LAST WALTZ, THE (CRITERION)

More than just one of the greatest concert films ever made, The Last Waltz is an at once ecstatic and elegiac summation of a vital era in American rock music. Invited to document the farewell performance of the legendary group the Band at San Francisco's Winterland Ballroom on Thanksgiving, 1976, Martin Scorsese conceived a new kind of music documentary. Enlisting seven camera operators (including renowned cinematographers Vilmos Zsigmond, László Kovács, and Michael Chapman) and art director Boris Leven to design the strikingly theatrical sets, Scorsese created a grandly immersive experience that brings viewers onstage and inside the music itself. That music—as performed by the Band and a host of other generation-defining artists, including Bob Dylan, Joni Mitchell, Van Morrison, the Staple Singers, Muddy Waters, and Neil Young—lives on as an almost religious expression of the transcendent possibilities of rock and roll.

Special Features and Technical Specs:

• NEW 4K RESTORATION OF THE FILM, supervised and approved by musician Robbie Robertson, with 5.1 surround DTS-HD Master Audio soundtrack
• DOLBY VISION/HDR PRESENTATION OF THE FILM
• Alternate uncompressed stereo soundtrack
• Two audio commentaries, featuring director Martin Scorsese; Robertson; other members of the Band; members of the production crew; and performers Dr. John, Ronnie Hawkins, and Mavis Staples
• New interview with Scorsese, conducted by critic David Fear
• Documentary from 2002 about the making of the film
• Outtakes
• Interview from 1978 with Scorsese and Robertson
• Trailer and TV spot
• English subtitles for the deaf and hard of hearing
• An essay by critic Amanda Petrusich