KILLING OF AMERICA, THE (1981)

Fully restored and just as explosive almost four decades after its inception, the film will be presented uncensored and uncut. In addition, the Blu-ray release includes the even more unnerving Japanese version known as Violence USA, which contains previously unseen footage from the American cut. A limited nationwide theatrical release is also planned; cities and theatres to be announced.

In 1981, director Sheldon Renan and Academy Award® nominated co-producer/co-writer Leonard Schrader (brother of filmmaker Paul) created a graphic and provocative examination of America's history with – and penchant for – senseless violence, mass shootings and cold-blooded murder. Piercing, brutal and at times, unflinchingly graphic, The Killing of America was exhibited briefly in New York in 1982...and subsequently shelved. While the ensuing thirty five years have – thankfully – seen the lowering of overall violent crimes in the nation, the documentary's themes about equating violence with economic & racial discrimination and the continued proliferation of personal firearms in our republic still echo in the national discourse during this election year. Sometimes, to solve a problem in front of us, we must look to the past... The Killing of America begins with the following cautionary note: "All of the film you are about to see is real. Nothing has been staged." Guided by interviews with criminals (including Robert Kennedy's assassin Sirhan Sirhan) and law-enforcement officials as well as incendiary newsreel footage of actual violent crimes, viewers are taken on a profoundly disturbing and still chillingly relevant journey into a uniquely American heart of darkness. Rock! Shock! Pop! proclaimed the film "a powerful experience," The Guardian declared it "austere and remarkable," and Vox Magazine showered praise via the warning "not for the faint of heart."

Special Features:

• Audio commentary with director Sheldon Renan
• Interview with director Sheldon Renan
• Interview with editor Lee Percy
• Interview With Mondo Movie historian Nick Pinkerton