{"title":"SILENT","description":"","products":[{"product_id":"dantes-inferno-1911","title":"DANTE'S INFERNO (1911)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e1911 silent film and Italy's first full-length feature film, loosely adapted from \"Inferno\", the first canticle of Dante Alighieri's \"Divine Comedy\". \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eInferno, directed by Italian filmmakers Francesco Bertolini, Adolfo Padovan, and Giuseppe de Liguorois (contemporaries of pioneer filmmakers Méliès and Segundo de Chomón), was one of the first feature-length films ever created. This is especially significant to us because it was one of the first horror films ever shown on the big screen. Made over the course of 3 years, from 1908 to 1911, what they were able to do in those early years with special effects and very few rules is remarkable. Dante's Inferno, aka L'inferno aka Inferno, is loosely based on Alighieri's poem of the same name. Our lead, Dante (played by Salvatore Papa), is guided through the Nine Circles Of Hell, an allegory for the sins committed by humanity on Earth.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTerror Vision is presenting a new 4K restoration from surviving elements of an over 100-year-old film that was one of the first of its kind and inspired countless filmmakers through the ages.... giving us what we know and love today. This release includes a new commentary and 3 new scores created specifically for this release! The film is presented in B\u0026amp;W but also we have a \"Red Tint\" version, giving it a more hellish look. Red tints were used at the beginning of the 20th century as an anti-copy system. Red colors were more difficult to shoot and couldn’t be printed on film. This never-seen-before version was a copy of the international English version used across the world after the release of the movie in 1911. Therefore, the intertitles are in English. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSPECIAL FEATURES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTinted Version of Inferno (Terror Vision’s 2024 Restoration)\u003c\/p\u003e\n\u003cp class=\"\"\u003eRed Tint Version of Inferno (Redwood Creek 2022 Restoration)\u003c\/p\u003e\n\u003cp class=\"\"\u003eB\u0026amp;W Version of Inferno (Redwood Creek 2022 Restoration \/ Modified by Terror Vision)\u003c\/p\u003e\n\u003cp class=\"\"\u003eB\u0026amp;W Version of Inferno (Alternate Restoration\/Cut)\u003c\/p\u003e\n\u003cp class=\"\"\u003eNew Score by Graveface Recording Artist HALEY \u003c\/p\u003e\n\u003cp class=\"\"\u003eNew Score by Michael Kiker \u003c\/p\u003e\n\u003cp class=\"\"\u003eNew Score by Laurent Pigeolet \u003c\/p\u003e\n\u003cp class=\"\"\u003eNew Commentary by Film Historian James L Neibaur\u003c\/p\u003e\n\u003cp class=\"\"\u003eRegion Free\u003c\/p\u003e","brand":"TERROR VISION","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":45184442925275,"sku":"","price":39.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/343128_front.jpg?v=1725211379"},{"product_id":"story-of-floating-weeds-a-floating-weeds-1934-1959","title":"FLOATING WEEDS \/ STORY OF FLOATING WEEDS","description":"\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eIn 1959, Yasujiro Ozu remade his 1934 silent classic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Story of Floating Weeds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein color with celebrated cinematographer Kazuo Miyagawa. Setting his later version in a seaside location, Ozu otherwise preserves the details of his elegantly simple plot wherein an aging actor returns to a small town with his troupe and reunites with his former lover and their son, a scenario that enrages his current mistress and results in heartbreak for all. Together, the films offer a unique glimpse into the evolution of one of cinema's greatest directors.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Story of Floating Weeds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds Ozu in the midst of developing his mode of expression;\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eFloating Weeds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereveals his distinct style at its pinnacle. In each, the director captures the joy and sadness of everyday life.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"BLU-RAY","offer_id":45489073193179,"sku":"","price":41.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/DcMM1I3Mce4WYCzldIxjVA8JxwJudD_large_99eea49c-9964-4960-b36d-9d680a209537.jpg?v=1714690618"},{"product_id":"carmen-1918","title":"CARMEN (1918)","description":"\u003cp\u003e\u003cspan\u003ePolish-born actress Pola Negri was already popular when she began appearing in German silents in the 1910s, but it was her collaborations with Ernst Lubitsch that transformed her into a silver screen goddess, a mesmerizing presence as formidable in comedies (The Wildcat) as in tragedies (Madame Dubarry). Released in the U.S. as Gypsy Blood, Carmen retells Prosper Merimée’s classic tale of a Romani woman who seduces a military officer and sends each of them on a trajectory of dramatic self-destruction. Restored in 4K by the Friedrich-Wilhelm-Murnau-Stiftung, Carmen features a lively score by Tobias Schwenke, performed by the orchestral ensemble Kontraste.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KINO CLASSICS","offers":[{"title":"BLU-RAY","offer_id":45809155014875,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/CARMEN-blueband.jpg?v=1720028638"},{"product_id":"craving-the-1918","title":"CRAVING, THE (1918) PLUS 3 SHORTS","description":"\u003cp\u003e\u003cstrong\u003eTHRILLING WAR SCENES SHOWN IN \"THE CRAVING\" SCIENTIST TAKEN IN DELIRIUM TO THE BATTLEFIELDS OF EUROPE!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou may know Francis Ford for his roles as an old drunk veteran or crusty barkeep in more than twenty of director John Ford's films, but you may not know that between 1910 and 1920 Francis Ford was a silent film star and renowned director of westerns, cliffhanger serials, mystery thrillers, and dramas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis release presents four of his silent films in new 2K digital restorations by Undercrank Productions featuring new musical scores by Ben Model.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1918, Francis Ford used his movie fortune to start an independent company and produced the five-reel feature The Craving. A drama of obsession and addiction, The Craving demonstrates Ford's abiding interest in the use of special effects like double and triple exposures to make psychologically-tormented characters face their fears and obsessions. He incorporated footage from his lost 1915 short of the Indian rebellion, The Campbells Are Coming, as well as found footage from other Universal films to craft a sharp criticism of the needless slaughter of troops in the first World War.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso included in this collection are three short films: Ford's one-reel western comedy produced by Gaston Melies' Star Films company, When the Tables Turned (1911) co-starring Edith Storey; the two-reeler The Post Telegrapher made for the Bison Film Company; and the jewel thief caper Unmasked (1917), originally released in 1913 as The Black Masks, with the actress and scenarist Grace Cunard, who starred in dozens of Universal films with Ford.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"UNDERCRANK PRODUCTIONS","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":45887200985307,"sku":"","price":34.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/361303_front.jpg?v=1721845493"},{"product_id":"annie-laurie-1927","title":"ANNIE LAURIE (1927)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduced at the creative apex of the silent era, Annie Laurie (1927) was MGM’s grand-scale dramatization of the conflicts between warring clans in the 17th-century Scottish highlands.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLillian Gish (The Wind, Broken Blossoms) stars as the daughter of a diplomat who seeks to negotiate peace between the haughty and politically-connected Campbells, and the more rough-hewn MacDonalds, led by the dashing Norman Kerry (The Phantom of the Opera). When Annie discovers that the Campbells’ chieftain is plotting to derail a treaty and justify a brutal attack upon the MacDonalds (in what would become known as the Massacre of Glencoe), she must sprint to a snowy mountaintop to light a warning signal — a thrilling sequence reminiscent of Gish’s legendary ice floe scene from D.W. Griffith’s Way Down East. This 4K restoration by the Library of Congress features an extraordinary orchestral score by Robert Israel (in 5.1 Stereo Surround), and climaxes with a beautifully preserved Technicolor sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KINO CLASSICS","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":45933334659291,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/ANNIE-LAURIE-blueband.jpg?v=1723054359"},{"product_id":"dragon-painter-the-1919","title":"DRAGON PAINTER, THE (1919)","description":"\u003cp\u003eRemembered mostly for his magnificent performance as the Japanese officer in \u003ci\u003eThe Bridge over the River Kwai\u003c\/i\u003e, few filmgoers realize that Sessue Hayakawa was one of the great stars of the silent cinema. In many films he played a dashing, romantic lead — a rarity for Asian actors in Hollywood, even today. Hayakawa became so popular and powerful that he was able to start Haworth Pictures to control his own destiny.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eThe Dragon Painter\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1919) was the finest of the Haworth productions.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Dragon Painter\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a rare Hollywood silent-era film to feature an almost entirely Asian cast, including Japanese lead Sessue Hayakawa, who became a bona fide superstar after his turn in Cecil B. DeMille’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cheat\u003c\/i\u003e. Produced by Hayakawa’s production company, outdoor scenes were shot on location in California’s spectacular Yosemite National Park. Coronado, California’s Japanese Tea Garden also served as a location!\u003c\/p\u003e\n\u003cp\u003eHayakawa plays Tatsu, an artist living as a hermit in the wilds of Japan. Thought mad by the local villagers, he believes that his princess fiancée has been captured by a dragon. His obsession leads to artistic inspiration. It isn’t until a surveyor comes across Tatsu in the mountains that his genius is discovered. The surveyor informs the famed artist Kano Indara about his discovery. Kano is desperate to find a male heir to teach his art, but when Tatsu meets Kano’s daughter (played by Hayakawa’s wife, Tsuru Aoki) and sees only his lost princess, a clash of wills brings the household to the brink of disaster.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"BlurbText\"\u003eSource Information:\u003cbr\u003eSFSFF RESTORATION! 35mm print from the 2023 4K digital restoration by San Francisco Silent Film Festival, Eye Filmmuseum, and George Eastman Museum. The film was photochemically restored by AFI in 1988. However, this new restoration features recently discovered additional footage located at Eye Filmmuseum in Amsterdam that greatly enhances the storyline of Ume-Ko, portrayed by Hayakawa’s real-life wife Tsuru Aoki. Restoring the film today with modern restoration tools enabled an additional level of cleaning and repair resulting in a final version that more closely resembles the original appearance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eIL CINEMA RITROVATO - DVD AWARDS 2008 Special Mention\u003c\/strong\u003e\u003c\/p\u003e","brand":"MILESTONE FILMS","offers":[{"title":"BLU-RAY","offer_id":46098829639899,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/365891_front.jpg?v=1726787529"},{"product_id":"metropolis-1927","title":"METROPOLIS (1927)","description":"\u003cp\u003e\u003cstrong\u003eFritz Lang’s Sci-Fi Masterpiece\u003c\/strong\u003e\u003cbr\u003eWith 25 Minutes of Restored Footage\u003c\/p\u003e\n\u003cp\u003eOne of the most celebrated movies in cinema history...For the first time, Lang’s vision... which has influenced contemporary films\u003cbr\u003elike “Blade Runner” and “Star Wars,” seems complete. — The New York Times\u003c\/p\u003e\n\u003cp\u003eIncorporating more than 25 minutes of newly discovered footage, this 2010 restoration of METROPOLIS is the definitive edition of Fritz Lang’s science fiction masterpiece. Backed by a new recording of Gottfried Huppertz’s 1927 score (presented here in 5.1 Stereo Surround), the film’s dazzling visual design and special effects are more striking than ever. And the integration of scenes and subplots long considered lost endows METROPOLIS with even greater tension and emotional resonance, as it dramatizes the conflict between wealthy über-capitalists and rebellious subterranean laborers—orchestrated by a diabolical scientist capable of destroying them\u003cbr\u003eboth.\u003c\/p\u003e\n\u003cp\u003eGermany 1927 B\u0026amp;W 148 Min. 1.33:1\u003cbr\u003eDirected by Fritz Lang\u003cbr\u003eScreenplay by Thea von Harbou\u003cbr\u003ePhotographed by Karl Freund, Günther Rittau Production design: Otto\u003cbr\u003eHunte, Erich Kettelhut, Karl Vollbrecht\u003cbr\u003eWith Alfred Abel, Brigitte Helm, Gustav Fröhlich, Rudolf Klein-Rogge\u003cbr\u003eMusic by Gottfried Huppertz\u003c\/p\u003e\n\u003cp\u003eA film of Friedrich-Wilhelm-Murnau-Stiftung in co-operation with ZDF and ARTE World sales: Transit Film\u003cbr\u003eRestoration carried out by Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden jointly with Deutsche Kinemathek – Museum für Film und Fernsehen, Berlin in co-operation with Museo del Cine Pablo C. Ducros Hicken, Buenos Aires\u003cbr\u003eEditorial restoration: Martin Koerber, Frank Strobel, Anke Wilkening\u003cbr\u003eDigital image restoration: ALPHA-OMEGA digital, München\u003cbr\u003eMusic performed by the Rundfunk-Sinfonieorchester Berlin\u003cbr\u003eConducted by Frank Strobel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal 1927 score by Gottfried Huppertz, performed by the Rundfunk Symphony Orchestra, Berlin, conducted by Frank Strobel, and presented in 5.1 Stereo Surround\u003c\/li\u003e\n\u003cli\u003eVoyage to Metropolis,” a 50-minute documentary on the making and restoration of the film\u003c\/li\u003e\n\u003cli\u003eInterview with Paula Felix-Didier, curator of the Museo del Cine, Buenos Aires, where the missing footage was discovered\u003c\/li\u003e\n\u003cli\u003e2010 re-release trailer\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KINO INTERNATIONAL","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":46100768981211,"sku":"","price":32.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/16380_front.jpg?v=1728236880"},{"product_id":"pandora","title":"PANDORA'S BOX (1929)","description":"\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\"THE POSTER GIRL FOR A GENERATION.\"\u003c\/strong\u003e -\u003cem\u003eCOSMOPOLITAN\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the masters of early German cinema, G. W. Pabst seemed to have an innate talent for discovering actresses. And perhaps none of his female stars shone brighter than Kansas native and onetime Ziegfeld girl Louise Brooks, whose legendary persona was defined by Pabst’s lurid, controversial melodrama\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePandora’s Box.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eSensationally modern, the film follows the downward spiral of the fiery, brash, yet innocent showgirl Lulu, whose sexual vivacity has a devastating effect on everyone around her. Daring and stylish,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePandora’s Box\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis one of silent cinema’s great masterworks and a testament to Brooks’s dazzling individuality.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eBLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 2K digital restoration\u003c\/li\u003e\n\u003cli\u003eFour musical scores, by Gillian Anderson, Dimitar Pentchev, Peer Raben, and Stéphan Oliva\u003c\/li\u003e\n\u003cli\u003eAudio commentary by film scholars Thomas Elsaesser and Mary Ann Doane\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLouise Brooks: Looking for Lulu\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1998), a documentary by Hugh Munro Neely\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLulu in Berlin\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1971), a rare interview with actor Louise Brooks, by Richard Leacock and Susan Steinberg Woll\u003c\/li\u003e\n\u003cli\u003eInterviews with Leacock and Michael Pabst, director G. W. Pabst’s son\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic J. Hoberman, notes on the scores, Kenneth Tynan’s 1979 “The Girl in the Black Helmet,” and an article by Brooks on her relationship with Pabst\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Eric Skillman\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CRITERION COLLECTION","offers":[{"title":"BLU-RAY (DIGIPACK)","offer_id":46117915295963,"sku":"SPINE #358","price":44.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/hbpR37Tk7NEPJGTnFT4b7c9iWXn4OT_large_c6c48d3f-21d4-4a91-8c10-6a019517dda8.jpg?v=1728584343"},{"product_id":"laurel-hardy-year-two-1921-1951","title":"LAUREL \u0026 HARDY: YEAR TWO (1921-1951)","description":"\u003cp\u003e\u003cstrong\u003eThe definitive Laurel \u0026amp; Hardy restoration project continues…\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to \"talkies\" in 1929.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough their names are synonymous with the very idea of comedy, few of the original negatives for Laurel and Hardy's early silent work survive, elements only available from scattered sources throughout the world, often in substantially less than pristine shape. It took the team at Blackhawk Films four years to gather all surviving film elements, to meticulously compare them shot by shot, and to complete the best digital restorations possible. Today, these beloved shorts look as new as they did nearly a century ago.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing all new restorations sourced from best available materials contributed by archives and collectors around the world restored by Blackhawk Films® and FPA Classics, this comprehensive deluxe Blu-ray 2-Disc collection features their ten 1928 films as a team and additional films from the Hal Roach Studios that showcase their final solo short film appearances, as well as the shift from silent films to films featuring music and synchronized sound effects.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShorts on the Laurel \u0026amp; Hardy: Year Two set include:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeave 'em Laughing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Finishing Touch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrom Soup to Nuts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou're Darn Tootin'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTheir Purple Moment\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShould Married Men Go Home?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEarly to Bed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTwo Tars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHabeas Corpus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe Faw Down\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach film features a newly recorded score from some of the best silent film composers working today, including Neil Brand, Antonio Coppola, and Andrea Benz. The release is curated by film historians and Laurel and Hardy specialists; Randy Skretvedt, Dick Bann, Serge Bromberg, and Eric Lange.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBonus materials currently announced (with others to potentially follow):\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary Tracks – For each film by historians and authors Randy Skretvedt and Richard Bann\u003c\/li\u003e\n\u003cli\u003eExclusive, Rare Audio - Featuring Anita Garvin, Thomas Benton Roberts, and Hal Roach, from personal interviews conducted by historian Randy Skretvedt\u003c\/li\u003e\n\u003cli\u003eAdditional Musical Scores – Alternate audio options, including fully restored original 1928 Vitaphone tracks on Habeas Corpus and We Faw Down\u003c\/li\u003e\n\u003cli\u003eLaurel \u0026amp; Hardy On-Location in Year Two – A video essay by historian John Bengtson on selected location exteriors\u003c\/li\u003e\n\u003cli\u003eEve's Love Letters (1927) – One of Stan Laurel's final solo films, directed by Leo McCarey and written by Laurel himself, from rare 35mm elements\u003c\/li\u003e\n\u003cli\u003eGalloping Ghosts (1928) – Two surviving fragments of a rare solo Oliver Hardy comedy\u003c\/li\u003e\n\u003cli\u003eA Pair of Tights (1928) – A short starring Anita Garvin and Marion Byron, who were teamed to try and replicate the success of Laurel and Hardy\u003c\/li\u003e\n\u003cli\u003eGeorge Mann's Home Movies – From behind the scenes of Hal Roach Studios, including the filming of Should Married Men Go Home?\u003c\/li\u003e\n\u003cli\u003eA Complete, 20-minute Interview – By Tony Thomas with Stan Laurel, recorded in January 1959, the year after Oliver Hardy's death\u003c\/li\u003e\n\u003cli\u003eFilm Specific Image Galleries – Containing original publicity materials, press reviews, and rare production stills\u003c\/li\u003e\n\u003cli\u003eSouvenir Booklet – Containing a new collection introduction by Serge Bromberg and Eric Lange; A look at the supporting players and other creative personnel in the world of Hal Roach Studios by historian Sara Imogen Smith; A new essay exploring the development of the Vitaphone sound-on-disc system in 1928 by Randy Skredvedt; and comprehensive notes on each film\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FLICKER ALLEY","offers":[{"title":"BLU-RAY","offer_id":46231400480987,"sku":"","price":82.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/368323_front.jpg?v=1730838139"},{"product_id":"seven-chances-sherlock-jr-1924-1925","title":"SEVEN CHANCES \/ SHERLOCK JR. 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A newspaper announcement provides him with more fiancées than he can handle, setting in motion the most epic and surreal chase sequence of Keaton’s career.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eSherlock Jr.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/strong\u003eis a brilliant deconstruction of the filmmaking process. Keaton stars as a movie theatre projectionist who dreams of becoming a super-sleuth, and, in one breathtaking sequence, literally steps into the screen to bring his fantasies to life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio commentary for Seven Chances by film critic Adam Nayman\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio commentary for Sherlock Jr. by film critic Matt Singer\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eA Brideless Groom (1947, 17 min.), a Three Stooges short that recycles the premise of Seven Chances\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eHow a French Nobleman Got a Wife Through the New York Herald Personal Columns, a 1904 Edison short directed by Edwin S. Porter\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eMusic for Seven Chances and Sherlock Jr. by Robert Israel\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KINO LORBER","offers":[{"title":"BLU-RAY","offer_id":46251135172827,"sku":"","price":23.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/371708_front.jpg?v=1731444480"},{"product_id":"charley-chase-at-hal-roach-late-silents-1927","title":"CHARLEY CHASE AT HAL ROACH: THE LATE SILENTS (1927)","description":"\u003ch3\u003eA collection of 15 all-time great silent-era comedy shorts starring one of the silent era's top stars.\u003cspan\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eBoth Charley Chase and the Hal Roach Studios Golden Era was in the late 1920's, and 1927 was the year Charley Chase was the Lot of Fun's Number One star. His films from that period, directed by his brother James Parrott and supervised by Leo McCarey, were not only some of his best but were also some of the greatest comedies from the silent era. Most of these classic shorts have never been seen since their original release, and this set combines materials from film archives and private collections from around the world to bring these shorts together for the first time, all with wonderful accompaniment from Dr. Andrew Simpson, commentary tracks by noted Hal Roach Historian Richard M. Roberts, and restoration by the experts at CineMuseum LLC. Fifteen great comedy shorts like MANY SCRAPPY RETURNS, WHAT WOMEN DID FOR ME, THE WAY OF ALL PANTS, and US, show Charley Chase as a comedy talent at the top of his game, with interesting co-stars like Lupe Velez, Jean Arthur and Eugene Pallette, as well as Hal Roach regulars like Anita Garvin, Charley Hall, Noah Young, and even Stan Laurel and Oliver Hardy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree bonus short subjects\u003c\/li\u003e\n\u003cli\u003eAn extensive photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KIT PARKER FILMS","offers":[{"title":"BLU-RAY (WITHOUT SLIPCOVER)","offer_id":46281386754267,"sku":"","price":34.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/365896_front.jpg?v=1732048589"},{"product_id":"f-w-murnaus-nosferatu-1922","title":"NOSFERATU (1922)","description":"\u003cp\u003eA cornerstone of the horror film, F.W. 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Backed by an orchestral performance of Hans Erdmann's 1922 score, this edition offers unprecedented visual clarity and historical faithfulness to the original release version.\u003c\/p\u003e\n\u003cp\u003eAn unauthorized adaptation of Bram Stoker's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDracula\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNosferatu\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eremains to many viewers the most unsettling vampire film ever made, and its bald, spidery vampire, personified by the diabolical Max Schreck, continues to spawn imitations in the realm of contemporary cinema.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNewly mastered in HD from the archival 35mm restoration by the Friedrich-Wilhelm-Murnau-Stiftung\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDisc One: English intertitles\u003c\/li\u003e\n\u003cli\u003eDisc Two: German intertitles (and optional English subtitles\u003c\/li\u003e\n\u003cli\u003eHans Erdmann's original 1922 score, in DTS-HD Master Audio 5.1 or 2.0 Stereo\u003c\/li\u003e\n\u003cli\u003eThe Language of Shadows (2007), a 52-minute documentary on the making of \u003cem\u003eNosferatu\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLengthy excerpts from other films by F.W. 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Lon Chaney takes center stage as HE, a tortured clown whose signature act is receiving an endless series of slaps to the face.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnbeknownst to the cheering crowd, however, HE is disgraced scientist Paul Beaumont who, robbed of his research and publicly humiliated by the evil Baron Regnard (Marc McDermott), has spent the last five years intricately staging a most bizarre and twisted revenge.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginally a 1914 Russian stageplay by expressionist author Leonid Andreyev, He Who Gets Slapped became a hit on Broadway in 1922 and was immediately targeted by Louis B. Mayer as the first project at his new studio, soon to be amalgamated as Metro-Goldwyn-Mayer (MGM.) 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Blake\u003c\/li\u003e\n\u003cli\u003eHe Who Gets Smacked (1925) - From producer Mack Sennett and director Lloyd Bacon, this comedic short stars Ralph Graves as Jimmie, a hapless department store worker who accidentally volunteers for a professional boxing match\u003c\/li\u003e\n\u003cli\u003eKoko at the Circus (1926) - Will Koko and Fritz the Dog's circus act be replaced by a giant? 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Perhaps best known today for directing the first adaptation of The Fall of the House of Usher from a screenplay co-written with Luis Buñuel, Epstein produced several masterpieces during the silent period, including Faithful Heart (Coeur fidèle), The Three-Sided Mirror (La glace à trois faces) and Finis Terrae, the story of a group of fishermen stranded off the cost of Brittany.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFour fisherman set out on a three month expedition to the islet Bannec. They intend to harvest seaweed, which will fetch high prices if burned and processed properly – but cabin fever soon sets in. After two of the men brawl over a broken bottle of wine, one of them cuts his thumb on a piece of glass, while the other comes to suspect that his knife has been stolen with malicious intent. As the situation escalates, conditions at sea make it impossible for the men to leave Bannec or for help from the mainland to reach them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn atmospheric maritime tale and a forerunner to such films as Robert Eggers' The Lighthouse and Mark Jenkin's Bait, Finis Terrae is one of Jean Epstein's finest achievements and an aesthetic triumph, particularly in its early and deeply effective use of slow motion cinematography. The Masters of Cinema series is honoured to present Finis Terrae on Blu-ray for the first time in the UK and North America, sourced from an astounding 4K restoration by Gaumont Film Company.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e4K RESTORATION BY GAUMONT\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eImpressions on Jean Epstein – new interview with film historian and critic Pamela Hutchinson on the life and work of the director\u003c\/li\u003e\n\u003cli\u003eStranded – new video essay on Finis Terrae\u003c\/li\u003e\n\u003cli\u003eThe Bottom of the Wave – an archival appreciation of Finis Terrae by Joel Daire\u003c\/li\u003e\n\u003cli\u003eLimited edition O-card slipcase featuring new artwork by John Dunn\u003c\/li\u003e\n\u003cli\u003eLimited edition collector's booklet featuring a new essay on Finis Terrae by Jean Epstein expert Christophe Wall-Romana and archival writing by the director\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EUREKA! 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Garden\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eThe Lodger (1927) – Imprint Collection #441\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA rash of murders evokes a family’s suspicions about their tenant, a man fascinated with their beautiful daughter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by composer Paul Zaza\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by Ashley Irwin in 5.1 Surround Sound (1999)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary Orchestral Score by Nitin Sawhney, performed by the London Symphony Orchestra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLive Orchestral Score by Graham Reynolds (2017)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eAudio Commentary by Kim Newman and Barry Forshaw\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary by film historian Patrick McGilligan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eThe Sound of Silence: The Making of The Lodger\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003ePeter Bogdanovich Interviews Hitchcock\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – audio\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eHitchcock \/ Truffaut\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – archival audio interview\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eSuspense: The Lodger\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – 1940 radio adaptation directed by Alfred Hitchcock and starring Herbert Marshall, Edmund Gwenn, and Lurene Tuttle\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eHollywood Star Time: The Lodger\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – 1946 radio adaptation starring Vincent Price and Cathy Lewis\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eMystery in the Air: The Lodger\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – 1947 radio adaptation starring Peter Lorre, Agnes Moorehead, and Henry Morgan\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eScoring The Lodger with Nitin Sawhney\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestoration Comparison\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eThe Ring (1927) – Imprint Collection #442\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA skilled young boxer who travels the country fairs with his portable boxing booth is challenged by an international champion, who not only threatens to defeat him in the ring, but also competes against him for the affections of a beautiful cashier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Jazz Ensemble Score by Neil Brand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by Antonio Coppola\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by Xavier Berthelot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with film historian Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eNeil Brand on his score for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Ring\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ci\u003e\u003cspan\u003eA Knockout Score: Neil Brand on The Ring\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHitchcock \/ Truffaut: Archival Audio Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Director \/ Film Historian Noël Simsolo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAspect Ratio 1.33:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eDownhill (1927) – Imprint Collection #443\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA sixth-form schoolboy is expelled in disgrace after being suspected and accused of theft. However, when he is found innocent, what path will his life take?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by John Sweeney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by Christophe Henrott\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with film scholar Ian Christie\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by critic Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eThe Farmer’s Wife (1928) – Imprint Collection #444\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAfter his daughter’s wedding, a lonely widowed farmer decides it is time to remarry, but his search for a new wife proves disastrous. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano and Digital Keyboard Score by Jon C. Mirsalis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by Neil Brand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by Xavier Berthelot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eHitch in the Countryside: Neil Brand on The Farmer’s Wife\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHitchcock \/ Truffaut: Archival Audio Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExtract from BEHP Interview with Ronald Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Director \/ Film Historian Noël Simsolo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eEasy Virtue (1928) – Imprint Collection #445\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAfter divorcing an abusive husband, an innocent woman makes a valiant effort at beginning her new life, but cannot escape the incidents surrounding her past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSolo Piano Score by composer Neil Brand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSolo Piano Score by composer Mauro Colombis\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with film historian Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with BFI silent film curator Bryony Dixon\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eNeil Brand on his score for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEasy Virtue\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eChampagne (1928) – Imprint Collection #446\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWhen her father tells her that all the money from his champagne business has been lost, a spoiled rich girl accustomed to living a life of luxury goes to seek her own fortune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by Neil Brand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by Ben Model\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by Xavier Berthelot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary by film historian Farran Smith Nehme\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with Pamela Hutchinson on Betty Balfour\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eHitch and Champagne\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Neil Brand on Music for Silent Film\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eA Heady Cocktail\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Charles Barr on \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eChampagne\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHitchcock \/ Truffaut: Archival Audio Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Director \/ Film Historian Noël Simsolo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eThe Manxman (1929) – Imprint Collection #447\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWhen a poor fisherman is denied the hand of his bride-to-be by her judgemental father, he goes to sea to seek his fortune, leaving his love in the care of his best friend. When the fisherman is reported lost at sea, his best friend and former love begin an affair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by composer Andrew Earle Simpson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Ensemble Score by composer Stephen Horne\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by composer Antonio Coppola\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSolo Piano Score by composer Xavier Berthelot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary by film historian Farran Smith Nehme\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with film scholar Ian Christie\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with Pamela Hutchinson on Anny Ondra\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ci\u003e\u003cspan\u003eMelodrama a la Manx: Stephen Horne on Scoring Hitchcock\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ci\u003e\u003cspan\u003eHitch’s Leading Ladies by Davina Quinlivan\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHitchcock \/ Truffaut: Archival Audio Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Director \/ Film Historian Noël Simsolo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBlackmail (1929) – Imprint Collection #448\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA young woman is blackmailed by an opportunistic criminal after he sees her murder a man during an attempted assault. Meanwhile, the young woman’s boyfriend, a police detective, is assigned to the case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSilent Version – Special Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the Silent Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestral Score by Moritz Eggert (year unknown)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eElectroacoustic score by Edison Studio (5.1 Surround or Stereo)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eTalkie Version – Special Features and Technical Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the Talkie Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eInterview with BFI silent film curator Bryony Dixon\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ci\u003eSilent into Sound: Neil Brand on Blackmail \u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnny Ondra’s Screen Test \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExtract from BEHP Interview with Ronald Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHitchcock \/ Truffaut: Archival Audio Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by Director \/ Film Historian Noël Simsolo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction by actor Tony Curtis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImage Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English LPCM 2.0\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eBonus Disc: I Am Alfred Hitchcock (2021)\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eWorldwide first on Blu-ray!\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA seminal figure in the world of cinema, Alfred Hitchcock produced some of the most famous films ever made. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eI Am Alfred Hitchcock\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e delves deep into the man behind the camera, exploring his infamous controlling personality and his complex, fascinating relationships with his family and his muses. 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