{"title":"SEVERIN","description":"","products":[{"product_id":"eurocrypt-chris-lee-2","title":"EUROCRYPT OF CHRISTOPHER LEE, THE: VOLUME 2","description":"\u003cp\u003eEUROCRYPT COLLECTION 2 PRESENTS FIVE OF THE MOST UNEXPECTED, UNDERRATED AND UNDERSEEN FILMS OF THE ICONIC ACTOR'S EUROPEAN CAREER.\n\nImmediately following HORROR OF DRACULA, Lee reprised the role in the quirky 1959 Italian comedy UNCLE WAS A VAMPIRE. Lee speaks fluent German opposite Klaus Kinski for the crazed 1962 krimi THE SECRET OF THE RED ORCHID. In the 1974 UK psycho-thriller DARK PLACES, Lee toplines a cast that includes Joan Collins, Herbert Lom and Jane Birkin. Lee's final performance as The Count in the 1976 French comedy DRACULA AND SON can at last be seen in its superior Director's Cut, while the ultra-rare 1989 Dutch drama MURDER STORY brings Lee into the sex shops of Amsterdam. Each film has been remastered from original negative materials with over 15 total hours of trailers, commentaries, alternate cuts, vintage interviews and new featurettes, plus the DRACULA AND SON soundtrack and an all-new 100-page book by Lee biographer Jonathan Rigby.\n\nSPECIAL FEATURES \/ CONTENTS:\n\nUNCLE WAS A VAMPIRE\n\n    Interview with Iannone\n    Alternate Cut\n    Alternate Cut Commentary by Jonathan Rigby \u0026amp; Kevin Lyons\n    and more!\n\n\nTHE SECRET OF THE RED ORCHID\n\n    Commentary by Nathaniel Thompson \u0026amp; Troy Howarth\n    Commentary by Kim Newman \u0026amp; Barry Forshaw\n    and more!\n\n\nDARK PLACES\n\n    Commentary by Nathaniel Thompson \u0026amp; Troy Howarth\n    Interview with Jonathan Rigby\n    and more!\n\n\nDRACULA AND SON\n\n    Commentary by Jonathan Rigby \u0026amp; Kevin Lyons\n    Commentary by Kat Ellinger\n    Interview with Bernard Menez\n    French TV Interview with Christopher Lee\n    Audio Interview with Director Édouard Molinaro\n    Who Was Claude Klotz?\n    Interview with Claude Klotz At a Presentation Of ‘Dracula and Son’\n    Dracula and Son (U.S. Version)\n    and more!\n\n\nMURDER STORY\n\n    Commentary with Co-Writers\/Co-Directors Eddie Arno \u0026amp; Markus Innocenti\n    Interview With Tom Reeve\n    MASK OF MURDER - 1988 Swedish Film Co-Starring Christopher Lee\n    and more!\u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY (BOX SET)","offer_id":43331700064475,"sku":"","price":114.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/products\/81l15dlsYVL._SL1500.jpg?v=1670560631"},{"product_id":"out-blue","title":"OUT OF THE BLUE (1980)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHer dad's in prison... Her mom's on drugs... The only adult she admires is Johnny Rotten.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt's been called \"shocking\" (Film Comment), \"blistering\" (Filmmaker) and \"a flat-out masterpiece\" (The Playlist) yet remained virtually unseen for over 40 years. Now experience this \"haunting portrait of juvenile delinquency that ranks among the most powerful in American cinema\" (Chicago Reader) from actor\/director Dennis Hopper as it's never been seen before: Linda Manz \"gives one of the greatest teenage performances of all time\" (Film Comment) as a 15-year-old who idolizes Elvis, punk rock and her ex-con father (Hopper), is surrounded by junkies and predators, and follows them all down a one-way road to oblivion. Sharon Farrell (THE STUNT MAN), Don Gordon (THE LAST MOVIE) and Raymond Burr co-star in \"a film about extremes, directed by an extremist\" (Time Out) featuring music by Neil Young. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1 (Ultra HD):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K Feature Film\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDennis Hopper\u003c\/strong\u003e, Executive Producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaul Lewis\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Distributor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Alan Simon\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Film Scholar\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKate Rennebohm\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Film Writer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKat Ellinger\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e40th Anniversary 4K Restoration Premiere Q\u0026amp;A With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Alan Simon\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElizabeth Karr\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJulian Schnabel\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNatasha Lyonne\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2 (Blu-ray):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHD Feature Film\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDennis Hopper\u003c\/strong\u003e, Executive 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Kate Fitzpatrick, Michael Pate (MAD DOG MORGAN) and Franklin D. Roosevelt co-star in \"Philippe Mora's postmodern way before it was cool caped crusader flick\" (The Guardian), now presented on 3 discs featuring the Theatrical Version, Director's Cut and soundtrack CD with 2+ hours of Special Features. 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SANGRE\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes with Optional Director Commentary\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: Blu-ray + Special Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlejandro Jodorowsky\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand Journalist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlan Jones\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNew Blood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlejandro Jodorowsky\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon the restoration of SANTA SANGRE\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes with Optional Director Commentary\u003c\/li\u003e\n\u003cli\u003eTheatrical 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PRIVATE CRIMES has been scanned in 2K from the original RAI-TV 16mm elements with Special Features created exclusively for this presentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary For Part 1 With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKat Ellinger\u003c\/strong\u003e, Author Of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll The Colours Of Sergio Martino\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEdwige, Queen Of Giallo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interview with Actor\/Producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEdwidge Fenech\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGiallo In Lucca\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSergio Martino\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 351\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY","offer_id":44394526933211,"sku":"","price":27.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/products\/PrivateCrimesBLU.jpg?v=1699038580"},{"product_id":"count-dracula-1970","title":"COUNT DRACULA (1970)","description":"\u003cp\u003e\u003cspan\u003e\u003cb\u003e“A WORLD OF NIGHTMARE MADE FLESH…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eJess Franco’s Dracula is a moody blend of dark passion and mystery.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eHis creative stamp is apparent in every frame.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003e-SexGoreMutants\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn early 2023, a Madrid film archivist made a startling discovery: the uncut camera negative of \u003c\/span\u003e\u003cb\u003eCOUNT DRACULA\u003c\/b\u003e\u003cspan\u003e, in pristine condition and untouched for over 50 years. This gothic masterpiece from writer\/director Jess Franco can now be experienced like never before, from its brilliant performances by \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan\u003e as the Count, \u003c\/span\u003e\u003cb\u003eHerbert Lom\u003c\/b\u003e\u003cspan\u003e as Van Helsing, \u003c\/span\u003e\u003cb\u003eSoledad Miranda\u003c\/b\u003e\u003cspan\u003e as Lucy, \u003c\/span\u003e\u003cb\u003eMaria Rohm\u003c\/b\u003e\u003cspan\u003e as Mina and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan\u003e as Renfield to its sumptuously unnerving cinematography and eerie \u003c\/span\u003e\u003cb\u003eBruno Nicolai\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003escore. \u003c\/span\u003e\u003cb\u003eCOUNT DRACULA is newly scanned in 4K with over five total hours of Special Features\u003c\/b\u003e\u003cspan\u003e, including the U.S. Premiere of \u003c\/span\u003e\u003cb\u003eCarles Prats\u003c\/b\u003e\u003cspan\u003e’ 2017 documentary \u003c\/span\u003e\u003cb\u003eDRÁCULA BARCELONA\u003c\/b\u003e\u003cspan\u003e, which chronicles the simultaneous filming of CUADECUC VAMPIR by Pere Portabella and Franco’s horror classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: 4K UHD \u003c\/strong\u003e\u003cb\u003e(Feature + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAudio Commentary With Horror Historian\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eDavid Del Valle\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003e \u003c\/span\u003eAnd Actress\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eMaria Rohm\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: \u003c\/strong\u003e\u003cb\u003eBlu-ray (Feature + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Horror Historian\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid Del Vall\u003c\/strong\u003ee And Actress\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMaria Rohm\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eIllustrated 197\u003cspan class=\"s1\"\u003e3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChristopher Lee\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAudio Interview With Filmmaker\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDonald Glut\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eBeloved Count\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director J\u003cstrong\u003eess Franco\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eHandsome Harker\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFred Williams\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn Interview With Actor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJack Taylor\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eStake Holders\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– An Appreciation By Filmmaker\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChristophe Gans\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 3: Blu-ray \u003c\/strong\u003e\u003cb\u003e(Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDRÁCULA BARCELONA – 2017 Documentary (90 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eJess Franco's BRAM STOKER’S COUNT DRACULA\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStephen Thrower\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOn COUNT DRACULA\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eIn The Land Of Franco\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eBonus Sequence With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlain Petit\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStephen Thrower\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlternate Title Sequences\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 4: Soundtrack CD\u003c\/b\u003e\u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"4K UHD + BLU-RAY (WITH SLIPCOVER)","offer_id":44492827787483,"sku":"","price":59.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":45759650169051,"sku":"","price":26.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/812tYjdNHfL._SL1500.jpg?v=1701529767"},{"product_id":"doctor-butcher-m-d-zombie-holocaust","title":"DOCTOR BUTCHER M.D. (ZOMBIE HOLOCAUST)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e** NO SLIPS ON BLU-RAY **\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn anthropologist (Donald O'Brien) and her scientist friend (Ian McCulloch) visit an island of cannibals and find a mad doctor (Alexandra Delli Colli) creating zombies.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"4K UHD","offer_id":44492828311771,"sku":"","price":59.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":44505585320155,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/91oCuj_H81L._SL1500.jpg?v=1701529919"},{"product_id":"vampir-cuadecuc-umbracle-double-feature","title":"VAMPIR, CUADECUC (1971) \/ UMBRACLE (1972) DOUBLE FEATURE","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\"THIS IS RADICAL CINEMA...\"\u003c\/strong\u003e-\u003cem\u003eARTFORUM\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePere Portabella has been a pioneering movie producer and celebrated Spanish statesman, denounced by both the Franco dictatorship and The Vatican. But it's his subversive work as a director that has rewritten the rules of genre narrative. Or as The Museum of Modern Art says, \"The films of Portabella expand the expressive potential of cinema\": In 1970, Portabella was invited by Jess Franco to make a behind-the-scenes documentary on the filming of COUNT DRACULA. Instead, CUADECUC VAMPIR became a dreamlike deconstruction of myths, monsters and moviemaking featuring Christopher Lee, Herbert Lom and Soledad Miranda as you've never seen them before. Christopher Lee also stars in Portabella's companion piece UMBRACLE, an unsettling journey through dread, violence and discontinuity with Lee at his most candid. Both films are now scanned in HD from Portabella's own vault elements for the first time ever in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVAMPIR, CUADECUC\u003c\/strong\u003e \u003cspan\u003eA film shot \u003c\/span\u003e\u003cem\u003ebehind\u003c\/em\u003e\u003cspan\u003e another! Everything is turned inside out behind the scenes of Jesús Franco’s 1972 mainstream horror film starring Christopher Lee, \u003c\/span\u003e\u003cem\u003eCount Dracula\u003c\/em\u003e\u003cspan\u003e, as Spanish Pere Portabella turns on-set footage into an abbreviated, self-reflexive and surrealist version of the Count’s story.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUMBRACLE \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain intensely unfinished. It stars Christopher Lee, wandering around a dream-like Barcelona.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Cinema Of Vampires: Pere Portabella, Jess Franco And The School Of Barcelona – Interview With Spanish Film Scholar Dr. Álex Mendíbil\u003c\/li\u003e\n\u003cli\u003eEnglish and Spanish audio tracks\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eBooklet Featuring Text By Pere Portabella And Film Critics Jonathan Rosenbaum And Federico Karstulovich\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: English Mono | UMBRACLE: Spanish Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: Closed Captions | UMBRACLE: English Subtitles\u003c\/li\u003e\n\u003cli\u003eBlu-ray: Region Free\u003c\/li\u003e\n\u003cli\u003eRun time:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVAMPIR-\u003c\/span\u003eCUADECUC: 69 mins | UMBRACLE: 88 mins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY","offer_id":44492834341083,"sku":"","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/81pVxFEBe9L._SL1500.jpg?v=1701530188"},{"product_id":"cushing-cur","title":"CUSHING CURIOSITIES (BOX SET)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003e6 DISC COLLECTION INCLUDES 5 FEATURE FILMS, 6 BBC TELEPLAYS, 200-PAGE BOOK AND 16+ HOURS OF SPECIAL FEATURES!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Hammer Films to STAR WARS, he remains one of genre films' best-loved actors. Now celebrate six of the most unexpected, rarely seen and decidedly curious performances from the legendary career of PETER CUSHING.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCushing delivers a rare villain turn in the 1960 aviation thriller CONE OF SILENCE. That same year, Cushing brought gentle dignity to The Boulting Brothers' cold-war drama SUSPECT. In 1962's THE MAN WHO FINALLY DIED, Cushing co-stars opposite Stanley Baker as a former Nazi hiding a grave post-war secret. Cushing returns to his iconic role of SHERLOCK HOLMES in these six surviving episodes of the 1968 BBC TV series. The oft-maligned 1971 shocker BLOODSUCKERS can now be reassessed for the first time in its Restored Extended Version. And Cushing portrays a vampire for the first and only time in 1974's off-the-wall erotic comedy TENDER DRACULA, premiering here in its Director's Cut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach disc has been mastered from original vault elements with over 16 total hours of trailers, commentaries, vintage interviews, location features and more, plus the all-new 200-page book PETER CUSHING: A PORTRAIT IN SIX SKETCHES by award-winning horror film historian Jonathan Rigby.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eSPECIAL FEATURES:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentary For SUSPECT By Jonathan Rigby \u0026amp; Kevin Lyons\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentary For THE MAN WHO FINALLY DIED By Kim Newman \u0026amp; Barry Forshaw\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentaries For All SHERLOCK HOLMES Episodes Featuring Kim Newman, Barry Forshaw \u0026amp; David Stuart Davies\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eLost SHERLOCK HOLMES Segments With Optional Commentary By Jonathan Rigby \u0026amp; Kevin Lyons\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentary For BLOODSUCKERS By Jonathan Rigby \u0026amp; Kevin Lyons\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eJohn Hamilton on Robert Hartford-Davis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentary For TENDER DRACULA By Jonathan Rigby \u0026amp; Kevin Lyons\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInterview With Pierre Grunstein\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInterview With Bernard Menez\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e… MORE!\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: SUSPECT (1960) \/ THE MAN WHO FINALLY DIED (1962)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e delivered two of his finest non-horror performances in these early ‘60s dramas: In \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e leads \u003c\/span\u003e\u003cspan\u003ea team of research biologists who may be plotting to sell government secrets to a foreign power. \u003c\/span\u003e\u003cb\u003eDonald Pleasence\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan\u003e (IDENTIKIT) and \u003c\/span\u003e\u003cspan\u003e\u003cb\u003eSpike Milligan\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e co-star in this “damn good thriller” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eShameless Self Expression\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eproduced and directed by\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Boulting Brothers\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(BRIGHTON ROCK).\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan\u003e sees Cushing in one of his most sinister roles as the family friend of a jazz pianist (\u003c\/span\u003e\u003cb\u003eStanley Baker\u003c\/b\u003e\u003cspan\u003e) who uncovers a post-war conspiracy of suspicious deaths, switched identities and a shocking Nazi past. \u003c\/span\u003e\u003cb\u003eMai Zetterling\u003c\/b\u003e\u003cspan\u003e (THE WITCHES), and \u003c\/span\u003e\u003cb\u003eNigel Green\u003c\/b\u003e\u003cspan\u003e (THE SKULL) co-star in this stylish suspense thriller directed by \u003c\/span\u003e\u003cb\u003eQuentin Lawrence\u003c\/b\u003e\u003cspan\u003e (THE TROLLENBERG TERROR), with both films \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives by Studio Canal.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary For SUSPECT With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary For THE MAN WHO FINALLY DIED With \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnno Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And \u003cstrong\u003eBarry Forshaw\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBrit Noir\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1 (Suspect) \/ 2.35:1 (The Man Who Finally Died)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 81 mins (Suspect) \/ 100 mins (The Man Who Finally Died)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: SHERLOCK HOLMES (1968)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving first portrayed the legendary detective for Hammer Films in 1959, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e enthusiastically returned to the role of Sherlock Holmes for this 1968 BBC television series co-starring \u003c\/span\u003e\u003cb\u003eNigel Stock\u003c\/b\u003e\u003cspan\u003e (THE LOST CONTINENT) as Dr. Watson. Though most of the shows were forever lost, these six surviving episodes – including the two-part \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Hound of The Baskervilles\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e adapted by award-winning playwright \u003c\/span\u003e\u003cb\u003eHugh Leonard\u003c\/b\u003e\u003cspan\u003e – showcase Cushing at his elementary best, with guest stars that include \u003c\/span\u003e\u003cb\u003eMadge Ryan\u003c\/b\u003e\u003cspan\u003e (A CLOCKWORK ORANGE), \u003c\/span\u003e\u003cb\u003eAnn Bell\u003c\/b\u003e\u003cspan\u003e (THE WITCHES), \u003c\/span\u003e\u003cb\u003eNick Tate\u003c\/b\u003e\u003cspan\u003e (SPACE: 1999) and \u003c\/span\u003e\u003cb\u003eGary Raymond\u003c\/b\u003e\u003cspan\u003e (JASON AND THE ARGONAUTS). This definitive presentation of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan\u003e – which also includes the classic cases \u003c\/span\u003e\u003cb\u003e\u003ci\u003eA Study in Scarlet\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Blue Carbuncle\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003ci\u003eThe Boscombe Valley Mystery\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Sign of Four\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e –\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eis now scanned from BBC tape protection masters. \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentaries For All Episodes Featuring \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003cem\u003eAnno\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDracula\u003c\/em\u003e, \u003cstrong\u003eBarry Forshaw,\u003c\/strong\u003e Author Of \u003cem\u003eBrit Noir\u003c\/em\u003e And \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e, Author Of\u003cbr\u003e\u003cem\u003eStarring Sherlock Holmes: A Century Of The Master Detective On Screen\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll Episodes Available With BBC Countdown Clock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIllustrated Peter Cushing Audio Interview With \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLost Segments With Optional Commentary By \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian Kevin Lyons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 308 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: BLOODSUCKERS (1971)\u003c\/b\u003e\u003cspan\u003ePerhaps the most maligned and misunderstood horror film of \u003c\/span\u003e\u003cb\u003ePeter Cushing’s\u003c\/b\u003e\u003cspan\u003e career, this notorious 1971 shocker can now be re-evaluated via \u003c\/span\u003e\u003cb\u003ethe longest version ever assembled\u003c\/b\u003e\u003cspan\u003e: When a brilliant young Oxford professor disappears while researching in Greece, his mentor (Cushing) launches an investigation that will trigger a nightmare of ritual sacrifice, sadomasochistic perversion, deranged academia and one of the most unique takes on vampirism in genre history. \u003c\/span\u003e\u003cb\u003ePatrick Macnee\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTHE AVENGERS\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cb\u003eAlex Davion\u003c\/b\u003e\u003cspan\u003e (THE PLAGUE OF THE ZOMBIES) and \u003c\/span\u003e\u003cb\u003eEdward Woodward\u003c\/b\u003e\u003cspan\u003e (THE WICKER MAN) co-star in this infamous drama directed by \u003c\/span\u003e\u003cb\u003eRobert Hartford-Davis\u003c\/b\u003e\u003cspan\u003e (CORRUPTION) – originally known as INCENSE FOR THE DAMNED in the UK and FREEDOM SEEKERS in the US – \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative with additional elements from a recently discovered 35mm vault print\u003c\/b\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cb\u003eincluding the uncut psychedelic orgy sequence\u003c\/b\u003e\u003cspan\u003e –\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003efor the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSTRANGER IN THE CITY (1961) – Short Film By \u003cstrong\u003eRobert Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eDaddy's Girl\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Director Robert Hartford-Davis’ Daughter, \u003cstrong\u003eJean Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eBite Me!\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Tigon: Blood On A Budget Author \u003cstrong\u003eJohn Hamilton\u003c\/strong\u003e on Robert Hartford-Davis \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eThe Trip\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Uncredited Drug Orgy Actress \u003cstrong\u003eFrançoise Pascal\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFREEDOM SEEKER Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 83 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: TENDER DRACULA (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNever before available on disc in North America, the first and only film in which \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eportrayed a vampire is also the most unapologetically bizarre movie of his entire career: When horror’s biggest star (Cushing) announces his retirement from the genre, two dimwit screenwriters and a pair of sexy actresses are dispatched to the actor’s castle for a lavish\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e farce d’horreur érotique\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eof violence, whippings, orgies, tender romance and a devilishly dignified performance by Cushing, even while spanking the bare bottom of French starlet \u003c\/span\u003e\u003cb\u003eMiou-Miou\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlida Valli\u003c\/b\u003e\u003cspan\u003e (SUSPIRIA, EYES WITHOUT A FACE) and \u003c\/span\u003e\u003cb\u003eBernard Menez\u003c\/b\u003e\u003cspan\u003e (DRACULA AND SON) co-star\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ein\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethe sole feature film directed by award-winning producer \u003c\/span\u003e\u003cb\u003ePierre Grunstein\u003c\/b\u003e\u003cspan\u003e (TESS, THE DIVING BELL AND THE BUTTERFLY) – also released as CONFESSIONS OF A BLOOD DRINKER and THE BIG SCARE – \u003c\/span\u003e\u003cb\u003enow restored by Pathé, scanned in 2K from the original Paris vault negative and authorized by the director.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eLove Me Tender, Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Director \u003cstrong\u003ePierre Grunstein\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eMenez of Speaking\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Actor \u003cstrong\u003eBernard Menez\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono \/ French\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions \/ English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 89 mins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY","offer_id":44583622705371,"sku":"","price":114.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/71yMxPo7UML._SL1500.jpg?v=1702398642"},{"product_id":"bad-biology-2008","title":"BAD BIOLOGY (2008)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e“VULGAR, VIVID AND DOWNRIGHT HILARIOUS…\"\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"p1\"\u003e\u003cb\u003eBAD BIOLOGY is more out-of-control\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\u003cb\u003ethan anything Frank Henenlotter has done.”\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\u003ci\u003eFilm Threat\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\u003cb\u003eTHE 4K RESTORATION\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\u003cb\u003eWITH 5+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor his first film in 17 years, splatter master\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eFrank Henenlotter\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e– Writer\/Director of FRANKENHOOKER, BRAIN DAMAGE and The BASKET CASE Trilogy – returned with the most graphic, transgressive and jaw-droppingly depraved black comedy shocker of his career: Jennifer (\u003c\/span\u003e\u003cstrong\u003eCharlee Danielson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e) is a homicidal nymphomaniac who spontaneously births mutant babies. Batz (\u003c\/span\u003e\u003cstrong\u003eAnthony Sneed\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e) has a monstrous penis with a mind of its own. In a city ruled by pleasure and pain, will two made-for-each-other freaks deliver the ultimate orgasmic horror?\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eEleonore Hendricks\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(DADDY LONGLEGS), radio host\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eRude Jude\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eand Director\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eJames Glickenhaus\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(THE EXTERMINATOR, THE ASTROLOGER) co-star in “one very entertaining seriously batshit film” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoBlo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) produced and co-written by underground hip-hop hero\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eR.A. The Rugged Man Thorburn\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ewith insane F\/X by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eGabe Bartalos\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(SKINNED DEEP, SAINT BERNARD),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003enow\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003escanned in 4K from the camera negative\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: Blu-ray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrank Henenlotter\u003c\/strong\u003e, Director Of Photography\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Deeg\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Actor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnthony Sneed\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival Commentary With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrank Henenlotter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eR.A. The Rugged Man Thorburn\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSpook House\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interviews With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrank Henenlotter\u003c\/strong\u003e, Producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eR.A. The Rugged Man Thorburn\u003c\/strong\u003e, Production Coordinator\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichael Shershenovich\u003c\/strong\u003e, Director Of Photography\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Deeg\u003c\/strong\u003e, Retired Detective\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid Henenlotter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Production Manager\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChaz Kangas\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn The Basement With Charlee Danielson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– A Brief, Completely Off-Kilter Interview With the Elusive Miss\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCharlee Danielson\u003c\/strong\u003e and a Basketball\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDeeg And Sneed\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– A Conversation Between\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Deeg\u003c\/strong\u003e and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnthony Sneed\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSwollen Agenda\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Makeup Effects Artist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGabe Bartalos\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBeyond Bad\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Behind The Scenes Of BAD BIOLOGY\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFuck Face\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Photographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eClay Patrick McBride\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRuns Around The Director's Apartment Filming Guys Making Their 'O Face'\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSUCK\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– A Wonderfully Twisted Short Film By\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnthony Sneed\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLegendary Loser\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Music Video By\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eR.A. The Rugged Man\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eThorburn Image Gallery – Publicity Pix, Behind-The-Scenes Shots, Video Covers And Death Pix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.78:1\u003c\/li\u003e\n\u003cli\u003eAudio:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":14657,\"3\":{\"1\":0,\"3\":1},\"9\":1,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"English 5.1 Surround, English Stereo\"}' data-mce-fragment=\"1\"\u003eEnglish 5.1 Surround \/ English Stereo\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA woman with an insatiable desire for sex and a man with a drug-addicted member come together in an orgy of uncontrollable and grotesque sexual excess.\u003c\/span\u003e\u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"4K UHD + BLU-RAY (STANDARD EDITION)","offer_id":44807831093467,"sku":"","price":37.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":44807831126235,"sku":"","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/349434_front.jpg?v=1739735483"},{"product_id":"the-psychic-1977","title":"PSYCHIC, THE (1977)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSuddenly she could see into the future...and saw her own murder...\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt’s been called “amazing” (\u003c\/span\u003e\u003cspan\u003eOh, The Horror!\u003c\/span\u003e\u003cspan\u003e), “classic” (\u003c\/span\u003e\u003cspan\u003eThe Geek Show\u003c\/span\u003e\u003cspan\u003e) and “a magnificent film” (\u003c\/span\u003e\u003cspan\u003eDiabolique Magazine\u003c\/span\u003e\u003cspan\u003e). It remains Writer\/Director\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eLucio Fulci’s\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003eultimate giallo masterpiece:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJennifer O’Neill\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(SCANNERS) stars as a woman tormented by violent visions of past slayings. Or are they premonitions of murders still to come?\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eGabriele Ferzetti\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e(THE NIGHT PORTER),\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eMarc Porel\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e(THE SISTER OF URSULA),\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eGianni Garko\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(NIGHT OF THE DEVILS) and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eEvelyn Stewart\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(FOOTPRINTS) co-star in this “rare, rewarding experience” (\u003c\/span\u003e\u003cspan\u003eThe Geek Show\u003c\/span\u003e\u003cspan\u003e) co-written by Fulci,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eRoberto Gianviti\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e(DON’T TORTURE A DUCKLING) and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eDardano Sacchetti\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e(THE BEYOND) – originally titled MURDER TO THE TUNE OF THE SEVEN BLACK NOTES –\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003enow scanned in 4K from the original negative.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: UHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: Blu-ray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eDoom And Gloom\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Co-Writer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDardano Sacchetti\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eWith Contributions From Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLucio Fulci\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(50 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelected Scene Commentary With Cinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSergio Salvati\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Freak-O-Rama's\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFederico Caddeo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eClose Up On The Eyes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Audio Interview With Camera Operator\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFranco Bruni\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eElegant Ladies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Audio Interview With Costume Designer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMassimo Lentini\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eCutting Moments\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Audio Interview With Editor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBruno Micheli\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e*Reversible Wrap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"English 5.1 Surround, English Stereo\"}' data-sheets-userformat='{\"2\":14657,\"3\":{\"1\":0,\"3\":1},\"9\":1,\"11\":4,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish Mono \/ Italian Mono\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Video: Dolby Vision\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUHD: Region Free \/ Blu-ray: Region A\u003c\/li\u003e\n\u003cli\u003eRun time: 97\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SEVERIN","offers":[{"title":"4K UHD + BLU-RAY","offer_id":44807903969499,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false},{"title":"BLU-RAY","offer_id":44807904002267,"sku":"","price":26.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/340733_large_2333528e-acee-4780-abb1-09b47b760d32.jpg?v=1706734953"},{"product_id":"nightmare-1981","title":"NIGHTMARE (1981)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Dream You Can't Escape ALIVE!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s been called “graphic and unapologetic” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSexGoreMutants\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e), “brutally effective” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eScreen Rant\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and “a forgotten classic” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorror News\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e). It remains the most reviled, controversial and misunderstood genre film of the ‘80s. Now “the most repulsive, degrading and horrifying movie ever made” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNY Daily News\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) can be experienced like never before: When a homicidal mental patient (an enduringly disturbing performance by\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eBaird Stafford\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e) flees an experimental drug program, he’ll leave a 5-day trail of psychosexual carnage from the peep shows of 42nd Street to the gore-soaked shores of Florida. Written and directed by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eRomano Scavolini\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, this “devastating masterpiece” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCinefear\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) – whose UK release as NIGHTMARES IN A DAMAGED BRAIN led to the imprisonment of distributor\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eDavid Hamilton-Grant\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e– has been\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003escanned from the internegative and various foreign print sources to create the most complete version ever assembled.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: Blu-ray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Star\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBaird Stafford\u003c\/strong\u003e and Special Effects Assistant\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCleve Hall\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eModerated By\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLee Christian\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid DeCoteau\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilliam Paul\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKill Thy Father And Thy Mother\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRomano Scavolini\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(71 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDreaming Up A Nightmare\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Featuring Former President Of 21st Century Distribution\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eArthur Schweitzer\u003c\/strong\u003e, Actor\/Unit Production Manager\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMik Cribben\u003c\/strong\u003e, Production Supervisor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSimon Nuchtern\u003c\/strong\u003e, Florida Producer\/Special Effects Artist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilliam Milling\u003c\/strong\u003e, Uncredited Editor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJim Markovic\u003c\/strong\u003e and Archival Interviews With Actor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBaird Stafford\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd Special Effects Artists\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEdward 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data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003esceneggiati\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efrom\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ewriter\/director\/star\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGiorgio Albertazzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethat contemporizes the classic tale of man’s darkest impulses.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWriter\/director\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCorrado Farina\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereinvents the Dracula legend as a modern-day capitalist conspiracy with his startling and long out-of-print 1971 debut\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTHEY HAVE CHANGED THEIR FACE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e. And a sizzling\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRosalba Neri\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis seduced by Satan himself in 1972’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE DEVIL’S LOVER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, finally available restored and uncut. All four titles are\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003enow presented in their North American Premieres, newly mastered from the best available elements with over 13 collective hours of Special Features\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"4K UHD + 6 BLU-RAY + CD (BOX SET)","offer_id":44807930347739,"sku":"","price":119.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/347591_slip.jpg?v=1721846187"},{"product_id":"dead-one-the-1961","title":"DEAD ONE, THE (1961)","description":"\u003cb\u003eBarry Mahon\u003c\/b\u003e\u003cspan\u003e was a decorated WWII fighter pilot, escaped P.O.W., manager of Errol Flynn during the actor’s sordid final years, nudie-cutie and kiddie matinee visionary, and more. 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Sherman\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(DRACULA VS. FRANKENSTEIN) took an unfinished zombie movie by \u003c\/span\u003e\u003cb\u003eBrett Piper\u003c\/b\u003e\u003cspan\u003e (QUEEN CRAB) and began tinkering. He shot additional scenes featuring nuclear terrorists, a mad doctor, a kid (former child star \u003c\/span\u003e\u003cb\u003eScott Schwartz\u003c\/b\u003e\u003cspan\u003e of A CHRISTMAS STORY, THE TOY and NEW WAVE HOOKERS 5 fame) who converts a laserdisc player into a ray gun, 1930’s cowboy star \u003c\/span\u003e\u003cb\u003eBob Allen\u003c\/b\u003e\u003cspan\u003e, a roasted hamster, The Three Stooges, retired octogenarian \u003c\/span\u003e\u003cb\u003eZita Johann\u003c\/b\u003e\u003cspan\u003e (THE MUMMY), an unstoppable earworm of an opening credits song and much more to create a drive-in epic unlike any ever experienced before or since. \u003c\/span\u003e\u003cb\u003eRAIDERS OF THE LIVING DEAD\u003c\/b\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the negative of the final release version\u003c\/b\u003e\u003cspan\u003e, with \u003c\/span\u003e\u003cb\u003eover 4 hours of new \u0026amp; archival Special Features\u003c\/b\u003e\u003cspan\u003e – including two previous cuts in their entirety – that reveal the full ROTLD saga. \u003c\/span\u003e\u003c\/p\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY","offer_id":44895458361563,"sku":"","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/351278_front.jpg?v=1740338174"},{"product_id":"cemetery-man-dellamorte-dellamore-limited-edition","title":"CEMETERY MAN (1994 aka DELLAMORTE DELLAMORE)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**LIMITED EDITION BACK IN STOCK!!!**\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eZOMBIES, GUNS AND SEX, OH MY!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e“SOAVI’S ABSOLUTE MASTERPIECE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWhat makes CEMETERY MAN so extraordinary is the way it manages to balance over-the-top zombie comedy and a dreamy arthouse mood.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eBloody Disgusting\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e4-DISC COLLECTION \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES\u003cbr\u003e6+ HOURS OF SPECIAL FEATURES \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAND REMASTERED SOUNDTRACK CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s been called “stylish and gruesome” (\u003ci\u003eWashington Post\u003c\/i\u003e), “grotesque and touching” (\u003ci\u003eAV Club\u003c\/i\u003e) and “an experience unlike any other” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e). 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But when he falls in love with a beautiful young widow (\u003cb\u003eAnna Falchi\u003c\/b\u003e), will his resurrected lust for life become greater than his bond with death?\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrançois Hadji-Lazaro\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE CITY OF LOST CHILDREN) co-stars in the finest erotic romantic existential black comedy zombie gorefest of our time, with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ea Soavi-approved 4K scan from the Cinecittà negative and over 6 hours of Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e– including new interviews with Soavi and Everett– plus\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ethe remastered extended soundtrack and more\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: 4K \u003c\/strong\u003e\u003cb\u003eUHD (Feature 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The ultimate genre exploration continues with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003ethe original WOODLANDS soundtrack by Jim Williams and a reading of the classic short story ‘The White People’ by actress Linda Hayden,\u003c\/b\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003eas well as\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003ea 126-page illustrated book\u003c\/b\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003ecurated by Janisse and designed by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eLuke Insect\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003efeaturing all-new writings by renowned film scholars, authors and historians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 1:\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKier-La Janisse, USA, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e192 mins | 1.85 | Color | Region Free\u003cbr\u003eEnglish and Portuguese with English subtitles\u003cbr\u003eStereo\u003cbr\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003c\/i\u003e\u003cspan\u003eWOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon and its culturally specific manifestations in international horror, from its first wave in the 1970s to today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVideo Introduction By Writer\/Director\/Producer Kier-La Janisse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(9 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eAnimating Folk Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(2 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan\u003e (22 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Expressions of Folk Horror in Brazil\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(7 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e discuss the impact of Brazilian folk literature and songs on folk horror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFolk Poetry\u003c\/b\u003e\u003cspan\u003e (5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/b\u003e\u003cspan\u003e8.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLEPTIRICA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr\u003eSerbian mono with optional English subtitles\u003cbr\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with \u003c\/span\u003e\u003cspan\u003eŠtićenik\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr\u003eCzech mono with optional English subtitles\u003cbr\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWomb\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eOf\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eWoman\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIs The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(22.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Projection Booth Podcast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(62 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr\u003eRussian mono with optional English subtitles \/ English mono\u003cbr\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003cspan\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e— John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eSatan Exultant\u003c\/b\u003e\u003cspan\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Queen of Spades\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eThe Portrait\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(1915, 8 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr\u003eNorwegian mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTILBURY\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr\u003eIcelandic mono with optional English subtitles\u003cbr\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Karl Ágúst Úlfsson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Kristján Franklin Magnúss\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Viðar Víkingsson,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE DREAMING\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from best surviving 35mm positive print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKADAICHA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb\u003e\u003ci\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(13 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(17.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan\u003e (7 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCELIA\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (40 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (17 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn interview with veteran editor Ken Sallows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (24 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCELIA\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExtended Interviews\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSatanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWILCZYCA\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr\u003ePolish mono with optional English subtitles\u003cbr\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCLEARCUT\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eWith Kevin Howes And Lawrence Dunn, Co-Producers Of\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIL DEMONIO\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr\u003eItalian mono with optional English subtitles\u003cbr\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eDaliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(27.5 mins)\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDARK WATERS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr\u003eItalian stereo with optional English subtitles\u003cbr\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary With Writer\/Director Mariano Baino\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (50 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan\u003e (45 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan\u003e (6 mins)\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan\u003e (23 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCamera Tests\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrailer\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eANCHORESS\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr\u003eClosed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (13.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (2.5 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e90 mins | 1:33:1 | Color | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(16 mins) A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pledge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Digby Rumsey, 1982) (22 mins) Based on the short story by early 20th Century Fantasy Writer Lord Dunsany,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Pledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econcerns a group of Highwaymen who make a pact to save the should of their hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr\u003eEnglish mono | Closed Captions\u003cbr\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan\u003e (12 mins)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sermon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComposed by Jim Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCurated by \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SEVERIN","offers":[{"title":"BLU-RAY + CD (BOX SET)","offer_id":45754825605339,"sku":"","price":249.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/371434_slip.jpg?v=1742757864"},{"product_id":"vampyros-lesbos-1971","title":"VAMPYROS LESBOS (1971)","description":"\u003cp\u003e\u003cstrong\u003e\"THE HOLY GRAIL OF CULT CINEMA\"\u003c\/strong\u003e-\u003cem\u003eDVD TALK\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJess Franco\u003c\/b\u003e, the filmmaker The Vatican called the most dangerous director in the world, comes the most celebrated movie of his legendary career: Stunning\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSoledad Miranda\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003estars as a vixen vampire who lures women to a Mediterranean island to satisfy her insatiable lust for female flesh and blood. 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