SARABAND FOR DEAD LOVERS

A Romance that rocked the Thrones of Kings.

From the celebrated director-producer team of Basil Dearden and Michael Relph (The Gentle Gunman, The Ship That Died of Shame) comes Saraband for Dead Lovers, the first colour production from Britain's legendary Ealing Studios.

In this sumptuous historical romance, a teenage princess (Joan Greenwood, Girl Stroke Boy) is trapped in a loveless marriage to Prince George Louis of Hanover (Peter Bull, The Old Dark House), heir to the British throne. To escape the boredom, she begins a dangerous affair with Count Philip Konigsmark (Stewart Granger, Footsteps in the Fog), an affair with potentially terrible consequences for the pair...

Adapted from a novel by Helen Simpson (Under Capricorn) by Alexander Mackendrick (Whisky Galore!) and John Dighton (Kind Hearts and Coronets), scored by acclaimed composer Alan Rawsthorne (The Cruel Sea), and shot in ravishing three-strip Technicolor by the great Douglas Slocombe (The Young Ones, Murphy's War), Saraband for Dead Lovers is a glorious feast for the eyes and ears.

Special Features and Technical Specs:

• 4K RESTORATION PREPARED ON BEHALF OF STUDIOCANAL
• DOLBY VISION/HDR PRESENTATION OF THE FILM
• Original mono audio
• A Sense of Loyalty (2025): director and screenwriter James Dearden introduces his father's work
• The BEHP Interview with Michael Relph (1990): archival audio recording, made as part of the British Entertainment History Project, featuring the producer-director-set designer and long-term Dearden collaborator in conversation with Sidney Cole and Alan Lawson
• A Technicolor Dance (2023): film historian Josephine Botting delves into the production of Saraband for Dead Lovers
• A Strange Adventure (2023): broadcaster Matthew Sweet and film critic Phuong Le discuss the film's themes and reception
• Restoring 'Saraband for Dead Lovers' (2023): a look behind-the-scenes of this glorious three-strip Technicolor film restoration by those involved in its process
• Original storyboards
• Image galleries: promotional and publicity material, and production book
• New and improved English subtitles for the deaf and hard of hearing
• Limited edition exclusive 80-page book with new essay by Robert Murphy, archival pieces by Basil Dearden, producer Michael Balcon, art director Michael Relph, director of photography Douglas Slocombe, costume designer Anthony Mendleson, and conductor Ernest Irving, archival profiles of the film's cast, an overview of contemporary critical responses, and full film credit