed by \u003cspan data-mce-fragment=\"1\"\u003eRobert Sammelin)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis limited to\u003cspan\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eScanned and restored in 2K from the original 35mm camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eIncludes the theatrical cut and the extended cut in both French and English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eAudio commentary featuring author\/film historian Kier-La Janisse, writer\/film critic Ralph Elawani, and special guests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eThe Dog Who Stopped the War… As Time Goes On (2009, 81 min.) – Feature-length documentary celebrating the film’s 25th anniversary with a new introduction by director Marie-Hélène Copti (2023, 4 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eLove and War (2023, 37 min.) – New interviews with stars Marie-Pierre A. D'Amour and Cédric Jourde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eAn Important Message (2023, 12 min.) – New interview with screenwriter Roger Cantin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eNew audio interview with composer Germain Gauthier (2023, 16 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eArchival interview with producer Rock Demers (1999, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eArchival interviews with Melançon and 10 members of the cast (8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eDeleted scenes in French and English (2 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eTheatrical trailers for The Dog Who Stopped the War and four other Melançon films (10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eEnglish theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eTheatrical trailer for Cantin's The Hidden Fortress (2001)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eBooklet featuring a new essay on producer Nicole Robert by Fantasia programmer Marc Lamothe, plus an extended interview with D'Amour and Jourde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (LIMITED EDITION WITH SLIPCOVER)","offer_id":45766688112859,"sku":"","price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/350302_slip.jpg?v=1719183769"},{"product_id":"bitter-ash-the-1963","title":"BITTER ASH, THE (1963)","description":"\u003cp\u003e\u003cspan\u003eWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCathy’s Curse\u003c\/span\u003e\u003cspan\u003e’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade for just $5,000, THE BITTER ASH is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eShadows\u003c\/span\u003e\u003cspan\u003e, this first entry in Kent’s seminal Vancouver Trilogy (followed by \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSweet Substitute\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhen Tomorrow Dies\u003c\/span\u003e\u003cspan\u003e) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (LIMITED EDITION WITH SLIPCOVER)","offer_id":45871670952155,"sku":"CIP-027","price":43.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/bitter.jpg?v=1721501641"},{"product_id":"great-land-of-small-the-1987","title":"GREAT LAND OF SMALL, THE (1987)","description":"\u003cp\u003e\u003cstrong\u003eWhere it doesn't matter how big you are, just how big you dream.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArmed with a sack of gold dust and five magic spells, kind-hearted dwarf Fritz (Twin Peaks' Michael J. Anderson) leaves his fantastical home to test the intentions of humans. Soon after his arrival, he crosses paths with Flannigan (The Vindicator's Ken Roberts), a shady hunter who makes off with the magical gold and starts plotting evil deeds. After forging a friendship with siblings Jenny (Karen Elkin) and David (Michael Blouin), Fritz takes them to the alternate dimension he calls home: The Great Land of Small. As the authorities search for the missing children, Jenny and David are wowed by a fantastical world of acrobats and a gold-spitting creature known as Slimo. But when the King and Queen plot to make these kids their own, Fritz must risk his own well-being to get them home – and stop Flannigan from wreaking magic havoc.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDescribed by Miloš Forman as \"the spiritual father of the Czech New Wave,\" director Vojtěch Jasný (The Cassandra Cat) somehow found his way to Quebec in the mid-'80s to direct this fifth instalment in producer Rock Demers' Tales for All series. A low budget riff on The Wizard of Oz and The NeverEnding Story – with a strong resemblance to Shelley Duvall's Faerie Tale Theatre – The Great Land of Small is a surreal, logic-bending family phantasmagoria that proves to be an ideal showcase for the talents of Michael J. Anderson (who appears in a dual role), Cirque du Soleil, and the animation of Pascal Blais Productions. Distributed by New World Pictures in the United States, this oddball gem has remained largely unavailable for decades, but it is finally back to cast its spell on anyone with an appetite for the unusual.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional info:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eScanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe New World Pictures Podcast episode on The Great Land of Small\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSmall Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAnimating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBeyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival interview with Jasný from The Other Europe series (1988, 26 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIt’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring an essay by film programmer Marc Lamothe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAlternate French language audio track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\\n• New audio commentary featuring film historians Nathaniel Thompson and Troy Howarth\\n• The New World Pictures Podcast episode on The Great Land of Small\\n• Small Actors, Big Roles (2023, 17 min.) - New interviews with stars Karen Elkin and Michael Blouin\\n• The Great Land of Effects (2023, 10 min.) - New interview with visual effects producer Pascal Blais\\n• Animating in the ’80s (2023, 9 min.) - Blais discusses the animation techniques used in the film\\n• Beyond Vaudeville (1991, 27 min.) – Episode of the classic public-access TV show featuring actor Michael J. Anderson\\n• Archival interview with Jasný from The Other Europe series (1988, 26 min.)\\n• Bohemian Rhapsody (1969, 16 min.) – Jasný’s celebrated short about his home country\\n• It’s Not Always Cloudy (1949, 68 min.) – Jasný’s feature-length student film co-directed by Karel Kachyňa\\n• Theatrical trailer\\n• Booklet featuring an essay by film programmer Marc Lamothe\\n• Reversible cover artwork\\n• Alternate French language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (LIMITED EDITION WITH SLIPCOVER)","offer_id":45942896296155,"sku":"CIP-025","price":42.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/358658_front.jpg?v=1723419725"},{"product_id":"abducted-1986","title":"ABDUCTED (1986)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp\u003e\u003cstrong\u003e\"Her morning jog became a terrifying run for her life!\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuring a casual run in the forest, student athlete Renee (The Dead Zone’s Roberta Weiss) is unceremoniously interrupted by deranged mountain man Vern (Rolling Vengeance’s Lawrence King-Phillips), who ties a rope around her neck, drags her through the woods, and brings her to an isolated cabin. As helicopters search the area, Vern torments Renee with a series of terrifying and humiliating violations, but a glimmer of hope appears when his father Joe (Elves star Dan Haggerty) arrives on the scene and pledges to set her free. But Vern is incensed by this attack on his “property,” and he will stop at nothing to maintain his oppressive grip on Renee.\u003c\/p\u003e\n\u003cp\u003eWritten and directed by Butcher, Baker, Nightmare Maker co-writer Boon Collins and loosely inspired by a shocking true story, this USA Up All Night favorite takes a harrowing journey from psychosexual horror to high stakes adventure yarn with the introduction of Grizzly Adams himself Dan Haggerty. Intensely outré from beginning to end, this little-seen mindbender – shot by Robert McLachlan (Final Destination) and scored by Michel Rubini (Manhunter) – needs to be seen to be believed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Boon Collins\u003cbr\u003estarring: Dan Haggerty, Roberta Weiss, Lawrence King-Phillips\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1986 \/ 91 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2K from the 35mm blow up internegative by Canadian International Pictures\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAlternate 1.33:1 presentation featuring the unmasked VHS framing of the film\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring film historian\/author Amanda Reyes and film critic\/author J.A. Kerswell\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to the film by director Boon Collins\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAbducted Memories (2024, 24 min.) – New interview with Collins\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBeyond Abducted (2024, 12 min.) – Collins reflects on his body of work\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eShooting Abducted (2024, 13 min.) – New interview with cinematographer Robert McLachlan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTruth Crimes: The Story That Inspired Abducted (2024, 18 min.) – New video essay by filmmaker and historian Stephen Broomer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eExcerpt from Abducted II: The Reunion (1995, 10 min.)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eExcerpt from Collins’ student film Kettle of Fish (1972, 5 min.) with optional commentary featuring Collins\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailers for Butcher, Baker, Nightmare Maker (1981), Abducted (1986), and Abducted II: The Reunion (1995) with optional commentary featuring Collins\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet featuring a new essay by Alexandra Heller-Nicholas and a new Motion Picture Purgatory comic strip by Rick Trembles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46246569541851,"sku":"","price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/abducted_slip_front_2400x_87de62b4-c988-4506-acb3-cb30ff64c6c0.jpg?v=1731340135"},{"product_id":"hookers-on-davie","title":"HOOKERS ON DAVIE (1984)","description":"\u003cp\u003e\u003cstrong\u003e40th Anniversary Special Edition \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the height of the 1980s, following their breakthrough documentary P4W: Prison for Women, filmmakers Janis Cole and Holly Dale turned their lens on Vancouver's Davie Street neighborhood, a bustling, neon-soaked hub for both trans and cisgender sex workers informally known as \"the prostitution capital of Canada.\" The result was HOOKERS ON DAVIE, a landmark document combining candid interviews with a group of instantly memorable subjects and vivid location footage of their street work, surreptitiously captured with hidden cameras. An indelible community portrait, the film culminates in the group's collective efforts to challenge and overcome legislative oppression.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMuch lauded upon its release in 1984 and no less potent – or engrossing – 40 years later, HOOKERS ON DAVIE showcases Cole and Dale's deeply humanist approach, bringing care and compassion to subjects often represented in more reductively moralistic terms. CIP is proud to present this groundbreaking classic in a new 4K restoration that confirms its place among the greatest non-fiction films ever produced in Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e4K BLU-RAY\/BLU-RAY COMBO PACK\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHDR PRESENTATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaudio commentary featuring directors Janis Cole and Holly Dale\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaudio commentary featuring multi-disciplinary artist and curator Jordan King\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eintroduction to Hookers on Davie by Cole\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eDirectors on Davie (2024, 23 min.) – New interview with Cole\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eBefore Davie (2024, 12 min.) – Cole on her early films with Holly Dale\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eMardi on Tiggy (2024, 14 min.) – Trans elder Mardi Pieronek's tribute to her friend Tiggy\u003c\/li\u003e\n\u003cli\u003eVideo report on The West End Sex Workers Memorial fundraiser (2009, 7 min.)\u003c\/li\u003e\n\u003cli\u003eToronto Arts Awards tribute to Cole and Dale (1994, 4 min.)\u003c\/li\u003e\n\u003cli\u003eCBC interview (1984, 8 min.) – Barbara Frum in conversation with Cole and Dale\u003c\/li\u003e\n\u003cli\u003eCitytv interview (1984, 3 min.) – Jeanne Beker in conversation with Cole and Dale\u003c\/li\u003e\n\u003cli\u003e. Hookers on Davie home movies (1983, 34 min.)\u003c\/li\u003e\n\u003cli\u003eAfterword featuring Cole and Dale (2024, 8 min.)\u003c\/li\u003e\n\u003cli\u003eCream Soda (1975, 13 min.) – New 2K scan of Cole and Dale's first short\u003c\/li\u003e\n\u003cli\u003eMinimum Charge No Cover (1976, 11 min.) – New 2K scan of Cole and Dale's second short\u003c\/li\u003e\n\u003cli\u003eNew introductions to both shorts by Cole\u003c\/li\u003e\n\u003cli\u003eNew audio commentaries for both shorts featuring Cole and Dale\u003c\/li\u003e\n\u003cli\u003eNew audio commentaries for both shorts featuring King\u003c\/li\u003e\n\u003cli\u003eHookers on Davie archival press gallery\u003c\/li\u003e\n\u003cli\u003eBooklet featuring essays by Kay Armatage, Adrian Rui Hung, and Cayley James\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e4K BLU-RAY: REGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"4K UHD + BLU-RAY","offer_id":46537468772571,"sku":"","price":59.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/381156_slip.jpg?v=1740600976"},{"product_id":"cannibal-girls-1973","title":"CANNIBAL GIRLS (1973)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cp\u003e\u003cstrong\u003eThese girls do exactly  what you think they do!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuring a winter road trip, young couple Cliff (Schitt's Creek’s Eugene Levy) and Gloria (Black Christmas’ Andrea Martin) get lost and make an unplanned stop in Farnhamville, Ontario, a snowy small town known as “The Friendly City.” When they hear the legend of three local women with a history of murdering men, they playfully investigate. But to their horror, it seems the killers are still active, police and other locals are complicit, and they’re all feasting on the victims. When the cannibals develop an appetite for Cliff and Gloria, they race to get on the road – before they get on the menu.\u003c\/p\u003e\n\u003cp\u003eA decade before achieving blockbuster status with Ghostbusters, director Ivan Reitman put himself on the map with this more unsettling stab at horror comedy featuring future icons (and SCTV stars) Levy and Martin. Drawing inspiration from the Manson family and other shocking, drug-fueled horrors of the hippie era, Cannibal Girls is a gruesome Canuxploitation classic that set the stage for the provocative horror films – including Shivers, Rabid, and the Ilsa series – Reitman went on to produce at Cinépix. The film also made a splash in the U.S. where American International Pictures added a gimmick worthy of William Castle: a “warning bell” preparing viewers for “scenes of an especially erotic or gruesome nature.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Ivan Reitman\u003cbr\u003estarring: Eugene Levy, Andrea Martin, Ronald Ulrich, Alan Gordon, Allan Price, Earl Pomerantz, Bob McHeady, May Jarvis, Gino Marrocco, Rick Maguire, Randall Carpenter, Bonnie Neilson, Mira Pawluk\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1973 \/ 83 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eScanned in 2K with new color grade and extensive dirt and damage repairs\u003c\/li\u003e\n\u003cli\u003eAlternate AIP “warning bell” soundtrack\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/li\u003e\n\u003cli\u003e2 Guys and a Chainsaw episode on the film with a new epilogue on Canadian horror featuring hosts Craig Higgins and Todd Kuhns\u003c\/li\u003e\n\u003cli\u003eReitman the Fright Man (2024, 20 min.) – New interview with film historian Chris Alexander on Reitman’s horror period\u003c\/li\u003e\n\u003cli\u003eThe Horror Horn (2024, 5 min.) – Alexander on AIP’s “warning bell” soundtrack\u003c\/li\u003e\n\u003cli\u003eCannibal Guys (2010, 27 min.) – Archival interview with Reitman and producer Daniel Goldberg\u003c\/li\u003e\n\u003cli\u003eMeat Eugene! (2010, 20 min.) – Archival interview with star Eugene Levy\u003c\/li\u003e\n\u003cli\u003eMore Meat (2024, 21 min.) – Never-before-seen outtakes from Meat Eugene!\u003c\/li\u003e\n\u003cli\u003eFrench opening credits (1973, 3 min.)\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eTV spots\u003c\/li\u003e\n\u003cli\u003eRadio spots\u003c\/li\u003e\n\u003cli\u003eAIP pressbook\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eOrientation (1968, 25 min.) – Early Reitman short uncut on home video for the first time\u003c\/li\u003e\n\u003cli\u003eNew Orientation commentary featuring Hamilton Babylon author Stephen Broomer\u003c\/li\u003e\n\u003cli\u003eBooklet featuring an archival interview with Reitman and Goldberg, plus a Motion Picture Purgatory comic strip by Rick Trembles\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":46664696594651,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/81MJ9fzNUSL._SL1500.jpg?v=1743788855"},{"product_id":"buster-keaton-rides-again-h-c","title":"BUSTER KEATON RIDES AGAIN\/H.C.","description":"\u003cp\u003e\u003cspan\u003eTwo unforgettably cinematic journeys through '60s Canada! Directed by: John Spotton, Eugene Boyko.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eBUSTER KEATON RIDES AGAIN\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend's temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema's most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eHELICOPTER CANADA\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country's vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film's debt to the sprawling Cinerama travelogues of the '50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW 2K RESTORATIONS FROM 35MM INTERPOSITIVES\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eAlternate 2.76:1 and Smilebox presentations of Helicopter Canada\u003c\/li\u003e\n\u003cli\u003eAudio commentary with Gerald Potterton and David De Volpi on Buster Keaton Rides Again and The Railrodder\u003c\/li\u003e\n\u003cli\u003eAdditional shorts:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eHors-d'oeuvre\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1960, 7 min.)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMy Financial Career\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1962, 7 min.)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eChristmas Tree Decoration\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1963, 5 min.)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Ride\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1963, 7 min.)\u003c\/li\u003e\n\u003cli\u003eThe Railrodder (1965, 25 min.)\u003c\/li\u003e\n\u003cli\u003eThe Quiet Racket (1966, 7 min.)\u003c\/li\u003e\n\u003cli\u003eThe Awful Fate of Melpomenus Jones (1983, 8 min.)\u003c\/li\u003e\n\u003cli\u003eBonus short: Canada the Land (1970, 8 min.)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eBooklet featuring a new interview with Gerald Potterton\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for all 10 films\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46692612047067,"sku":null,"price":32.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/316070_front.jpg?v=1779028120"},{"product_id":"dream-life-1972-la-vie-revee","title":"DREAM LIFE (1972 LA VIE REVEE)","description":"\u003cp\u003e\u003cspan\u003eAfter starting a new job at a local film production company, free spirit Isabelle (Deaf to the City's Liliane Lemaître-Auger) meets animator Virginie (Jesus of Montreal's Véronique Le Flaguais) and the two become fast friends. Over the course of a freewheeling, sun-dappled Montreal summer, the pair deepen their bond through a shared exploration of art, ambition, and desire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first feature film directed by a woman in Quebec, Mireille Dansereau's fleet-footed and generous debut moves effortlessly between filmmaking styles and tones with the boundless energy of a young director in love with the medium. A pathbreaking portrait of female friendship and interiority, Dream Life is one of the highlights of '70s Canadian cinema and a vibrant hidden gem primed for rediscovery.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 2K RESTOREATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the original 16mm camera negative by Éléphant - mémoire du cinéma québécois\u003c\/li\u003e\n\u003cli\u003eA Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau\u003c\/li\u003e\n\u003cli\u003eThe Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries\u003c\/li\u003e\n\u003cli\u003eThree of Dansereau's early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)\u003c\/li\u003e\n\u003cli\u003eMarkets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later\u003c\/li\u003e\n\u003cli\u003eTrailer for Dansereau's Deaf to the City (1987)\u003c\/li\u003e\n\u003cli\u003eTheatrical re-release trailer for Dream Life\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a conversation between Dansereau and film journalist A. 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As this gang of frustrated sex workers waits for the dust to settle, Dan grows incensed, escalating the dispute into a full-blown war. Leaning into his mafia connections and insatiable appetite for violence, Dan orders vicious retaliation… but Cindy has some vengeful tricks up her sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn unsung Canadian exploitation classic originally brought to American screens by Lloyd Kaufman's Troma Entertainment, East End Hustle is a sordid crime saga that finds an unexpected balance of horror and humanity. Reuniting director Frank Vitale with his key collaborators from the acclaimed Montreal Main, this gritty, unblinking revenge saga anticipates future genre staples like Ms .45 and The Ladies Club. 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Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien'kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of the most important Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. 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The film was directed by Robert Fortier, a seasoned documentarian venturing deeper into fiction filmmaking following the success of his daredevil stunt-driving doc The Devil at Your Heels. Keanu \u0026amp; Co. collects three of the films he directed for the NFB's Family Crisis Series – including Keanu's essential debut – vividly evoking the spirit of the After School Special and its '80s heyday.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn Out of a Job, Dan Lett (The Shape of Water) plays a young engineer who returns to the home of his parents and computer whiz brother after his promising career abruptly falls apart. In One Step Away, Keanu Reeves plays Ron, a troubled teen struggling to overcome peer pressure and his own criminal impulses when his latest arrest derails the life of his single mother (Diana Belshaw). 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But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he'll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. In addition to three of Owen's early shorts, this disc includes Christopher's Movie Matinee – an inventive documentary that shows where Toronto teen rebellion landed just a few years later – and Lonely Boy, the landmark Paul Anka short that preceded theatrical screenings of Nobody Waved Good-bye.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW 2K RESTORATION FROM THE 16MM INTERPOSITIVE\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eBonus film: Christopher's Movie Matinee (1968, 88 min.)\u003c\/li\u003e\n\u003cli\u003eThree short films directed by Don Owen:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eRunner (1962, 11 min.)\u003c\/li\u003e\n\u003cli\u003eToronto Jazz (1963, 27 min.)\u003c\/li\u003e\n\u003cli\u003eYou Don't Back Down (1965, 28 min.)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eBonus short: Lonely Boy (1962, 27 min.)\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new interview with Don Owen biographer Steve Gravestock\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for all six films\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46694156337371,"sku":null,"price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/323290_front.jpg?v=1779028843"},{"product_id":"orders-1974-les-ordres","title":"ORDERS (1974 LES ORDRES)","description":"\u003cp\u003e\u003cspan\u003eFollowing the shocking kidnapping of two prominent political figures in October 1970, Canada's federal government invokes the War Measures Act, an extreme law that strips citizens of their most fundamental human rights. Over the course of several weeks, 450 unsuspecting Québécois are abruptly ripped from their families and imprisoned without formal charges or explanations. Told through the eyes of five prisoners subjected to abuse and humiliation that borders on torture, ORDERS is an unsettling and unforgettable immersion in one of the most dystopian chapters in Canadian history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sophomore narrative feature from master cinematographer and filmmaker Michel Brault (a formative influence on director Denis Villeneuve), this unflinching prison drama explores the most egregious injustices perpetrated during the historic October Crisis. Drawn from extensive testimonials and told in the cinéma direct language Brault helped pioneer, ORDERS is a masterpiece of Québécois cinema that delivers a vision no less infuriating and impactful half a century after it won Best Director at the Cannes Film Festival.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW RESTORATION FROM THE ORIGINAL NEGATIVE\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby Éléphant - mémoire du cinéma québécois with sections from the 35mm internegative and interpositive\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring filmmaker\/professor Frédérick Pelletier and author\/professor Gabrielle Tremblay\u003c\/li\u003e\n\u003cli\u003eImages of Immediacy (2024, 25 min.) – New interview with author\/professor André Loiselle\u003c\/li\u003e\n\u003cli\u003eLove at First Sight (2024, 17 min.) – New interview with sound recordist Serge Beauchemin\u003c\/li\u003e\n\u003cli\u003eA Peaceful Nation: The Road to October 1970 (2024, 18 min.) – New interview with film historian\/professor Sylvain Garel\u003c\/li\u003e\n\u003cli\u003eFilming the FLQ (2024, 17 min.) – Garel on felquism in cinema\u003c\/li\u003e\n\u003cli\u003eIn the Shadow of Kafka (2024, 18 min.) – New interview with author\/professor Angelos Koutsourakis\u003c\/li\u003e\n\u003cli\u003eThe October Crisis: 50 Years On-Screen (2020, 13 min.) – Interviews with filmmaker Mathieu Denis, actress Louise Forestier, actor Claude Gauthier, and filmmaker Félix Rose\u003c\/li\u003e\n\u003cli\u003eMichel Brault Lives Again at Cannes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46694212239579,"sku":null,"price":46.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/377430_front.jpg?v=1779028736"},{"product_id":"other-french-new-wave-the-v-1","title":"OTHER FRENCH NEW WAVE, THE:V.1","description":"\u003cp\u003e\u003cspan\u003eThree trailblazing classics from the dawn of Quebec's cinematic revolution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eTHE CAT IN THE BAG\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - On the cusp of adulthood, Claude loses faith in society and commits to a state of revolt, which strains his relationship with Barbara and leads him on a path to isolation. Featuring an original score by jazz legend John Coltrane, Gilles Groulx's experiment in \"spontaneous cinema\" is a timeless exploration of youthful disillusionment that brought new audacity to Quebec cinema.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eTHE MERRY WORLD OF LEOPOLD Z\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - On Christmas Eve, snowplow driver Leo (Once Upon a Hunt's Guy L'Ecuyer) races to clear the streets of Montreal and complete his holiday shopping in time for midnight mass. The feature directorial debut of celebrated filmmaker Gilles Carle, The Merry World of Leopold Z is an offbeat holiday treat that builds to a disarmingly resonant conclusion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eYUL 871\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - During a weekend visit to Montreal, a Parisian engineer (The Bride Wore Black's Charles Denner) has a romantic fling, befriends a young girl, and rethinks his war-fractured past while navigating an unfamiliar new world. An early breakthrough for prolific auteur Jacques Godbout (The Mob), YUL 871 is an artfully directed, deceptively breezy convergence of cultures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW 2K RESTORATIONS FROM 35MM INTERPOSITIVES\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eThe Rink (1962, 10 min.)\u003c\/li\u003e\n\u003cli\u003eThe Big Swim (1964, 9 min.)\u003c\/li\u003e\n\u003cli\u003ePercé on the Rocks (1964, 10 min.)\u003c\/li\u003e\n\u003cli\u003eAlternate English audio tracks for Leopold Z and YUL 871\u003c\/li\u003e\n\u003cli\u003eAlternate English opening and closing credits for Leopold Z\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003eBonus shorts: Very Nice, Very Nice (1961, 7 min.), Christmas Cracker (1963, 9 min.), and 23 Skidoo (1964, 8 min.)\u003c\/li\u003e\n\u003cli\u003eBooklet with essay by historian Eric Fillion\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for all nine films\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46694223020251,"sku":null,"price":32.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/312509_front.jpg?v=1779028616"},{"product_id":"rejeanne-padovani-1973","title":"REJEANNE PADOVANI (1973)","description":"\u003cp\u003e\u003cspan\u003eMontreal mafioso Vincent Padovani (Tadpole and the Whale's Jean Lajeunesse) has spent years building a diversified crime empire fronted by \"legitimate\" business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust's René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani's estranged wife Réjeanne (Dirty Money's Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night's work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of '70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada's sharpest and most incriminating cinematic self-portraits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 2K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original magnetic final mix and optical track\u003c\/li\u003e\n\u003cli\u003eAudio commentary featuring author and professor Anthony Kinik\u003c\/li\u003e\n\u003cli\u003eShooting Réjeanne (2023, 24 min.) – New interview with director Denys Arcand\u003c\/li\u003e\n\u003cli\u003eNew audio interviews with cast members Gabriel Arcand (10 min.), Paule Baillargeon (11 min.), and Céline Lomez (23 min.)\u003c\/li\u003e\n\u003cli\u003eTrailers for Arcand's Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new interview with author Peter Edwards (The Encyclopedia of Canadian Organized Crime)\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eAlternate English language audio track\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46694553190619,"sku":null,"price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/354733_front.jpg?v=1779028507"},{"product_id":"sweet-substitute-1964","title":"SWEET SUBSTITUTE (1964)","description":"\u003cp\u003e\u003cspan\u003eBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline's Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly's Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom's future, inspiring his friends to take drastic action.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year's Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent's next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/li\u003e\n\u003cli\u003eArchival audio commentary featuring film professor David Douglas\u003c\/li\u003e\n\u003cli\u003eNew introduction to Sweet Substitute by Larry Kent\u003c\/li\u003e\n\u003cli\u003eSweet and Sour (2024, 10 min.) – New interview with Kent\u003c\/li\u003e\n\u003cli\u003eNot Quite Liberated (2024, 17 min.) – New interview with Douglas\u003c\/li\u003e\n\u003cli\u003eNew audio interview with actor Lanny Beckman (2024, 6 min.)\u003c\/li\u003e\n\u003cli\u003eThe Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence\u003c\/li\u003e\n\u003cli\u003eFantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\u003c\/li\u003e\n\u003cli\u003eArchival audio interview with Kent (1964, 11 min.)\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46695371014363,"sku":null,"price":42.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/367506_front.jpg?v=1779029531"},{"product_id":"action-october-crisis-of-1970","title":"ACTION: OCTOBER CRISIS OF 1970","description":"\u003cp class=\"\"\u003eIn October 1970, the long-brewing tension between French and English Canada explodes onto the world stage after a group of Québécois seperatists violently kidnap two prominent political figures, holding them ransom and issuing a now-famous manifesto. With a nation on the brink, Prime Minister Pierre Trudeau responds by invoking the controversial War Measure Act, suspending civil liberties in Québec, jailing hundreds without trial, and unleashing the Canadian Armed Forces on the streets of Montréal. As tensions mount, local and federal leaders are forced to reckon in real time with shocking acts of political violence and unprecedented abuses of government power.\u003c\/p\u003e\n\u003cp class=\"\"\u003eA masterclass in urgent historical filmmaking by National Film Board veteran Robin Spry (\u003cem\u003eOne Man\u003c\/em\u003e), \u003cem\u003eAction: The October Crisis of 1970\u003c\/em\u003e is a bracing portrait, expertly encapsulating a dizzying, watershed moment through archival material, news reports, and first-hand, on-the-ground footage. In league with the great political documentaries of the ‘60s and ‘70s – and complemented here by its companion film, \u003cem\u003eReaction: A Portrait of a Society in Crisis\u003c\/em\u003e – \u003cem\u003eAction\u003c\/em\u003e remains a riveting account of the upheaval that shook Canada to its very core.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"sqsrte-text-color--white\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e• Scanned and restored in 2K from the 16mm interpositive by the National Film Board of Canada\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Alternate French language audio track\u003c\/p\u003e\n\u003cp class=\"\"\u003e• New audio commentary featuring writer and film programmer Justine Smith\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Audio commentary assembled from archival interviews with director Robin Spry\u003c\/p\u003e\n\u003cp class=\"\"\u003e• \u003cem\u003eMaking Action\u003c\/em\u003e (2025, 18 min.) – New interview with NFB curator Marc St-Pierre\u003c\/p\u003e\n\u003cp class=\"\"\u003e• \u003cem\u003eTensions and Contradictions\u003c\/em\u003e (2025, 16 min.) – New interview with professor Zoë Druick\u003c\/p\u003e\n\u003cp class=\"\"\u003e• \u003cem\u003eReaction: A Portrait of a Society in Crisis\u003c\/em\u003e (1973, 58 min.) – Spry documentary exploring a sampling of English-speaking Québec’s perspective on the October Crisis\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Booklet featuring a new essay by film critic\/professor Tom McSorley and an essay by film journalist A. Ibrányi-Kiss\u003c\/p\u003e\n\u003cp class=\"\"\u003e• Reversible cover artwork\u003c\/p\u003e\n\u003cp class=\"\"\u003e• English SDH subtitles\u003c\/p\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46872906170587,"sku":"","price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/387780_front.jpg?v=1749568435"},{"product_id":"devil-at-your-heels-the","title":"DEVIL AT YOUR HEELS, THE","description":"\u003cp\u003e\u003cstrong\u003eThe story of a daredevil… Ken Carter wants to jump a car a mile.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSeasoned stunt driver Ken Carter has spent the past 20 years risking his life jumping cars three times a week. Feeling the pain from decades of injuries, he recognizes the end of his career is near. But before he calls it a day, he's determined to achieve legend status – by jumping a car a mile over the St. Lawrence Seaway. After spending his life savings building a rocket car, he joins forces with ABC's Wide World of Sports to build a massive ramp and put all the pieces in place to make his dream a reality. When the network sends Evel Knievel to inspect, he's shocked by the danger involved and concludes this is the \"daredevil stunt that might end all daredevil stunts.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn epic journey to the heart of one man's dangerous obsession, The Devil at Your Heels is one of the most beloved films ever to emerge from The National Film Board of Canada. Playfully narrated by celebrated Canadian actor Gordon Pinsent, this immersion in the mind of an inspired – if overly ambitious – dreamer is often described as a forerunner to American Movie. CIP is proud to present this timeless cult classic alongside four shorts by director Robert Fortier, including his earlier Ken Carter film, The Mad Canadian.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 2K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the 16mm interpositive by the National Film Board of Canada\u003c\/li\u003e\n\u003cli\u003eSelected-scene commentary featuring director Robert Fortier\u003c\/li\u003e\n\u003cli\u003eDaredevil Director (2025, 18 min.) – New interview with Fortier\u003c\/li\u003e\n\u003cli\u003eNew audio interview with Gloria DeMario (2025, 8 min.)\u003c\/li\u003e\n\u003cli\u003eKeller on Carter (2025, 10 min.) – Rocket car designer Richard Keller on his collaboration with Carter\u003c\/li\u003e\n\u003cli\u003eLong John Baldry interview (1989, 4 min.) – Archival interview with the musician who created \"Ken's Theme\"\u003c\/li\u003e\n\u003cli\u003eSomeone Else's Movie episode on the film featuring Becky Shrimpton and host Norm Wilner\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast excerpt (2018, 9 min.) – Elric Kane and Brian Saur discuss the film\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast introduction (2024, 8 min.) – Kane and Saur introduce the film at The American Cinematheque\u003c\/li\u003e\n\u003cli\u003eThe Movies That Made Me excerpt (2020, 7 min.) – Kier-La Janisse and Caelum Vatnsdal discuss the film\u003c\/li\u003e\n\u003cli\u003eKen Carter: World Record (1982, 25 min.) – Archival footage of Carter's ramp-to-ramp rocket car jump on August 19, 1982\u003c\/li\u003e\n\u003cli\u003eAim for the Roses clip (2016, 6 min.) – Excerpt from John Bolton's documentary chronicling a musical tribute to Ken Carter\u003c\/li\u003e\n\u003cli\u003eFour short films directed by Fortier:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eThe Myth and the Reality (1973, 5 min.)\u003c\/li\u003e\n\u003cli\u003eMetal Workers (1975, 10 min.)\u003c\/li\u003e\n\u003cli\u003eThe Mad Canadian (1976, 10 min.)\u003c\/li\u003e\n\u003cli\u003eHarmonium in California (1979, 29 min.)\u003c\/li\u003e\n\u003cli\u003eNew introductions to all four shorts by Fortier\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eImage gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":46872922685659,"sku":"","price":47.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/389369_front.jpg?v=1749568850"},{"product_id":"heatwave-lasted-four-days-the","title":"HEATWAVE LASTED FOUR DAYS, THE (1975)","description":"\u003cp\u003eWhile shooting a news report on a Montréal heatwave, TV cameraman Cliff Reynolds (The Rowdyman’s Gordon Pinsent) unintentionally films Jerry Cuozzo (Scanners co-star Lawrence Dane), a recently-escaped convict hiding from police and his former criminal associates on the heels of a rogue heroin deal. With the help of Barbara (Day for Night’s Alexandra Stewart) and Gabriella (Vampire Circus’ Domini Blythe), Jerry schemes to fake his own death, while offering large sums of money to Cliff to hand over his film and help deliver the drugs – with lethal consequences.\u003c\/p\u003e\n\u003cp\u003eCreated for the National Film Board of Canada’s Filmglish series – which produced serialized feature films to help teach English as a second language – The Heatwave Lasted Four Days went on to become a surprise hit on American TV as part of ABC’s Wide World of Mystery. Almost entirely unavailable in the decades since its original release, this lost neo-noir classic is offered here in three distinct versions, alongside additional films from director Douglas Jackson, including his award-winning The Sloane Affair.\u003c\/p\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 16mm interpositives by the National Film Board of Canada\u003c\/li\u003e\n\u003cli\u003eThree separate versions of The Heatwave Lasted Four Days:\n\u003cul\u003e\n\u003cli\u003ethe original TV cut (66 min.)\u003c\/li\u003e\n\u003cli\u003ethe extended cut (72 min.)\u003c\/li\u003e\n\u003cli\u003ethe four-episode Filmglish version (80 min.)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring author\/film historian Amanda Reyes\u003c\/li\u003e\n\u003cli\u003eFour Days, Three Versions (2025, 10 min.) – An overview of the differences in the film’s three cuts\u003c\/li\u003e\n\u003cli\u003eThe Huntsman (1972, 16 min.) – Jackson’s first fiction film\u003c\/li\u003e\n\u003cli\u003eThe Sloane Affair (1972, 53 min.) – Jackson TV movie that received four Canadian Film Awards, including Best TV Drama\u003c\/li\u003e\n\u003cli\u003eUncle T. (1985, 24 min.) – Jackson short featuring Linda Griffiths (Lianna) and Heatwave’s Gordon Pinsent\u003c\/li\u003e\n\u003cli\u003ePress gallery\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":47406640103643,"sku":null,"price":43.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/392232_front.jpg?v=1754753537"},{"product_id":"winter-kept-us-warm-1965","title":"WINTER KEPT US WARM (1965)","description":"\u003cp\u003eLeaving his small town to attend the University of Toronto, introspective freshman Peter (Henry Tarvainen) finds a campus steeped in tradition waking up to the radical politics of the 1960s. Following a disastrous first encounter, he connects with handsome and cocksure sophomore Doug (John Labow), who quickly indoctrinates him in city and college life. But as their bond grows, Doug’s girlfriend Bev (Joy Fielding) feels increasingly cast aside and begins to question the nature of the friendship. Tensions come to a head when Peter starts dating Sandra (Janet Amos), forcing Doug to confront his true feelings and desires. \u003c\/p\u003e\n\u003cp\u003eOften described as the first LGBTQ+ film ever to screen at the Cannes Film Festival, David Secter’s Winter Kept Us Warm was one of the first Canadian feature films to attract international acclaim with its lovingly observed portrait of a burgeoning queer romance, at a time when homosexuality was still illegal in the country. A milestone in independent film production, Secter’s debut would go on to influence a wide range of Canadian auteurs, most notably David Cronenberg, who cites Winter Kept Us Warm as the film that inspired him to become a filmmaker. CIP is proud to resurrect this trailblazing classic with a new 4K restoration.\u003c\/p\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the answer print\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring director David Secter\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring filmmaker John Greyson and author\/professor Thomas Waugh\u003c\/li\u003e\n\u003cli\u003eLearning on the Job (2025, 18 min.) – New interview with Secter \u003c\/li\u003e\n\u003cli\u003eThe Actor as Author (2025, 16 min.) – New interview with actress Joy Fielding\u003c\/li\u003e\n\u003cli\u003eWinging It (2025, 16 min.) – New interview with executive producer Ronald B. Thomson\u003c\/li\u003e\n\u003cli\u003eFirst Score (2025, 12 min.) – New interview with composer Paul Hoffert\u003c\/li\u003e\n\u003cli\u003eAfter Winter (2025, 13 min.) – Hoffert reflects on his body of work\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes footage (1965, 5 min.)\u003c\/li\u003e\n\u003cli\u003eOuttakes and deleted scenes (1965, 18 min.)\u003c\/li\u003e\n\u003cli\u003eUnmade Memory (2025, 9 min.) – Secter on Memory \u0026amp; Desire, the sequel he wrote, but never shot\u003c\/li\u003e\n\u003cli\u003eScreenplay draft for Memory \u0026amp; Desire\u003c\/li\u003e\n\u003cli\u003ePress gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical re-release trailer\u003c\/li\u003e\n\u003cli\u003eLove with the Proper Guppy (1964, 8 min.) – New 2K scan of Secter’s first short\u003c\/li\u003e\n\u003cli\u003eThe Best of Secter \u0026amp; the Rest of Secter (2005, 58 min.) – Documentary on David Secter’s life and work with a new introduction by director Joel Secter\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new essay by Chris Dupuis and an archival essay by Waugh\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":47574386180315,"sku":null,"price":43.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/393933_front.jpg?v=1757368748"},{"product_id":"cold-journey-1975","title":"COLD JOURNEY (1975)","description":"\u003ch4 class=\"tagline\"\u003eHe was called an apple, Red on the outside White on the inside…\u003c\/h4\u003e\n\u003cp\u003e15-year-old Buckley (Adventures in Rainbow Country’s Buckley Petawabano) is coming of age torn between two worlds: his stifling experience in a residential school and his hunger for the old traditions of the reserve. But when he returns to visit his family over summer break, his distance from their way of life – and even the Cree language – is painfully apparent. During a disastrous stint living with a white foster family, Buckley deepens his bond with Johnny (King of the Grizzlies star Johnny Yesno), a caretaker at the school who becomes a bridge to Indigenous history and community. Despite this fleeting connection, Buckley grows increasingly disaffected, and his alienation begins to sow the seeds of personal tragedy.      \u003c\/p\u003e\n\u003cp\u003eLoosely inspired by the haunting true story of Anishinaabe boy Chanie “Charlie” Wenjack, the sole fiction feature from National Film Board of Canada documentary veteran Martin Defalco is both deeply empathetic and bracingly unsentimental. Featuring a supporting performance by Chief Dan George (Little Big Man) and several songs by celebrated musician-filmmaker Willie Dunn, Cold Journey remains an essential and withering portrait of Canada’s now-infamous residential school system and its devastating impact on First Nations youth.\u003c\/p\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 35mm interpositive by the National Film Board of Canada\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Lawrence Dunn and Kevin Howes, producers of Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/li\u003e\n\u003cli\u003eThat Unique Feeling (2025, 26 min.) – New interview with film historian Jesse Wente\u003c\/li\u003e\n\u003cli\u003eWillie’s Journey (2025, 11 min.) – New interviews with Lawrence Dunn and Kevin Howes\u003c\/li\u003e\n\u003cli\u003eThe Ballad of Crowfoot (1968, 10 min.) – Musical short film directed by Willie Dunn with optional audio commentary featuring Lawrence Dunn and Kevin Howes\u003c\/li\u003e\n\u003cli\u003eThe Other Side of the Ledger: An Indian View of the Hudson's Bay Company (1972, 42 min.) – Collaborative short film directed by Martin Defalco and Willie Dunn\u003c\/li\u003e\n\u003cli\u003eSounds from Our People: Cold Journey (1979, 28 min.) – Abridged cut of the film made for children by Alanis Obomsawin\u003c\/li\u003e\n\u003cli\u003eFour additional short films directed by Defalco:\n\u003cul\u003e\n\u003cli\u003eBird of Passage (1966, 10 min.)\u003c\/li\u003e\n\u003cli\u003eNorthern Fisherman (1967, 24 min.)\u003c\/li\u003e\n\u003cli\u003eWhat in the World Is Water? (1967, 12 min.)\u003c\/li\u003e\n\u003cli\u003eCharlie’s Day (1967, 12 min.)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (WITH SLIPCOVER)","offer_id":47648338116827,"sku":null,"price":43.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/397019_slip.jpg?v=1759691097"},{"product_id":"ghostkeeper-1981","title":"GHOSTKEEPER (1981)","description":"\u003ch4 class=\"tagline\"\u003eWho Next Becomes The Keeper Of The Beast That Lives On Human Flesh?\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eDuring a New Year's Eve snowmobiling trip, Jenny (Rabid's Riva Spier), her boyfriend Marty (The Grey Fox's Murray Ord), and their friend Chrissy (Sheri McFadden) veer off path to explore a patch of private property. Stranded by a heavy snowfall, they stumble upon an abandoned hotel and seek refuge for the night. But before long, they meet a menacing woman (Rad's Georgie Collins) who shares the building with her knife-wielding son (The High Country's Bill Grove) and a mysterious creature who feeds on human flesh. As the visiting trio comes under attack, they struggle to make a safe escape – and maintain their grip on reality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing haunting performances from its entire cast and a typically atmospheric score by Paul Zaza (My Bloody Valentine), James Makichuk's Ghostkeeper is an essential entry in the New Year's Eve horror canon and a dread-inducing descent into wintery isolation and madness. Long regarded as the Canadian answer to Stanley Kubrick's The Shining, this slasher staple is a Canuxploitation classic and one of the enduring highlights of the tax shelter era.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the only known complete 35mm theatrical print by Canadian International Pictures\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaudio commentary featuring stars Riva Spier and Murray Ord, plus co-writer\/associate producer Doug MacLeod\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaudio commentary featuring The Hysteria Continues! and author\/film historian Amanda Reyes\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eepisode of The New World Pictures Podcast on Ghostkeeper\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eGhostsneaker (2025, 16 min.) – interview with film historian Chris Alexander\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe Window of Opportunity (2025, 15 min.) – New interview with story consultant Dave Makichuk\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eI Need It Friday (2025, 10 min.) – interview with composer Paul Zaza\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eZaza Begins (2025, 16 min.) – Zaza reflects on his early films\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eHollywood Canadians (2025, 14 min.) – Filmmakers Paul Lynch (Prom Night) and David Winning (Storm) reflect on Jim Makichuk\u003c\/li\u003e\n\u003cli\u003eCalgary Underground Film Festival Q\u0026amp;A (2024, 41 min.) – Post-screening discussion featuring Ord, MacLeod, and Dave Makichuk\u003c\/li\u003e\n\u003cli\u003eArchival interview with actress Georgie Collins (2011, 14 min.) – A conversation moderated by Ord and edited by Jim Makichuk\u003c\/li\u003e\n\u003cli\u003eArchival interview with cinematographer John Holbrook (2011, 7 min.)\u003c\/li\u003e\n\u003cli\u003eAlternate opening (1982, 2 min.)\u003c\/li\u003e\n\u003cli\u003eGhostkeeper 2 (2013, 6 min.) – Jim Makichuk's Kickstarter video pitching a sequel\u003c\/li\u003e\n\u003cli\u003eNight School (1971, 2 min.) – Early Jim Makichuk short\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new essay by film journalist\/programmer Yasmina Ketita and an essay on the film's production history by Eric Volmers\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eAlternate French language audio track\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":48550755139803,"sku":null,"price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/358059_front.jpg?v=1775165921"},{"product_id":"vinyl-2000","title":"VINYL (2000)","description":"\u003ch4 class=\"tagline\"\u003eA camera. A collection. An obsession.\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eCanadian documentarian Alan Zweig psychoanalyzes obsessive vinyl record collectors, including himself, exploring whether their deep-seated need to collect music substitutes for fulfilling personal lives, particularly romantic relationships. \u003c\/span\u003e\u003ci\u003eVinyl\u003c\/i\u003e\u003cspan\u003e features interviews with figures like Guy Maddin, Harvey Pekar, Alan Williams, and Bruce LaBruce, as well as Zweig's own lonely confessions, as he questions his own solitary obsession with records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eTransferred from the best surviving tape master\u003c\/li\u003e\n\u003cli\u003eNew extended mirror introduction by director Alan Zweig\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Zweig moderated by filmmaker\/podcaster Jay Cheel\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Zweig in conversation with editor Christopher Donaldson and producer Greg Klymkiw\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Zweig in conversation with critic\/author Geoff Pevere and Vinyl superfan August Dorney\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Zweig in conversation with composer Scott Cramer (Drysdale)\u003c\/li\u003e\n\u003cli\u003eVinyl: The Alternate Take (2011, 96 min.) – Feature-length companion film comprised entirely of footage cut from Vinyl\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on Vinyl: The Alternate Take featuring Zweig and Cheel\u003c\/li\u003e\n\u003cli\u003eExtended interviews with Guy Maddin, Don McKellar, and Harvey Pekar\u003c\/li\u003e\n\u003cli\u003eAdditional outtakes\u003c\/li\u003e\n\u003cli\u003eBooklet featuring an essay on Vinyl by filmmaker and executive producer Bruce McDonald\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":48550772801755,"sku":null,"price":42.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/403376_front.jpg?v=1775166362"},{"product_id":"roadkill-1989","title":"ROADKILL (1989)","description":"\u003cp\u003e\u003cspan\u003eA rock n' road movie about a girl who learns to drive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt loose ends with life in Toronto, Ramona (Highway 61's Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There's only one problem: she doesn't know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who's lost his voice, and an aspiring serial killer (Last Night's Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald's iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the 35mm fine-grain master positive by Films We Like\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/li\u003e\n\u003cli\u003eArchival audio commentary featuring writer-star Don McKellar and producer Colin Brunton\u003c\/li\u003e\n\u003cli\u003eRebel Cinema (2024, 29 min.) – New interview with McKellar\u003c\/li\u003e\n\u003cli\u003eReady for the Ride (2024, 23 min.) – New interview with star Valerie Buhagiar\u003c\/li\u003e\n\u003cli\u003eRock n' Road (2024, 28 min.) – New interview with Brunton\u003c\/li\u003e\n\u003cli\u003eLyrical Surrealism (2024, 22 min.) - New interview with cinematographer Miroslaw Baszak\u003c\/li\u003e\n\u003cli\u003eInterview with Bruce McDonald (2018, 37 min.) – A career-spanning interview with director Bruce McDonald\u003c\/li\u003e\n\u003cli\u003eOn Screen! (2006, 48 min.) - Documentary about the making of Roadkill\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new interview with former TIFF senior programmer Steve Gravestock\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":48781222052059,"sku":null,"price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/359161_front.jpg?v=1779028382"},{"product_id":"when-tomorrow-dies-1965","title":"WHEN TOMORROW DIES (1965)","description":"\u003cp\u003e\u003cspan\u003eFrustrated housewife Gwen James (Rabid's Patricia Gage) feels like little more than a servant to her accountant husband (Strange Brew's Douglas Campbell) and two daughters. Devoting all her time to their needs – and the demands of her cantankerous father – she feels her sense of self-worth slipping. As Gwen wrestles with increasingly despairing thoughts, she escapes into a world of glamorous fantasy and eventually finds a new sense of purpose by enrolling in a university course, where she strikes up a special bond with her young professor (American Nightmare's Neil Dainard). But as Gwen reverts to a more youthful, carefree state, her family descends into chaos.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArriving on the heels of The Bitter Ash and Sweet Substitute, When Tomorrow Dies concluded Larry's Kent Vancouver Trilogy with a vivid new sense of style and daring. Working with a larger budget and a more seasoned crew, the director fused elements of film noir and the Hollywood melodrama to deliver a lurid – yet compassionate – investigation of the housewife psyche. Applying Kent's preoccupation with youthful disaffection to an older generation, When Tomorrow Dies brought new depth to his approach and cemented his reputation as a maverick of Canadian independent filmmaking.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEW 4K RESTORATION\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring film historian and author Samm Deighan\u003c\/li\u003e\n\u003cli\u003eArchival audio commentary featuring film professor Peter Rist\u003c\/li\u003e\n\u003cli\u003eNew introduction to When Tomorrow Dies by Larry Kent\u003c\/li\u003e\n\u003cli\u003eTomorrow Lives (2024, 9 min.) – New interview with Kent\u003c\/li\u003e\n\u003cli\u003eIndependent Evolution (2024, 18 min.) – New interview with Douglas\u003c\/li\u003e\n\u003cli\u003eNew audio interview with Heather Whitehead, daughter of star Patricia Gage (2024, 9 min.)\u003c\/li\u003e\n\u003cli\u003eTalking to Larry Kent (2005, 19 min.) – Archival conversation featuring Kent and Rist\u003c\/li\u003e\n\u003cli\u003eKent on Kent (1965-1967, 20 min.) – Archival audio interviews with Kent\u003c\/li\u003e\n\u003cli\u003eMothers and Daughters (1993, 85 min.) – Little-seen Kent feature exploring some of the same themes as When Tomorrow Dies\u003c\/li\u003e\n\u003cli\u003eNew introduction to Mothers and Daughters by Douglas\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new essay by film critic and professor Tom McSorley\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CANADIAN INTERNATIONAL PICTURES","offers":[{"title":"BLU-RAY","offer_id":48781230375131,"sku":null,"price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/369707_front.jpg?v=1779029692"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/collections\/CIP_app_photo_540x_f3c31885-da95-4567-8f9f-4fd792092de9.webp?v=1664059290","url":"https:\/\/baystvideo.com\/collections\/canadian-international-pictures.oembed?page=2","provider":"Bay Street Video","version":"1.0","type":"link"}