{"product_id":"carnival-in-the-night-1981","title":"CARNIVAL IN THE NIGHT (1981)","description":"\u003cp\u003e\u003cem class=\"quoted-creative-work-title\"\u003e闇のカーニバル\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOf a pair with his 8mm debut Saint Terrorism — in which wayward youths and sex workers navigate attraction and murderous intent — Masashi Yamamoto’s jishu-eiga (self-produced) breakthrough Carnival in the Night unfurls with a palpable sense of rage and abandon, capturing images of Shinjuku’s underground and transforming its DIY scene into a purgatorial and claustrophobic realm. Aspiring punk rocker and single mother Kumi (Kumiko Ota) drops off her child with her ex-husband and the world is bled of colour, beginning a phantasmagorical journey of self-discovery and self-destruction; a pitch black look at the margins of society contrasted by a backhanded, yet no less poignant, reflection on responsibility and motherhood.\u003c\/p\u003e\n\u003cp\u003eYamamoto’s film — shot in an hypnotizing vérité style — propels Kumi forward as she crosses paths with a variety of addicts, squatters and bomb-makers, her march ‘till dawn marked by senseless acts of violence. Anticipating the squatter’s eden depicted in Robinson’s Garden as well as the anti-capitalist global antics of What’s Up Connection, Carnival in the Night also prefigures Japanese punk cinema classics such as Sogo Ishii’s Burst City (1982) and Shinya Tsukamoto’s Bullet Ballet (1998). Saint Terrorism and Carnival in the Night, presented here restored from their original 8mm and 16mm elements, showcase Masashi Yamamoto at his most anarchic and transgressive.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e4K restoration of Carnival in the Night from the 16mm negatives\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K restoration of Saint Terrorism (1981, 127min) from Single 8mm elements\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDUDE (2025, 39 minutes) a newly commissioned short film directed by Masashi Yamamoto, exclusive to this release\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with a new essay by James Balmont\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish, English SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KANI","offers":[{"title":"BLU-RAY","offer_id":48550741835995,"sku":null,"price":49.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/6379\/4395\/files\/408905_front.jpg?v=1775165614","url":"https:\/\/baystvideo.com\/products\/carnival-in-the-night-1981","provider":"Bay Street Video","version":"1.0","type":"link"}