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WARNER ARCHIVE

COMPLETE THIN MAN, THE (1934-1947)

COMPLETE THIN MAN, THE (1934-1947)

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Now they're together in one Blu-ray collection! The sparkling M-G-M series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife who solved murders with the aid of their wire-haired terrier, Asta. Set in the glamorous world of 1930s and 40s upper-class Manhattan, The Thin Man and its sequels established a timeless standard for witty comedy, clever dialogue and urbane one upmanship. The 6-Disc set includes THE THIN MAN (1934), AFTER THE THIN MAN (1936), ANOTHER THIN MAN (1939), SHADOW OF THE THIN MAN (1941), SONG OF THE THIN MAN (1944) and THE THIN MAN GOES HOME (1947). Each film has been meticulously remastered and restored for Blu-ray, from 4K scans of the best surviving preservation elements. Additionally, each feature in the collection is accompanied by its original theatrical trailer, plus vintage short subjects and animated cartoons to help re-create the way these films were first presented in theaters upon their original release. It's an essential collection of screen classics that belong in every serious film lover's library.

THE THIN MAN (1934)

Nick and Nora Charles cordially invite you to bring your own alibi to The Thin Man, the jaunty whodunit that made William Powell and Myrna Loy the champagne elite of sleuthing. Bantering in the boudoir, enjoying walks with beloved dog Asta or matching each other highball for highball and clue for clue, they combined screwball romance with mystery. The resulting triumph nabbed four Academy Award® nominations (including Best Picture) and later spawned five sequels. Credit W.S. "Woody" Van Dyke for recognizing that Powell and Loy were ideal together and for getting the studio's okay by promising to shoot this splendid adaptation of Dashiell Hammett's novel in three weeks. He took 12 days. They didn't call him "One-Take Woody" for nothing.

AFTER THE THIN MAN (1936) 

They're back, and this time on Blu-ray! William Powell and Myrna Loy returned to their roles from the 1934 smash hit THE THIN MAN for this second of five sequels to the original.,,,and now it's appearing in HD for the very first time! It's New Year's Eve, Nick and Nora Charles have returned to the West Coast, and the philandering hubby of Nora's cousin has gone missing. Round up the unusual suspects. The stars (including the four-footed one!), writers and director of The Thin Man reunite for a giddy second comedy whodunit. Myrna Loy is Nora, who by all accounts doesn't scold, doesn't nag and looks far too pretty in the morning. William Powell is Nick, retired from sleuthing but hardly retiring when it comes to a case more scrambled than the 3 A.M. eggs he whips up. And rising star James Stewart leads a tip-top supporting cast. "This is a fine way to start the New Year," Nick says, as he springs Nora from lockup. Indeed, it is!

ANOTHER THIN MAN (1939) 

Dum-Dum, Wacky, Creeps, Fingers: They're just a few of the hoodlums in the world of amateur sleuths and professional bon vivants Nick and Nora Charles. And now there's a new hood: parenthood. A birthday – make that boithday – party that some of da boys hold for infant Nick Jr. is part of the fun in this third film in the witty series. The case begins when the Charles family arrives for a weekend with a Long Island industrialist who fears someone wants to kill him. Sure enough, his fears come true. Nick (William Powell) is among the suspects. Asta scrams with what may be the murder weapon. And Nora (Myrna Loy) has her own ideas about the case and sneaks off to a nightclub to ferret out a clue. "Madam, how long have you been leading this double life?" Nick asks. "Just since we've been married," she replies.

SHADOW OF THE THIN MAN (1941) 

New York police officer Daniel Ciello (Treat Williams) is not a perfect cop. When Rick Cappalino (Norman Parker) from the U.S. Justice Department approaches him with a personal request to investigate police corruption, Ciello agrees -- provided he is not forced to turn in his fellow crooked cops. But as he delves deeper into the underbelly of drug crime, he realizes that it may be impossible to keep his promises. He will have to bring his friends down, or he'll end up going down himself.

SONG OF THE THIN MAN (1944) 

At a charity gambling benefit aboard the S.S. Fortune, the tables are hot, the jazz is hotter and before you know it, a bandleader's body is growing cold. They're playing your song, Nick and Nora Charles! William Powell and Myrna Loy return for the sixth and final time as the married sleuths, rousting suspects out of bed for 4 a.m. interrogations while trying to fathom the bebop argot of '40s jazz jive. Speaking of their renowned screen chemistry, Loy once said, "It wasn't a conscious thing. If you heard us talking in a room, you'd hear the same thing. He'd tease me, and there was a sort of blending which seemed to please people." Decades later, people are still pleased. The melody of Song of the Thin Man and the entire beloved series lingers on.

THE THIN MAN GOES HOME (1947) 

Outlaws come and go in Nick and Nora's lives. Now it's time to meet the in-laws.

The debonair sleuths leave little Nicky Jr. at boarding school, grab Asta and head to Nick's boyhood home of Sycamore Springs. Of course, wherever they go, murder has a way of showing up on the doorstep—a point proven in this fifth Thin Man film.

Nick can show off his gumshoe talents for his parents (Harry Davenport and Lucile Watson) when an artist is killed. And he'll do it without customary liquid inspirations because Nick (William Powell) is on the wagon. He's also on his game. As is Nora (Myrna Loy), wrestling a folding lawn chair, tailing a presumed suspect through town, igniting a pool-hall rumble and cracking wise as goodas she gets.

Make yourself at home, whodunit fans!

2024-11-12

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