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SALO (UHD IMPORT)

SALO (UHD IMPORT)

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FORMAT

The final vision of a controversial filmmaker.

Banned, censored and reviled the world over since its release, Pier Paolo Pasolini's final and most divisive film is presented here in a new 4K restoration (with the extras on a standard Blu-ray disc). The content and imagery of Salò is extreme: it retains the power to shock, repel and distress. But it remains a cinematic milestone: culturally significant, politically vital and visually stunning.

Salò is a film about power, corruption and the degradation of the human body. It is a devastating, angry cry from one of the most controversial auteurs in cinema history.

Special Features and Technical Specs:

  • NEW 4K RESTORATION OF THE FILM
  • DOLBY VISION/HDR PRESENTATION OF THE FILM
  • ITALIAN AND ENGLISH AUDIO TRACKS, with optional English and English descriptive subtitles
  • NEW Audio commentary by film historians Troy Howarth and Eugenio Ercolani (2026)
  • Audio Commentary by film critic Kat Ellinger (2019)
  • Pier Paolo Pasolini: The Interview Under the Tree (1975, 6 mins) an interview with the director conducted by Gideon Bachmann
  • 'OSTIA (The Death of Pasolini)' Coil's 1986 track with video accompaniment from 2008
  • Open Your Eyes! (2008, 21 mins): Pasolini and his actors at work on the set of Salò
  • Walking with Pasolini (2008, 22 mins): documentary featuring Neil Bartlett and Noam Chomsky
  • Whoever Says the Truth Shall Die (1981, 61 mins): documentary on the life and death of Pasolini
  • Salò: Fade to Black (2001, 24 mins): documentary exploring Pasolini's Salò
  • Ostia (1987, 27 mins): features Derek Jarman, and also includes optional audio commentary by Julian Cole
  • The End of Salò (2008, 41 mins): documentary looking at the film's production
  • Enfants de Salò (2002, 19 mins): French filmmakers including Gaspar Noé deconstruct Salò
  • Original Italian trailer
  • First pressing only: Illustrated booklet featuring a new essay by Zoë Rose Smith, archive writing by the late Sam Rohdie and Peter Christopherson, a look at the film's historic censorship in the UK, notes on the special features and credits

2026-11-04

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