{"title":"DOCUMENTARY","description":"","products":[{"product_id":"vampir-cuadecuc-umbracle-double-feature","title":"VAMPIR, CUADECUC (1971) \/ UMBRACLE (1972) DOUBLE FEATURE","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\"THIS IS RADICAL CINEMA...\"\u003c\/strong\u003e-\u003cem\u003eARTFORUM\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePere Portabella has been a pioneering movie producer and celebrated Spanish statesman, denounced by both the Franco dictatorship and The Vatican. But it's his subversive work as a director that has rewritten the rules of genre narrative. Or as The Museum of Modern Art says, \"The films of Portabella expand the expressive potential of cinema\": In 1970, Portabella was invited by Jess Franco to make a behind-the-scenes documentary on the filming of COUNT DRACULA. Instead, CUADECUC VAMPIR became a dreamlike deconstruction of myths, monsters and moviemaking featuring Christopher Lee, Herbert Lom and Soledad Miranda as you've never seen them before. Christopher Lee also stars in Portabella's companion piece UMBRACLE, an unsettling journey through dread, violence and discontinuity with Lee at his most candid. Both films are now scanned in HD from Portabella's own vault elements for the first time ever in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVAMPIR, CUADECUC\u003c\/strong\u003e \u003cspan\u003eA film shot \u003c\/span\u003e\u003cem\u003ebehind\u003c\/em\u003e\u003cspan\u003e another! Everything is turned inside out behind the scenes of Jesús Franco’s 1972 mainstream horror film starring Christopher Lee, \u003c\/span\u003e\u003cem\u003eCount Dracula\u003c\/em\u003e\u003cspan\u003e, as Spanish Pere Portabella turns on-set footage into an abbreviated, self-reflexive and surrealist version of the Count’s story.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUMBRACLE \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain intensely unfinished. It stars Christopher Lee, wandering around a dream-like Barcelona.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Cinema Of Vampires: Pere Portabella, Jess Franco And The School Of Barcelona – Interview With Spanish Film Scholar Dr. Álex Mendíbil\u003c\/li\u003e\n\u003cli\u003eEnglish and Spanish audio tracks\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eBooklet Featuring Text By Pere Portabella And Film Critics Jonathan Rosenbaum And Federico Karstulovich\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: English Mono | UMBRACLE: Spanish Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: Closed Captions | UMBRACLE: English Subtitles\u003c\/li\u003e\n\u003cli\u003eBlu-ray: Region Free\u003c\/li\u003e\n\u003cli\u003eRun time:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: 69 mins | UMBRACLE: 88 mins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY","offer_id":44492834341083,"sku":"","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/81pVxFEBe9L._SL1500.jpg?v=1701530188"},{"product_id":"mondo-new-york-1988","title":"MONDO NEW YORK (1988)","description":"\u003ch4\u003eA young woman wanders Manhattan and meets a number of strange characters and settings that represent the 'underground' life in New York in the 1980's.\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSomewhere between uptown and downtown, heaven and hell, dusk and dawn, lies... 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Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(2 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan\u003e (22 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Expressions of Folk Horror in Brazil\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(7 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e discuss the impact of Brazilian folk literature and songs on folk horror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFolk Poetry\u003c\/b\u003e\u003cspan\u003e (5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/b\u003e\u003cspan\u003e8.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLEPTIRICA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr\u003eSerbian mono with optional English subtitles\u003cbr\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with \u003c\/span\u003e\u003cspan\u003eŠtićenik\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr\u003eCzech mono with optional English subtitles\u003cbr\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWomb\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eOf\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWoman\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIs The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(22.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Projection Booth Podcast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(62 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr\u003eRussian mono with optional English subtitles \/ English mono\u003cbr\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003cspan\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eSatan Exultant\u003c\/b\u003e\u003cspan\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Queen of Spades\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Portrait\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1915, 8 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr\u003eNorwegian mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTILBURY\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr\u003eIcelandic mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Karl Ágúst Úlfsson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Kristján Franklin Magnúss\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Viðar Víkingsson,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE DREAMING\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from best surviving 35mm positive print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKADAICHA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb\u003e\u003ci\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(17.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan\u003e (7 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCELIA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (40 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (17 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with veteran editor Ken Sallows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (24 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCELIA\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExtended Interviews\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSatanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWILCZYCA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCLEARCUT\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eWith Kevin Howes And Lawrence Dunn, Co-Producers Of\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIL DEMONIO\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr\u003eItalian mono with optional English subtitles\u003cbr\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eDaliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(27.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDARK WATERS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr\u003eItalian stereo with optional English subtitles\u003cbr\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Writer\/Director Mariano Baino\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (50 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan\u003e (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e (6 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan\u003e (23 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCamera Tests\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eANCHORESS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr\u003eClosed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (13.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (2.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1:33:1 | Color | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(16 mins) A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pledge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Digby Rumsey, 1982) (22 mins) Based on the short story by early 20th Century Fantasy Writer Lord Dunsany,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Pledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econcerns a group of Highwaymen who make a pact to save the should of their hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sermon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComposed by Jim Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCurated by \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY + CD (BOX SET)","offer_id":45754825605339,"sku":"","price":249.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/371434_slip.jpg?v=1742757864"},{"product_id":"all-the-colors-of-giallo","title":"ALL THE COLORS OF GIALLO","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e‘Giallo’ is Italian for ‘yellow’, the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in movie history. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this unprecedented collection, experience the full chronological evolution of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003egiallo\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e with \u003c\/span\u003e\u003cb\u003emore than 100 rare and classic trailers\u003c\/b\u003e\u003cspan\u003e from such masters as \u003c\/span\u003e\u003cb\u003eMario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti, Umberto Lenzi\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand many more. Then slip on black leather gloves and set the mood with a \u003c\/span\u003e\u003cb\u003eBonus CD of legendary soundtrack music\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003efrom composers that include \u003c\/span\u003e\u003cb\u003eEnnio Morricone, Riz Ortolani, Bruno Nicolai, Stelvio Cipriani\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand others, along with \u003c\/span\u003e\u003cb\u003eall-new featurettes\u003c\/b\u003e\u003cspan\u003e that thrust even deeper into the genre. “But be warned,” says \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eGizmodo.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003e“once you start going down the blood-slicked \u003c\/span\u003e\u003ci\u003e\u003cspan\u003egiallo \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003erabbit hole, you may become dangerously obsessed.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 1 - Blu-ray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eAll the Colors of Giallo\u003c\/em\u003e: A New Feature Length Documentary By\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFederico Caddeo\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Giallo Frames\u003c\/em\u003e: Interview With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Martin\u003c\/strong\u003e, Editor Of The Giallo Pages\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKat Ellinger\u003c\/strong\u003e, Author of All The Colors Of Sergio Martino\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 2 - DVD: The Case of the Krimi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eKriminal!\u003c\/em\u003e: Trailer Compilation\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Case Of The Krimi\u003c\/em\u003e: Interview With Film Historian Marcus Stiglegger\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 3 - CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Strange Sounds Of The Bloodstained Films\u003c\/em\u003e: Compiled By\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlfonso Carillo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof Rendezvous! From The Archives Of Beat Records. 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size-medium wp-image-75599 lazyloaded\" decoding=\"async\" loading=\"lazy\"\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eBitter Moon (1992) – Imprint Collection #362\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eHugh Grant stars alongside Peter Coyote, Emmanuelle Seigner and Kristin Scott Thomas in this shocking and steamy erotic thriller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBritish couple Fiona and Nigel Dobson encounter a beautiful French woman while sailing to Istanbul en route to India. 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With all-new music score by Donald Sosin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Stereo Audio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTHAT CERTAIN THING has a run time of approximately 64 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eSUBMARINE\u003c\/u\u003e\u003cspan\u003e (1928)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Columbia's first film to be released with a synchronized score is a taut drama about a deep-sea diver's efforts (Jack Holt) to rescue the crew of a submarine lodged 400 feet underwater, with Ralph Graves, his best friend and rival, on board. 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Includes restored audio, including newly reconstructed score by Rodney Sauer, performed by the Mont Alto Orchestra.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K SDR on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTHE YOUNGER GENERATION has a run time of approximately 83 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eFLIGHT\u003c\/u\u003e\u003cspan\u003e (1929)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: The second of three technological spectacles featuring Jack Holt and Ralph Graves as rivals in love despite a friendship forged as Marine Corps fliers in training and action.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes the Theatrical Trailer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFLIGHT has a run time of approximately 120 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eLADIES OF LEISURE\u003c\/u\u003e\u003cspan\u003e (1930)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Kay (Barbara Stanwyck) is a wild party girl out to snare herself a rich suitor. Jerry (Ralph Graves) is a young man from an affluent family striving to become an artist. What starts out as a relationship of mutual convenience soon blossoms into love in this charming film.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an Audio Commentary with Film Historian Jeremy Arnold\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLADIES OF LEISURE has a run time of approximately 98 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eRAIN OR SHINE\u003c\/u\u003e\u003cspan\u003e (1930)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Mary (Joan Peers) inherits her late father's financially floundering circus. With the help of her charismatic manager, Smiley Johnson (Joe Cook), they try to salvage the big top. Presented with an alternate version released without sync dialog, created for international audiences.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth Domestic and International Versions of the Film Presented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes the \"Frank Capra Finds a Place in the Sun with Michel Gondry\" Featurette\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRAIN OR SHINE has a run time of approximately 88 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eDIRIGIBLE\u003c\/u\u003e\u003cspan\u003e (1931)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Adventure duo Jack Holt and Ralph Graves pair again as great rivals, but better friends challenging the elements and attempting to conquer the air and the South Pole.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K SDR on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDIRIGIBLE has a run time of approximately 100 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eTHE MIRACLE WOMAN\u003c\/u\u003e\u003cspan\u003e (1931)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Barbara Stanwyck shines as the daughter of an undervalued minister, who, grieving after her father's death, joins a fraudulent church as a preacher. David Manners, a blind ex-pilot, hears Stanwyck preaching and goes to her.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes the \"Ron Howard on The Miracle Woman\" Featurette\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTHE MIRACLE WOMAN has a run time of approximately 90 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003ePLATINUM BLONDE\u003c\/u\u003e\u003cspan\u003e (1931)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: A wise-cracking newspaper reporter's entanglement with a wealthy socialite (the glittering Jean Harlow) stirs the class prejudices of both her publicity-shy family and his ink-stained pals (including Loretta Young) in this fast-paced classic Capra comedy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePLATINUM BLONDE has a run time of approximately 88 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eAMERICAN MADNESS\u003c\/u\u003e\u003cspan\u003e (1932)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Walter Huston stars as an idealistic bank president dealing with the aftermath of a robbery. While rallying local businessmen to deposit funds to keep the bank afloat, he learns the truth about the loyalties of the people around him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an All-New Commentary with Film Historian Steven C. Smith Featuring Victoria Riskin, Plus Commentary with Frank Capra Jr. \u0026amp; Author Cathrine Kellison and the \"Frank Capra Jr. Remembers...'American Madness'\" Featurette\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAMERICAN MADNESS has a run time of approximately 76 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eTHE BITTER TEA OF GENERAL YEN\u003c\/u\u003e\u003cspan\u003e (1932)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Barbara Stanwyck plays an American missionary who reluctantly falls for the General who kidnaps her amid the Chinese Civil War.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an All-New Commentary with Film Historian Kimberly Truhler, Plus the \"Defining Capra's Early Style with Martin Scorsese and Ron Howard\" Featurette\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTHE BITTER TEA OF GENERAL YEN has a run time of approximately 87 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eFORBIDDEN\u003c\/u\u003e\u003cspan\u003e (1932)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: In this pre-code romantic drama, Barbara Stanwyck stars as a staid librarian swept away by a charming married man (Adolph Menjou). When their affair produces a daughter, Menjou proposes an unconventional, heart-breaking solution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes a Commentary with Author Jeanine Basinger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFORBIDDEN has a run time of approximately 85 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eLADY FOR A DAY\u003c\/u\u003e\u003cspan\u003e (1933)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: A gangster and his gal help his good luck charm, Apple Annie, a depression-era apple seller, convince her daughter's future in-laws she's a proper match.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLADY FOR A DAY has a run time of approximately 95 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eIT HAPPENED ONE NIGHT\u003c\/u\u003e\u003cspan\u003e (1934)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Winner of all 5 major 1934 Oscars®, including Best Picture! When a brash reporter (Clark Gable) meets a runaway heiress (Claudette Colbert), can love be far behind?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an All-New Commentary with Film Historian Julie Kirgo, Plus Commentary by Frank Capra Jr., 2 Featurettes, Original Live Radio Broadcast and a Theatrical Trailer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIT HAPPENED ONE NIGHT has a run time of approximately 105 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eMR. DEEDS GOES TO TOWN\u003c\/u\u003e\u003cspan\u003e (1936)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Gary Cooper plays Longfellow Deeds, whose simple rural life is upended when he inherits his uncle's fortune. Jean Arthur is the cynical reporter tasked with exposing him for laughs (and circulation) but ends up overwhelmed by his honesty and decency.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an All-New Commentary with Victorian Riskin and Steven C. Smith, Plus Commentary by Frank Capra Jr., Featurette, and a Theatrical Re-Release Trailer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMR. DEEDS GOES TO TOWN has a run time of approximately 116 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eLOST HORIZON\u003c\/u\u003e\u003cspan\u003e (1937)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: Ronald Colman and Jane Wyatt star in this unique journey to the enchanted paradise of Shangri-La, where time stands still.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes Commentary with Charles Champlin and Bob Gitt, Alternate Ending, 4 Featurettes, 5 Theatrical Teasers \u0026amp; Trailers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLOST HORIZON has a run time of approximately 133 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eYOU CAN'T TAKE IT WITH YOU\u003c\/u\u003e\u003cspan\u003e (1938)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family. Winner of the Academy Award® for Best Picture!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes Commentary with Frank Capra Jr. \u0026amp; Author Cathrine Kellison, Featurette and Theatrical Trailer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYOU CAN'T TAKE IT WITH YOU has a run time of approximately 126 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eMR. SMITH GOES TO WASHINGTON\u003c\/u\u003e\u003cspan\u003e (1939)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: James Stewart takes on the powers-that-be in our nation's capital in Frank Capra's timeless classic. Nominated for eleven 1939 Oscars®, including Best Picture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented in 4K with Dolby Vision on 4K Ultra HD disc and in High Definition on Blu-ray Disc; English DTS-HD MA Mono Audio; Includes an All-New Commentary with Film Historian Julie Kirgo, Plus Commentary with Frank Capra Jr., 5 Featurettes, \"Frank Capra's American Dream\" Documentary and Theatrical Trailers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMR. SMITH GOES TO WASHINGTON has a run time of approximately 129 minutes and is not rated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eFRANK CAPRA: MR AMERICA\u003c\/u\u003e\u003cspan\u003e (2024)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSynopsis: FRANK CAPRA: MR AMERICA tells the story of Frank Capra, a young immigrant who rose through the ranks of early Hollywood to become one of the Great American storytellers and one of the most successful and influential film directors of his generation. His iconic films, including IT HAPPENED ONE NIGHT, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE, offered an inspiring vision of America where ideals win out, integrity triumphs, and ordinary people have their day. The documentary uses never-before-seen footage and audio tapes from Capra's life to examine his career and relationship with America, offering a portrait of a complicated man whose tales of hope in difficult times still speak to audiences today. 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